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Vévé
Published on 01/28/07 at 05:24
Console in-line studio.
32 entries (also available in 24)
64-channel mix.
8 bus, with 6, 4 effects returns
4-band EQ with 2 semi-parametric.
Mic preamps and line separated.
XLR microphone input, all the rest of jack.
Each slice has its grafted mic, line, insert, direct out and back machine.
UTILIZATION
The setup is classic and simple. Everything under the eyes.
The manual is clear and complete arch. All schematics are in, part names and reference number as well. It allows for the maintenance yourself if you know it.
SOUNDS
The sound is round and warm and there are all the little noises that make the charm of this type of console. The eq is very effective despite the two filmstrips (bass and treble)
OVERALL OPINION
I really like this console even if in the digital age, there may be more comprehensive and less bulky. The only flaws that I found are:
phase reversal on all mic inputs and XLR outputs (the + is on terminal 3) and the level of direct out and return machines is to 10dBv. If work is saturated +4 dBu returns on. A little editing can fix it but requires modification of printed circuit input modules. I also regret the absence of a phase reverse switch per input.
I'm really happy with my purchase and I think I found the console for my studio.
32 entries (also available in 24)
64-channel mix.
8 bus, with 6, 4 effects returns
4-band EQ with 2 semi-parametric.
Mic preamps and line separated.
XLR microphone input, all the rest of jack.
Each slice has its grafted mic, line, insert, direct out and back machine.
UTILIZATION
The setup is classic and simple. Everything under the eyes.
The manual is clear and complete arch. All schematics are in, part names and reference number as well. It allows for the maintenance yourself if you know it.
SOUNDS
The sound is round and warm and there are all the little noises that make the charm of this type of console. The eq is very effective despite the two filmstrips (bass and treble)
OVERALL OPINION
I really like this console even if in the digital age, there may be more comprehensive and less bulky. The only flaws that I found are:
phase reversal on all mic inputs and XLR outputs (the + is on terminal 3) and the level of direct out and return machines is to 10dBv. If work is saturated +4 dBu returns on. A little editing can fix it but requires modification of printed circuit input modules. I also regret the absence of a phase reverse switch per input.
I'm really happy with my purchase and I think I found the console for my studio.