Aguilar SL 112

Hp 12-inch neodymium Eminence
250 watts into 8 ohms
A vent in the back
An adjustable tweeter
A jack and two Speakon jacks
11.5kg
Handmade in New York
When you get the brand new speaker, it feels good the stuff of new music, but mostly it feels strong, I deamande if Tolex is not real leather.
His little vintage look is very nice I think.

I use it with an Aguilar Tone Hammer 350. I use it mainly at home and I take it from time to time for buffs.

SOUNDS

The cabinet is fairly neutral I think (I'm used to the Ampeg necessarily so ...)
The sound is clear and precise across the spectrum.
Very good momentum.

It restores fine sound of my bass, can be quite hot in his bass and amp settings.

I use a lot with this config my fretless, the speaker does not add too much bass which is very nice when instead we try to bring out the mids.

OVERALL OPINION

I've had four months
I tried an orange 2x10 isobaric very disappointed but it's very rough, and the bass was too thick, it was more like a box "keke, I tune my car."
What I like most is the weight and size.
The value for money is rather expensive at first sight: 766 euros for a 1x12 it's still expensive, but hey it's handmade in USA in New York, so good well it at a price that I agreed pay for quality. Aguilar is still part of the high-end bass amplification.
What really surprised me pleasantly and it is with this config SL112 + TH350 I managed to keep a good metal buff with a drummer and a guitarist on lumberjack 2x12 amp and 100 watt lamps, all in one room of about 12 sqm. I thought a single 12 "with just 175 watts in (the amp is 8 Ohms there) would struggle to exist bah not. Much more convenient to carry my big stack ampeg for such occasions. Good afternoon I will not attempt to make a real metal concert with two guitarists and a drummer in a large part, I think the same broadcast on stage does not make the weight.

Maybe one day I'll buy a second, finally to see because I have a big fat stack of scene that I do not want to use at the rehearsal room.