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Published on 06/16/10 at 16:13Ordered there are few among our neighbors in toto and installed today.
I mounted my fgender P / J active Mexican origin (MEXICO DELUXE SERIES - ACTIVE PRECISION BASS SPECIAL BK), I fired and replaced everything. for the electronics I put knobs 500K instead of 250K recommended; Woodgrain and output level slightly higher, it is managed.
Compared to the original sounds that I had before I say that I'm down, stole and authentic medium brightness, clarity, fullness / softness, flexibility / fluidity. There at least with this microphone and Jazz (same manufacturer, same series) is my true character P, P / J and J things I had not before because the microphones were not so good bills (good anyway ) and above all there was the P side that emerged alongside the rest sounded ridiculous.
With Fuzz, it's true, authentic and we realize that even if these "buffered" vintage ben is fucking varied and ultimately. It is fully usable!
I prefer playing the mediator on the P and finger on jazz and the 2 position w / J with zero tone there is something happening in the midrange is better.
There's no value for money but just the quality, design, manufacturing, packaging, and the TOP!
Everything depends on the grain you want, the very next attack modern or not, the frequency response in order to decide on what kind of microphone, but it remains focused versatile but still very strong and that's why we buy them.
After not bother to put it on harley benton or Squier, I already think my Mexican (2008) is limited but there is a big better (I like liabilities). Maybe interesting for old Aria / Maya / config in Jap Fender P, their violin (matsumoku) are good.
The length of the son (son braided) and it is lonnnnnngue rare enough to emphasize.
Combine this with good micro electronics, good shielding and good Luthra and it will be the icing on the cake.
Originally I think these pickups have were designed to restore the old instrumentals then take it into consideration for a possible purchase, the difference / sound quality will not equal a violin to another.
I mounted my fgender P / J active Mexican origin (MEXICO DELUXE SERIES - ACTIVE PRECISION BASS SPECIAL BK), I fired and replaced everything. for the electronics I put knobs 500K instead of 250K recommended; Woodgrain and output level slightly higher, it is managed.
Compared to the original sounds that I had before I say that I'm down, stole and authentic medium brightness, clarity, fullness / softness, flexibility / fluidity. There at least with this microphone and Jazz (same manufacturer, same series) is my true character P, P / J and J things I had not before because the microphones were not so good bills (good anyway ) and above all there was the P side that emerged alongside the rest sounded ridiculous.
With Fuzz, it's true, authentic and we realize that even if these "buffered" vintage ben is fucking varied and ultimately. It is fully usable!
I prefer playing the mediator on the P and finger on jazz and the 2 position w / J with zero tone there is something happening in the midrange is better.
There's no value for money but just the quality, design, manufacturing, packaging, and the TOP!
Everything depends on the grain you want, the very next attack modern or not, the frequency response in order to decide on what kind of microphone, but it remains focused versatile but still very strong and that's why we buy them.
After not bother to put it on harley benton or Squier, I already think my Mexican (2008) is limited but there is a big better (I like liabilities). Maybe interesting for old Aria / Maya / config in Jap Fender P, their violin (matsumoku) are good.
The length of the son (son braided) and it is lonnnnnngue rare enough to emphasize.
Combine this with good micro electronics, good shielding and good Luthra and it will be the icing on the cake.
Originally I think these pickups have were designed to restore the old instrumentals then take it into consideration for a possible purchase, the difference / sound quality will not equal a violin to another.