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5.0/5(4 reviews)
75 %
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Chris Edrich
Boom! It hurts!
Published on 06/25/12 at 19:09 (This content has been automatically translated from French)I just tested this product for the first time this weekend, outdoors, on a group with whom I turn for a long time (and with which I was able to scroll to see lots of systems!).
And I took a slap!
The heads are formidable finesse and precision, it is a treat ... it is well worth Adamson or D & B, much lighter and less bulky, it's brilliant!
I can not wait to test larger systems!
And I took a slap!
The heads are formidable finesse and precision, it is a treat ... it is well worth Adamson or D & B, much lighter and less bulky, it's brilliant!
I can not wait to test larger systems!
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piotdenancy
very good, others had better watch out!!
Published on 12/13/11 at 05:43 (This content has been automatically translated from French)I already had the opportunity to listen to the linelex6 several services and as a lighting designer, I rarely heard a sound quality as close to the HIFI ... C a good job! also on the ergonomics of assembly, bonding and speed of implementation .... no comparison ..... light and small this system is worthy of long-range line up with the biggest brands of acoustic current market. continue !!!!! This is a very good job.
Piot lighting.
Piot lighting.
30
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philw007w
a must try!
Published on 11/29/11 at 01:16 (This content has been automatically translated from French)I tried this several times and in Systm diffrent configurations (outdoor concert halls and even in the multipurpose room!) And with multiple config groups (acoustic, rock, Irish, m tal .../.... and between another festival) and the least we can say is that a ring!
The beasts of precision highs are fabulous (and performance), Stereo image is impeccable, no collection of weird phase or "hole" and this, or whether you situ in the public. The new sub in 21 'ddi Systm is the norm! prcis powerful and it really comes down low compared to traditional sub (we find the effect D & B infra serious ..) it is to say.
The System to me IDAL would be 12 heads in 6 ', 4 double-sub 15' and 4 in 21 'and...…
The beasts of precision highs are fabulous (and performance), Stereo image is impeccable, no collection of weird phase or "hole" and this, or whether you situ in the public. The new sub in 21 'ddi Systm is the norm! prcis powerful and it really comes down low compared to traditional sub (we find the effect D & B infra serious ..) it is to say.
The System to me IDAL would be 12 heads in 6 ', 4 double-sub 15' and 4 in 21 'and...…
Read more
I tried this several times and in Systm diffrent configurations (outdoor concert halls and even in the multipurpose room!) And with multiple config groups (acoustic, rock, Irish, m tal .../.... and between another festival) and the least we can say is that a ring!
The beasts of precision highs are fabulous (and performance), Stereo image is impeccable, no collection of weird phase or "hole" and this, or whether you situ in the public. The new sub in 21 'ddi Systm is the norm! prcis powerful and it really comes down low compared to traditional sub (we find the effect D & B infra serious ..) it is to say.
The System to me IDAL would be 12 heads in 6 ', 4 double-sub 15' and 4 in 21 'and ... Attention to! in this type of config that will delight Systm ings of sound, but also the musicians (or even better when they are both the same time!).
This system does not plucking the watts, it serves primarily to make mixes qualitd'une precision worthy of an audiophile, clarity irrprochable.
To my taste, there are just a small imperfection in quality to the 160 / 200 Hz for the non-acoustic connection between the 6 'and in 15 sub', which is corrected by adding the B15 of the brand in the banana ... I look forward to hearing this!
In short try! ... And .... there are high chances that you REFERENCE in your sheets in the future!
The beasts of precision highs are fabulous (and performance), Stereo image is impeccable, no collection of weird phase or "hole" and this, or whether you situ in the public. The new sub in 21 'ddi Systm is the norm! prcis powerful and it really comes down low compared to traditional sub (we find the effect D & B infra serious ..) it is to say.
The System to me IDAL would be 12 heads in 6 ', 4 double-sub 15' and 4 in 21 'and ... Attention to! in this type of config that will delight Systm ings of sound, but also the musicians (or even better when they are both the same time!).
This system does not plucking the watts, it serves primarily to make mixes qualitd'une precision worthy of an audiophile, clarity irrprochable.
To my taste, there are just a small imperfection in quality to the 160 / 200 Hz for the non-acoustic connection between the 6 'and in 15 sub', which is corrected by adding the B15 of the brand in the banana ... I look forward to hearing this!
In short try! ... And .... there are high chances that you REFERENCE in your sheets in the future!
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regieson
Celtic music concert on the LF6 Emison
Published on 11/28/11 at 02:11 (This content has been automatically translated from French)Hello All
I used this Systm there about ten days at a concert with Celtic including the harp, violin, acoustic electric guitar, the Flte traversire, the Whistle, bodhran, bombards, bagpipes, bass and drums and four voices (man and woman) with microphones everywhere I prcise just to tell you that I n'tais not in configuration "Power trio" batt-bass-Gtr- an easy voice to sound
This little world of a great religious Soundcraft Vi 1: Well in two words: a ring! That's it! I've had on any installment of eq mountain-shaped Russian, just the right low-cut good agreement to each instrument and a balance expdi in 1 hour and a quarter with a patch in 29 and poorly disciplined musicians ...…
I used this Systm there about ten days at a concert with Celtic including the harp, violin, acoustic electric guitar, the Flte traversire, the Whistle, bodhran, bombards, bagpipes, bass and drums and four voices (man and woman) with microphones everywhere I prcise just to tell you that I n'tais not in configuration "Power trio" batt-bass-Gtr- an easy voice to sound
This little world of a great religious Soundcraft Vi 1: Well in two words: a ring! That's it! I've had on any installment of eq mountain-shaped Russian, just the right low-cut good agreement to each instrument and a balance expdi in 1 hour and a quarter with a patch in 29 and poorly disciplined musicians ...…
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Hello All
I used this Systm there about ten days at a concert with Celtic including the harp, violin, acoustic electric guitar, the Flte traversire, the Whistle, bodhran, bombards, bagpipes, bass and drums and four voices (man and woman) with microphones everywhere I prcise just to tell you that I n'tais not in configuration "Power trio" batt-bass-Gtr- an easy voice to sound
This little world of a great religious Soundcraft Vi 1: Well in two words: a ring! That's it! I've had on any installment of eq mountain-shaped Russian, just the right low-cut good agreement to each instrument and a balance expdi in 1 hour and a quarter with a patch in 29 and poorly disciplined musicians (ed) so I had no difficulty to ring the system. As I was walking in the room was the same sound everywhere (just a little softer in the background)
I use very often the D & B Q1, C7, the Ch.L; in the EAW line-array etc. .... I just say that did not blush before LF6 trademarks confirm.
I used this Systm there about ten days at a concert with Celtic including the harp, violin, acoustic electric guitar, the Flte traversire, the Whistle, bodhran, bombards, bagpipes, bass and drums and four voices (man and woman) with microphones everywhere I prcise just to tell you that I n'tais not in configuration "Power trio" batt-bass-Gtr- an easy voice to sound
This little world of a great religious Soundcraft Vi 1: Well in two words: a ring! That's it! I've had on any installment of eq mountain-shaped Russian, just the right low-cut good agreement to each instrument and a balance expdi in 1 hour and a quarter with a patch in 29 and poorly disciplined musicians (ed) so I had no difficulty to ring the system. As I was walking in the room was the same sound everywhere (just a little softer in the background)
I use very often the D & B Q1, C7, the Ch.L; in the EAW line-array etc. .... I just say that did not blush before LF6 trademarks confirm.
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Tech. sheet
- Manufacturer: EMISON Acoustique
- Model: Lineflex 6
- Category: Array Speaker Cabinets
- Added in our database on: 07/20/2011
We have no technical specifications for this product
but your help will be much welcomed
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Other categories in PA Speaker Cabinets
Other names: lineflex6, lineflex 6