All user reviews for the Yamaha RBX270FL

Made in China
24frets!
A jazz and a precision micro
It is a passive. Rglage volume, pickup balance Tone.
CHARACTERISTICS basic but adequate.

UTILIZATION

Everything is like rbx270 except that it has no frets.
I tried a store rbx270 I t's, I tried the rbx270fretless, I easily found a sound that I liked.

SOUNDS

Its relatively neutral, ie, may be accompanied or solo without hearing it. Although neutral so I think it's good to get his sound fretless. Above all, there is a micro prcence jazz and a micro precision.

OVERALL OPINION

The same low it is good quality especially trslgre and handle end and enjoyable. This is important because the accuracy is paramount and more difficult to obtain with a big log.
The micro jazz original is not good trs.
After chang the sound becomes clearer, larger and therefore more musical.

Asian manufacturing
Fretless Neck with 24 frets on a rosewood fingerboard brands
Fixed bridge with strings inde-pendent (4)
Two passive pickups: a guy and a guy Precision Jazz
Three contrl: Volume / Tone / Balance


UTILIZATION

The handle is excellent!
The hand is comfortable, not tired.
The profile is rather round, but late.
This low availing oneself of a good ergonomics, a body that does not offset trslger exactly the weight of the handle. As a small RESULTING dsquilibre, but very subtle and not Drang.
CASC to treble is perfect, almost too much for even a bass!
The sounds are really good, the pickups have a good output level (that of certain assets multimdia!), Is specific on the Jazz, hitting, while the Precision brings roundness, warmth, and good trunk groove without drooling. The mix of both is an achievement, especially on a game fretless. On a good amp, this bass is really a good instrument, surprising even for entry level. I

SOUNDS

practice Mtal and Rock with this bass. She is comfortable in all circumstances, even with a distortion pedal Behind (hrsie on a fretless me tell you !)...

I use an Ashdown MAG-C210T-300 amp that is very much in session can be on stage (bought 300 euros!). With good rglages, rang, no need to look elsewhere in my case (all for 480 euros with low ...).

OVERALL OPINION

I use it for 4 years.

I tried the Ibanez models (good innings, microphones shit as usual) with a K5 and a Ergodyne, a Warwick, a lag of the 80's, a LTD, a Music Man Stingray (untouchable), a G & L (untouchable too !)... well for 2 and 10 times cheaper, I have an instrument which responds my expectations! Why look elsewhere?

Obviously this is not an instrument of Cadore (the Stingray and the G & L blown me), but for the price, it carrment Case of the millennium!