carb0ne
Published on 10/11/04 at 01:51
AD converter, 16 or 24 bits, 32 kHz to 96 kHz.
Between:
* Symrtiques XLR (X2)
* Numriques (2 AES / EBU XLR, ADAT / TOSLINK, RCA)
Outputs:
* 2 AES / EBU XLR
* ADAT / TOSLINK
* RCA
Double converter supporting two formats indpendants output. Couraging any kind of format conversion mode digital-digital (SD).
AD converters trs high-end components tris (eg, DD mode, converting 96 kHz to 44.1 kHz S / N ratio of 157 dB).
Strong color dithering (SD mode):
* TPDF classic
* Super noise shaper (SNS1 SNS4) - curves provided in the manual.
Misc:
* LCD screen
* Adjustable LED brightness
* 4 factory presets in AD, 4 SD
* 4 user presets in AD, 4 SD
Note: Use with DA2 (also onreux ...).
OVERALL OPINION
Used in the studio since January 2004.
Most:
Simplicity of use *
* Non-standard performance
* Reliability (conversion, clock, dithering ...).
The -:
* The price (about 9500 euros ...).
Conclusion:
* A high quality product every studio pros advise
* The price hlas Reserved to the most demanding professionals.
Between:
* Symrtiques XLR (X2)
* Numriques (2 AES / EBU XLR, ADAT / TOSLINK, RCA)
Outputs:
* 2 AES / EBU XLR
* ADAT / TOSLINK
* RCA
Double converter supporting two formats indpendants output. Couraging any kind of format conversion mode digital-digital (SD).
AD converters trs high-end components tris (eg, DD mode, converting 96 kHz to 44.1 kHz S / N ratio of 157 dB).
Strong color dithering (SD mode):
* TPDF classic
* Super noise shaper (SNS1 SNS4) - curves provided in the manual.
Misc:
* LCD screen
* Adjustable LED brightness
* 4 factory presets in AD, 4 SD
* 4 user presets in AD, 4 SD
Note: Use with DA2 (also onreux ...).
OVERALL OPINION
Used in the studio since January 2004.
Most:
Simplicity of use *
* Non-standard performance
* Reliability (conversion, clock, dithering ...).
The -:
* The price (about 9500 euros ...).
Conclusion:
* A high quality product every studio pros advise
* The price hlas Reserved to the most demanding professionals.