Tech. sheet
- Manufacturer: Kramer
- Model: 250 B
- Category: 4-string bass guitars
- Other names:250 b, 250b
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User reviews
5.0/5(1 reviews)
5
100 %
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Anonymous Particular, but excellent
Published on 04/06/13 at 11:47 (This content has been automatically translated from French)Made in the U.S. in 1977
- Handle Aluminium
- Mechanical Schaller
- Ebony Button
- 1 micro Kramer
- 1 volume knob and a tone
- Black Pickguard
- Body Maple (natural wood color)
UTILIZATION
The C-handle is very nice, if I am given the subjectivity of this judgment, with access to acute totally free.
-It is very massive, which means to empty sounds very well mastered sustain its extraordinary.
-Therefore, the weight is, I believe, his only fault, which does not bother me, being a big fan of Gibson LP ...
SOUNDS
-The sound is clear enough, or medium but, really balanced. I use it mainly in the studio and I think its frequencies they mix very easily and can be...…
- Handle Aluminium
- Mechanical Schaller
- Ebony Button
- 1 micro Kramer
- 1 volume knob and a tone
- Black Pickguard
- Body Maple (natural wood color)
UTILIZATION
The C-handle is very nice, if I am given the subjectivity of this judgment, with access to acute totally free.
-It is very massive, which means to empty sounds very well mastered sustain its extraordinary.
-Therefore, the weight is, I believe, his only fault, which does not bother me, being a big fan of Gibson LP ...
SOUNDS
-The sound is clear enough, or medium but, really balanced. I use it mainly in the studio and I think its frequencies they mix very easily and can be...…
Read more
Made in the U.S. in 1977
- Handle Aluminium
- Mechanical Schaller
- Ebony Button
- 1 micro Kramer
- 1 volume knob and a tone
- Black Pickguard
- Body Maple (natural wood color)
UTILIZATION
The C-handle is very nice, if I am given the subjectivity of this judgment, with access to acute totally free.
-It is very massive, which means to empty sounds very well mastered sustain its extraordinary.
-Therefore, the weight is, I believe, his only fault, which does not bother me, being a big fan of Gibson LP ...
SOUNDS
-The sound is clear enough, or medium but, really balanced. I use it mainly in the studio and I think its frequencies they mix very easily and can be corrected easily.
-Maybe I would not use it for the Jazz, although one can easily equalize for the round, but at the same time, I am not ...
-Personally, I use it mainly on pop or rock with an old amp PB120 pentatonic box or with a direct line in my console and it sounds!
-However, and except for its unique one microphone, it lacks a bit of output level.
OVERALL OPINION
-I use since 1986.
-I have had many low hands. It is certainly not appropriate for everyone, but it is one of the most features that I have ever played.
-I do not care today that Standard and Low Lespaul my Kramer.
-It is a tool found in this hand, less than 1000 €, which is a very good deal to its true story and personality of its rarity.
-I would do this choice without hesitation as this instrument is a part, and for a long time, my musical history. (This should interest anyone ...)
- Handle Aluminium
- Mechanical Schaller
- Ebony Button
- 1 micro Kramer
- 1 volume knob and a tone
- Black Pickguard
- Body Maple (natural wood color)
UTILIZATION
The C-handle is very nice, if I am given the subjectivity of this judgment, with access to acute totally free.
-It is very massive, which means to empty sounds very well mastered sustain its extraordinary.
-Therefore, the weight is, I believe, his only fault, which does not bother me, being a big fan of Gibson LP ...
SOUNDS
-The sound is clear enough, or medium but, really balanced. I use it mainly in the studio and I think its frequencies they mix very easily and can be corrected easily.
-Maybe I would not use it for the Jazz, although one can easily equalize for the round, but at the same time, I am not ...
-Personally, I use it mainly on pop or rock with an old amp PB120 pentatonic box or with a direct line in my console and it sounds!
-However, and except for its unique one microphone, it lacks a bit of output level.
OVERALL OPINION
-I use since 1986.
-I have had many low hands. It is certainly not appropriate for everyone, but it is one of the most features that I have ever played.
-I do not care today that Standard and Low Lespaul my Kramer.
-It is a tool found in this hand, less than 1000 €, which is a very good deal to its true story and personality of its rarity.
-I would do this choice without hesitation as this instrument is a part, and for a long time, my musical history. (This should interest anyone ...)
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