Designed as a studio version of the DMM 4/2/2, the DMM 4/2/4 is designed with a mixing algorithm that gives it the flexibility to handle mixing applications, from boardrooms to broadcast studios and houses of worship.
The DMM 4/2/4 comes with four microphone and two stereo AUX inputs, mixing algorithms with a noise sensitive threshold to prevent accidental activation of input channels, and a digital signal processor with a dbx compressor. Each channel on the processor offers switchable gain, switchable phantom power, and an incremental level control with peak hold display, and each system comes with an expansion connector that enables multiple mixers to be linked together for larger audio setups. All functions are run through incremental controls on the front panel which use the intuitive central control concept, similar to the DMM 4/2/2.
One of the most unique aspects of the DMM 4/2/4 is the fact that the mixing algorithm also includes a “Last Mic On” function and a “Best Mic On” function; using shiny blue LED’s to alert the user of both. Other new features that were not present in the predecessor include a headphone output and a PC interface, with remote control software that will be available shortly.
Check out www.akg.com for more details.
One of the most unique aspects of the DMM 4/2/4 is the fact that the mixing algorithm also includes a “Last Mic On” function and a “Best Mic On” function; using shiny blue LED’s to alert the user of both. Other new features that were not present in the predecessor include a headphone output and a PC interface, with remote control software that will be available shortly.
Check out www.akg.com for more details.
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