Demos available here: http://virtualacoustic.free.fr/HTML/Demos.html
The VL1 and VL70m mark a step in the history of synthtiseurs musical performance and engage in a new dimension. Learning matriser the VL1 or VL70m with Controller of breath is more than ais dapprendre dun play acoustic instrument and can play any instrument nimporte of wind with a single m I device. It is possible with virtual instruments dobtenir effects impossible in Ralite: ambitus a gigantic, impossible with a virtuosity linstrument rel constraints, etc.
The VL70m offers numerous advantages in terms of music programming, not only in terms of sound reproduction but also in the reproduction of acoustic instruments specific behaviors that make them, if musical instruments. MODEL The physical can be programmed to provide a number of deals inhrentes the instrument (the length of a pipe or stiffness of the reed, for example).
But it is only playing that can be rgler precision with the sound produced by a particular configuration. Because of its natural acoustic behavior, the VL70m is naturally a bit more difficult matriser synthtiseur a classic, but its the CONTRL CHARACTERISTICS allows precisely dvelopper its huge potential.
Yamaha, Korg and Technics are the first manufacturers attempting OF USE synthse by the technique of physical MODELS. Their business is stratgies diffrent, and dmarches distinct. We must all prciser synthtiseurs by using synthse employ physical MODELS The models exclusively waveguide. If manufacturers adopt this synthse giving different names trs (S / VA, MOSS, Acoustic Modelling) it is indeed always the same technique.
Whereas when all that fails to synthtiseurs traditional physical The models seem to be a nice place on the market.
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