Log in
Log in

or
Create an account

or
< All Neumann KH 120 A reviews
Add this product to
  • My former gear
  • My current gear
  • My wishlist
Neumann KH 120 A
Images
1/508
Neumann KH 120 A

Active Monitor from Neumann belonging to the KH series

Wazana Records Wazana Records

« Small but accurate »

Published on 09/19/14 at 06:56
What motivated my choice was the frequency response curve. I wanted them mainly to mix, so I wanted some quality nearfield monitors that were as flat as possible, and I got them.
I use them with my Tascam M3500 mixer and a Universal Audio Apollo

SOUNDS

Very, very neutral. I had the Adam f5 before and, for the price, I was very satisfied with them, but not for mixing, It took me some time to get used to these Neumann, a little over a month. The vocals seemed too upfront, compared to the rest, but now it doesn't seem that way (maybe it was the break-in or my ears that got used to them). Anyway, ever since my mixes sound much more open and precise. Every instrument is in its exact place in the stereo field. Considering the size of the woofer, a 5-incher, it goes pretty deep, even though I don't think it's that accurate. I'd say you can trust them with your eyes closed from 100Hz to 20kHz, below that you'll need a sub (I have the Adam sub7). The stereo image is amazing for monitors this size, they blew me away. They have a good dynamic response, too.

OVERALL OPINION

It's been four months since I mix with them and it's a real delight, the manufacturing quality is great, you can really tell they are German and, especially that they are Neumann... They are a bit heavy, but I won't complain about that.
I have worked with Adam, Sonodyne, Genelec, Graal Audio, Mackie, Behringer... I think their price is a bit high. They should cost the same as the Sonodyne (around $1300), but 250 bucks more aren't the world...
What I like best is the precision and the neutrality of the frequency response.
What I like the least: You need to be right in front of the monitors for the stereo image to be optimal (they are not the best to edit with Pro Tools when the Mac is next to the mixer, but that's not really a defect, it's just the sweet spot that is narrower than with my old Adams. I don't think that's a defect, quite the contrary, but it did annoy me in the beginning...