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- AnonymousPublished on 05/21/07 at 10:23 (This content has been automatically translated from French)Oscillator monophonic synth mono (LOW (LFO) 64'32'16'8'4'2 ') (sawtooth, square) two envelopes.
one lfo a low pass filter 24 db / October 1 high pass without resonance.
external audio input to attack the filter cv gate owner. (damage)
cv input for expression pedal.
UTILIZATION
Very easy to use, very good possibilities of modulation, surprising in light of the first impression of austerity.
not, however, modulation wheel or pitch bend ... a fault and is probably the only .. but it is huge.
SOUNDS
The sound is really fat! much more than the 110 f and 60 f.
a wide range, inscisif it is bold it may sound like an odyssey,
also has a micro moog.
ds unbeatable l…Read moreOscillator monophonic synth mono (LOW (LFO) 64'32'16'8'4'2 ') (sawtooth, square) two envelopes.
one lfo a low pass filter 24 db / October 1 high pass without resonance.
external audio input to attack the filter cv gate owner. (damage)
cv input for expression pedal.
UTILIZATION
Very easy to use, very good possibilities of modulation, surprising in light of the first impression of austerity.
not, however, modulation wheel or pitch bend ... a fault and is probably the only .. but it is huge.
SOUNDS
The sound is really fat! much more than the 110 f and 60 f.
a wide range, inscisif it is bold it may sound like an odyssey,
also has a micro moog.
ds unbeatable lead this price range noted the possibilities of FM on the filter that has an oscillator palient basic but very effective.
bass bleeps .. screaming. percussive sounds anything goes.
OVERALL OPINION
A synth that is not perfect (mod wheels missing, cv gate owner, no pwm on the square one tilt)
but ultimately and paradoxically takes advantage of its limitations by a very well thought out architecture and an oscillating rough and big big big big.
let's not forget that this is an ARP license it tells you something?See less80