chaletvs
Note : 8 sur 10
« A pleasure to use ... »
Published on 08/10/12 at 11:25Analogue studio console, introduced in 1991, marketed juqu'en 1995 I believe. Not suitable for the sound system, 32 input channels, in-line, 6 to, headband with bargraph. 70 kg + 13 kg of PSU ... Good monitor section, two possible tapping, bargraphs switchable input, return types, bus out .... practice!
UTILIZATION
Ergonomics almost perfect ... everything comes to hand. No need for manual for those who are familiar with in-line consoles. Premp mic with pad and high pass ... Mic Gain Right Honourable. 4 band EQ with 2 semi parametric .. we would have liked full 3-band parametric ... but it works, it's not an SSL 4000 home ..!
However, two major defects: no solo on the small fader ... it really lacks in monitoring ... and not to Eq monitor that turns the eq sweats the small fader and not on the fader wide damage ... . For the, for cons, the flip exists ..
SOUNDS
Console low noise preamp ... OK ... without reaching Eq effective performance worthy of a great cash ... All right, do not over stuff the bus outputs anyway .. otherwise it will twist. I make music with classic .. its transparency is appreciable, a little more heat can be, but the choice of microphones is more fundamental.
OVERALL OPINION
I work with SSL, Stagetech .... obviously, you do not play in the same court .... However this console is great his job. Its direct or allow you to connect up to 32 channel multitrack with some comfort. Its reliability is outstanding ... over 15 years of service, not a pot that spits, not a crack Switching, not a bulb ko ... Simply remarkable. So ... not perfect ... but certainly a pleasure to use ... without moderation!!
UTILIZATION
Ergonomics almost perfect ... everything comes to hand. No need for manual for those who are familiar with in-line consoles. Premp mic with pad and high pass ... Mic Gain Right Honourable. 4 band EQ with 2 semi parametric .. we would have liked full 3-band parametric ... but it works, it's not an SSL 4000 home ..!
However, two major defects: no solo on the small fader ... it really lacks in monitoring ... and not to Eq monitor that turns the eq sweats the small fader and not on the fader wide damage ... . For the, for cons, the flip exists ..
SOUNDS
Console low noise preamp ... OK ... without reaching Eq effective performance worthy of a great cash ... All right, do not over stuff the bus outputs anyway .. otherwise it will twist. I make music with classic .. its transparency is appreciable, a little more heat can be, but the choice of microphones is more fundamental.
OVERALL OPINION
I work with SSL, Stagetech .... obviously, you do not play in the same court .... However this console is great his job. Its direct or allow you to connect up to 32 channel multitrack with some comfort. Its reliability is outstanding ... over 15 years of service, not a pot that spits, not a crack Switching, not a bulb ko ... Simply remarkable. So ... not perfect ... but certainly a pleasure to use ... without moderation!!