All user reviews for the Sennheiser e 602

I go to post his note that this micro t unfairly dscendu Lebreuk our friends, who should argue a bit Opinion. There is no right or wrong microphone, but the microphone who works best on a particular instrument ... and yes !! So before you judge this microphone is very correct for the use prconis try a little review your investments, and open your ears ... and especially c normal that not sound if you plug it into your console Peavey ...dropoff window

NOTICE GLOBAL

So thank you for not saying anything when you do not know what we are talking about !!!!!! At its feels good to push his gueulante

Dynamic instrument for serious (or GC see Toms Bass Drum Bass)

OVERALL OPINION

I use it frequently for 2-3 years of concerts.

The one I like most, it is very solid.
The one I like least, not precise answer, rounded unpleasant mix (it dribble down in the grave), lack of attack. To indicate to future buyers, if you do not pop with a low tempo, leave immediately. Once there is the double pedal, it saturates, drooling see rumbles. And jazz, going instead to the D112.

I did not buy (hopefully) and I used 3 to 4 other brands of microphones (Beta 52 which is great, which is monstrous Audix, AKG, which is rock and roll ...).
Quality / price ratio ignoble. How can we sell at this price a microphone bass drum, while other brands sell best models to - € 100. (Autio-Technica AKG).

Yes, I would do the choice not to buy it.

Micro specializes in the reproduction of bass instruments.
Micro Dynamic small-cap (despite appearances).

OVERALL OPINION

I bought this micro-hand a year ago and a half.

It is compact and easily habitable even in a GC whose skin resonance has a hole of small diameter.

It is rarely the preferred sheets. In my opinion, this is because it is quite versatile in the style of music (and bass drum) to which it affects, it may find its limits (metal, hard, etc. ..). It is important to note that current microphones for bass drum (or bass amp, tuba, etc. ..) has a frequency response "appropriate". Traditionally, the agreement of a GC is around 80 Hz, which is why our dear sensors are inflated to 100 Hz. This is convenient in most cases and you naturally feel that the microphone "sounds" without you having to intervene on the console ... Depending on the musical context, the local nature of the instrument sets, stars competing (beta 52, Audix D6, D112) may find themselves in a bad position. In my opinion, without a miracle, the E602 you out of business while other sensors ruin your benefits ... but it is only my opinion! This versatility coupled with the price were my criteria for purchase, not to toil in the balances in bar or small rooms which are difficult acoustics, or sound recording of GC with different qualities and different tunings. It can sometimes "bleed" in this case you will solve the problem in 80% of refining its position.

I was fortunate to work with: D12, D112, MD421, RE20, Beta 52.

This excited me micro its price / quality ratio (mostly used).

According to the same criteria of versatility and price, I do it again this choice. Remember that brands typically offer guaranteed term of your investment. Used with an E602, you go for years of peace at the cost of an entry-level competitor or model "made in Pascher" ... take your pick.