All user reviews for the Behringer Bass Limiter Enhancer BLE100

Many prtentions

UTILIZATION

Simple to use when you know it, it would have t nanmoins enjoyable to say more on the third sheet that serves as a manual, and if possible in French ...

SOUND QUALITY

Breath a lot, especially the enhancer that is in fact compltement useless, adding only grsillements the sound ... For the rest did the job ...

OVERALL OPINION

It blows too much to be acceptable to fawn pro, but for amateur musicians and those that some call "gnration Behringer" is ideal, it is largely better than nothing, and especially in price it is ...
I prfr against by a compressor ... I sometimes wonder what it is if ...

Limiter-Enhancer ... VSR hile walking on 9v battery or external power supply, whether or type tranfo dcoupage.

UTILIZATION

The use could not be simpler, just 4 knobs srrs, for level 1, the enhancer 1, 2 for rglage limiter.

If you have already used a compressor or limiter is easy, if not the doc is MRIT to exist even if it is succinct.

SOUND QUALITY

The enhancer n'ar breath a lot and nothing to do with products like BBE or Aphex, I find it unusable, the limiter is not bad if we do not reject it within its limits, fortunately it does not compress because otherwise oulala breath.
There is no true bypass pedals but seems not to affect the sound of the bass when not engaged, the bass always pass.

OVERALL OPINION

I DCID I had not needed after 20 minutes of testing, j'esprais an imitation of a BBE Maximizer and it did not happen, and too many blows, but 19 or 23 max in Germany in France, I have no regrets and I think for those who want a limiter dbourser without a fortune, the pedals is an excellent deal.

Limit enhancer
analog
Effects pedal boss type
Copy of the boss lmb-3
Plastic housing
In and out in Jack
No true bypass
9v power supply

UTILIZATION

4 knobs function has very clear

edit after 1 year of use: fragility of the switch, it does not respond very well,
the diode is sometimes lit without any greater effect, but it still works
this is not a good sign, I'll keep you posted if I loose ...

SOUND QUALITY

My copy produces less than its equivalent Boss breath, unless you have extreme settings, it emits a blast reasonable.
At it's really limiting his job for the price (at least as well as the Boss).
I tried several copies of the same model, some more than others blew. The production quality leaves clearly inadequate.
I use it on several Basses (Jazzbass us, Ibanez Ergodyne 5 c ...) and my jetBaritone
I am fully satisfied.
I often use it after the 100 um (copy metal zone). It gives a definition del for this purpose.
As much as I do not like the only 100 um, after this pedal as the sound comes out I like

OVERALL OPINION

Excellent value for money

Well, it's a Behr in all its glory: solid plastic case, analog. 4 knobs: enhance (more harmonics?), Ratio: compression ratio and thresh: threshold that triggers such compression.

2 connections pedal jack, a power supply. 8 for plastic

UTILIZATION

Setup is simple if not used. Otherwise, we put the knobs "at noon" and we hack settings 1 by 1.
It's pretty convincing. Unlike others, I do not notice breath disturbing with high values ​​of the enhancer. (There's one that may be broken-up in the studio but not live) ... Normally in the studio, you got concrete effects, no need to pack your Behr, right?
Manual available, in English if the order comes from beyond the Rhine)

SOUND QUALITY

While there, amazed!
Enhance with the mini, you win really attack and definition (I play on Fender BXR 300 bass & jazz). The bass are there, well defined. It's clean.

Going up the enhancer, the slap is very nice: use sparingly, it can ring your 18 "as a tweeter 2 balls ... Well I'm exaggerating, but in homeopathic doses.

I edit: live, it generates a breath effecive disturbing. Almost unusable or repeat ...

OVERALL OPINION

Used in recent weeks, it became indispensable to me. It is ugly, the knobs are fake but it has already fallen a couple of times without collateral damage.

Before, I only use compressors that existed on the amps. This pedal is at least as good.

Last but not least: the price: € 9.60 at Thomann (no, I have nothing Ouli: sixty nine euros) ...

The full zikos choose to have a boss, others will like me!

As usual, my rating reflects the value, not absolute value compared to the gear 20 times more ...

BLE100 characteristics are very close to the Boss LMB-3.
I'll make a copy-pasted from my test LMB-3 by adding what is changing.

"This is a limit, that is to say it levels the peaks of attack, coupled with an enhancer that" sharpens "the sound.
Effects non-editable, formatted pedal. "

Behringer box. It's a bit of a coin: it farts live or it may hold.
The buttons look a little easier.

UTILIZATION

"We must control knobs" Threshold "and" Ratio ", which passes only through experience."

Manual a bit succinct, it deserved a little more material. The site offers Behringer still examples of settings and can sting those of the LMB-3 Boss on the site

"FYI," Threshold "is the threshold beyond which the pedal will act and" Ratio "intensity limit (is it lets a little or a lot of signal or is it that it blocks all).
Enhance a button operation with stupid: the more we turn to the right and we add more treble, brilliance.
A Level button.
Editing sounds is easy. "

SOUND QUALITY

"So I said that those who want a conventional compressor, including sustain, can find better elsewhere (and more expensive too).
For slappistes is really a good pedal: nivellage peaks, smoothing the game with an additional contribution to its brilliance. "

The enhancer adds more blows his stooge at Boss. That's the downside. It can remain acceptable until 10-11am but no more. Quality components from Behringer is not the same as in Boss.

The function is very limited on the other hand.

"It can also be used when one needs to play music a little more aggressive (like qqes RATM songs, classic metal ...), putting aside the limit function."

OVERALL OPINION

"I think it's a really good effect for those who do not collect pedals: limit + enhancer for slapper is nickel.
The limit function can be useful to those who have a game illegally. With the failure of this quality: how to progress in his game if you use a pedal rubber irregularities? Maybe to use only on stage for confidence! "
I have now an EBS MULTICOMP and I'll try the BBE Sonic Stomp and the Aphex Bass Xciter to add treble and bass for my slap. The enhancer adds only shine, no bass.
The price at which one can find the LMB-3 used, I think it is better than BLE100 because more reliable, robust and best enhancer.
Now for the hyper-tight budgets, the BLE is not a bad investment.

the compreseur is good, it makes a plop plop every note, it's fun. on the other hand is unlimited, unlike the call of this boiboite fun.

UTILIZATION

it's been a very strange sound with good bass and an amp huge. rather it is designed for beginners, for cons with a vocal mic, you'll have a death metal sound that will surprise you. but the distal (unplanned) is fairly presented. AC blows nice, but it's fun.

SOUND QUALITY

a good gadget to have fun, but especially not live.

OVERALL OPINION

but at this price, it can not be demanding .. ideal to deform your bass sound, it has a certain charm .... scorers below 5 to 6 have no effect. after, it's vice versa:!

The plastic pedal is ugly, flimsy, superfluous for all a bass player.

Because I put a pedalboard allows for a low cost.

UTILIZATION

Config simple for bassists who have used the Boss or other comp. The manual is satisfactory, and change the sound using the knobs is permitted at any bassist mentally retarded (there are others?)

SOUND QUALITY

That's all rotten, that thing is a machine humming, whistling, hissing, without true bypass, of course. Useless except to create new tinnitus.

OVERALL OPINION

It's useless without a name ... Unusable and unworkable, even with slight adjustments ... Replace the low frequencies by a stout seasoned mashed inaudible murmurs of all kinds ... None.