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Yamaha DG Stomp
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Tonka Tonka
Published on 03/22/06 at 07:52
Nothing to add to what has been said, if this is a look "scary": it really feels to set his amp's counting?

UTILIZATION

Using real-time is really the highlight of the beast: triturated buttons, they make the sound and playing.

To tickle a little more editing and aces to have additional settings, is a bit more hassle. Better to have the manual handy. In fact it is rather well done ... Apart from the translation of "spring reverb" in French: Spring reverb, as poetic c'es:-D ...

The optional expression pedal is convenient, but a bit difficult to configure. for the wah, is it me who can not do it neither, or the sound is frankly disappointing ... but I think it comes more from me :-)
C
nlike a previous opinion, I think the tuner is still usable and practical to be constantly within reach of a foot (or hand). As against the stage in the dark or with a spot in the eye, it becomes difficult to use!

SOUND QUALITY

The sound is really nickel and varied. the effects are more than enough for one set on stage. And in the studio anyway better record without. Anyway for me it's more than a pre-amp multi-purpose, and that's what I love! The grain of the guitar is respected, even that of electro!

My only repproche is that simulations of clean sounds are really low in volume compared to the distorted sounds. It is realistic, but a shame, because it requires to balance the sounds set the stage for much lower volume of heavy distortion.

OVERALL OPINION

In summary: camera, reliable, sturdy, easy to carry, stable on stage, not a hair out of breath, and it always happens to be his research. And sufficient practical effects for the stage. Ideal for those looking for bigger and more beautiful sound than the electronic gadget. A good preamp rather than a multi-purpose. Look cool.