All user reviews for the Bill Lawrence USA A 300

I use this mic from time to time for sound to my folks. I could compare with Seymour Duncan micro rosette (wood) from a friend. Lawrence rendering is much higher for a lower price.

I'm not a great audio player, but I was looking for an affordable, what sound to my folks quickly, practice.
I was not disappointed, the microphone works well obviously on typical electro acoustic amps, but also amps lamps (electric typed) and, and this is a quality, connected directly into a mixer .

The fact that the cable is attached to the microphone is a little swelling, but if this is standard in this product range, there must be a reason.
The cable is fine, I'm a little scared to strength over the long term, we'll see.

The spindle is flexible enough to fit in a large number of rosettes (jumbo, dreadnought, parlor ... the same friend) without breaking.
To do that little gaffe during installation, no danger of damaging the instrument.

Excellent value for this microphone that does what is asked.

On December 4, 2004 I found in my store MUSIC CHALLENGE 44 rue Stanislas 54000NANCY. JOCELYN FRANCOIS welcome you and super nice !!!!!! and no trouble. I asked a council to amplify my acoustic guitar Ibanez Concord of 1974. L they show me the micro rosette me touting its MRIT. At the sight of the object immediately admit having a rticence lgitime when we remember this type of microphones that electrified force feedback your beautiful wooden object. But the surprise test! has done! Fidler made on a guitar "lambda" warm sound too much screaming and Fidler mdiums acute in its original bte. What more for some 100 euros max! then go for it! hsitation and not possible to buy the Music Challenge you will not be due

I ordered this micro rcemment I have since yesterday. I test on my Seagull 2 ​​(S6 and S12), which are teams in each sensor nut Shadow. As much I love the sound of my acoustic guitars 2, as the sound of the piezo does not suit me, I can not find the sounds of my guitars ...
So I turned to the microphone rose, and ds the first tests I t sduit. The sound of the guitar sound is respect trs has equilibrated larsne do not.
I compared the two modes of amplification (A-300 and piezo) APRS one another, there is no photo ...
Here is a glimpse of her: <a rel="nofollow" href="http://fr.youtube.com/watch?v=rafujVRZa3w" target="_blank">http://fr.youtube.com/watch?v=rafujVRZa3w</a>

Being left handed, I prviens a thing if one wants the left acqurir, mount the microphone upside down to the micro Rear of the rose, because the microphone must be pr rgl for a perfect sound balance, and being brought up in the back gives too much support in the treble and not enough in the lower ...

Only thing I drang is the thread that emerges from the front of the guitar. It does not do too much on scne, I will not change soon ...

I bought several to amplify acoustic guitars (6 and 12 string folk, classical cheap found in car boot fitted with electric cords)
Long time now I use it live rock & roll, at home, on tube amp (not necessarily an acoustic amp)
and the result is super
also very sturdy because it has not budged despite numerous crisscrossing

not need to thoroughly like a piezo for sound, much less a problem of feedback, especially on stage, and you can touch the body of the guitar without hearing the "booms" incessant

single flat jack (very good) is a male jack, moderately long
we would have preferred a shorter female jack (at the guitar) that could have been lengthened with the jack of the desired length