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deltablues
Published on 12/10/07 at 06:46 (This content has been automatically translated from French)
Crafted in Japan .. it's on the back of the neck just before the junction to the body with the serial number .. .. 21 frets 2 humbuckers IFJ Dragster Design ..?!? Japanese micro .. classic three-position selector configuration: selector from bottom to top, bridge bridge-round .. .. .. 2 round knobs 1 volume 1 tone .. easel type tune-o-matic .. screwed maple neck rosewood fingerboard 4x Fender headstock .. big ..
Apelles some ca highway and is quite true .. it's going alone to access the acute passes without major problems .. it is free until the last fret .. this guitar is neither heavy nor light 4.1kg .. sitting .. it fits perfectly the balance of stability is surprising .. for the...…
Apelles some ca highway and is quite true .. it's going alone to access the acute passes without major problems .. it is free until the last fret .. this guitar is neither heavy nor light 4.1kg .. sitting .. it fits perfectly the balance of stability is surprising .. for the...…
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Crafted in Japan .. it's on the back of the neck just before the junction to the body with the serial number .. .. 21 frets 2 humbuckers IFJ Dragster Design ..?!? Japanese micro .. classic three-position selector configuration: selector from bottom to top, bridge bridge-round .. .. .. 2 round knobs 1 volume 1 tone .. easel type tune-o-matic .. screwed maple neck rosewood fingerboard 4x Fender headstock .. big ..
Apelles some ca highway and is quite true .. it's going alone to access the acute passes without major problems .. it is free until the last fret .. this guitar is neither heavy nor light 4.1kg .. sitting .. it fits perfectly the balance of stability is surprising .. for the heat lamps made some minutes, plug your jack, turn, turn up the volume and play .....!! !
To a certain extent to be defined but which seems to me already infinite, so it fits what I like to play blues .. rock .. .. .. hard rock-blues-rock heavy-metal .. .. see metal .. so if it is bad .. this little silky creme of the attack was the most virulent it can do everything with a well connected .. it was a Marshall DSL100 head and a 4 / December 1960 Vintage (Celestion Vintage 70 Watts) without any effects apart from the reverb of the amp .. .. ben is a true supersonic ..!!! all types of sounds are possible .. first we have good sound Fender typed, I would call gibsonisé, humbuckers in clean .. it requires very very loose and warm and very clear, without going up crystal-clear this is not a stratocaster, the three selections are well balanced with microphones a real difference at each setting, small precision on the power of microphones, it starts to gain a clean cruncher in eight and two volume ..! therefore a clear fat .. it has everything in it starts the big crunch delirium, ca net clean and powerful rock crunch / lead roll..distortion 1, Angus Young and his brother together do not have to be very far ..! 2 distortion lead you into the gloomy world neogothicoautodestructometal ..?!? good .. uh you understand, if if it is really bad and it does all this really well, and the worst is that there is nothing detestable .. a small precision all the same, between the knob, the knob of volume and the tone may have get a lot of different sounds, the settings are very subtle but effective .. it should be noted that I first tried it on a Marshall 4 / December 1960 TV (Celestion Greenback 25 Watts) and well do not ca .. the result means I recomencerais later to see, while the 1960 Vintage q'avec I spent 4 hours in a row has hung my supersonic, the hair has drawn just about every second, this which means that it does not necessarily work well with everything but if you have the right combination is magic ..!
So from the time I discovered this guitar .. uh .. what a supersonic shop until now I have already played a few more than 6 hours, some pensseront it's a bit short to give an opinion valid, I am conquered ..! conquered by the small feature of this guitar is that it's not a guitar quite like the others .. .. Fender Baritone Special certainly many know, I discovered this guitar is made to be given a tone lower, taking 11-56 .. it's hot, soft, full, warm, it's amazing !!!!!!!!!! ..... j ' I had a lot of good guitars in their hands and it leaves me on the c..!?! dare I say vintage of revised and corrected ..?!? incredibly accurate and capable of flawless attack while having a distinct personality .. at value for money is flawless as it is superbly over, black lacquer and chrome, as they say now .. it rocks! a Black Beauty by Fender ..! currently no imperfections to be noted .. and I almost feel like a second .. like this .. .. just in case I put all nine because naturally it will not please everyone but this guitar is a blast .. as all cases do not ratter a chance to try it ...
The ... 12/10/07
just to confirm ..
after two years of use, it has become my main guitar ..!
Configuration: Low Tune 11-58 GHS string given in D ...
Fender Baritone - Marshall ED-1 (pedal comp.) - JMP1 Marshall - Marshall JFX - JCM 2000 DSL 100 ..
Marshall 1960 Vintage choice (Metal..) / Marshall 1960 TV (Blues..) For HP ...
Uncapping guaranteed ..!!!!!!!!
only gripe .. varnish a bit fragile and susceptible to scratches ..
be careful to use cloth .. a little dust can broadly enough to cause scratches ..
or no technical problem was noted except that I had a little trouble finding that suit me the ropes ..
great guitar to play different personality and guaranteed ..
Delta
Apelles some ca highway and is quite true .. it's going alone to access the acute passes without major problems .. it is free until the last fret .. this guitar is neither heavy nor light 4.1kg .. sitting .. it fits perfectly the balance of stability is surprising .. for the heat lamps made some minutes, plug your jack, turn, turn up the volume and play .....!! !
To a certain extent to be defined but which seems to me already infinite, so it fits what I like to play blues .. rock .. .. .. hard rock-blues-rock heavy-metal .. .. see metal .. so if it is bad .. this little silky creme of the attack was the most virulent it can do everything with a well connected .. it was a Marshall DSL100 head and a 4 / December 1960 Vintage (Celestion Vintage 70 Watts) without any effects apart from the reverb of the amp .. .. ben is a true supersonic ..!!! all types of sounds are possible .. first we have good sound Fender typed, I would call gibsonisé, humbuckers in clean .. it requires very very loose and warm and very clear, without going up crystal-clear this is not a stratocaster, the three selections are well balanced with microphones a real difference at each setting, small precision on the power of microphones, it starts to gain a clean cruncher in eight and two volume ..! therefore a clear fat .. it has everything in it starts the big crunch delirium, ca net clean and powerful rock crunch / lead roll..distortion 1, Angus Young and his brother together do not have to be very far ..! 2 distortion lead you into the gloomy world neogothicoautodestructometal ..?!? good .. uh you understand, if if it is really bad and it does all this really well, and the worst is that there is nothing detestable .. a small precision all the same, between the knob, the knob of volume and the tone may have get a lot of different sounds, the settings are very subtle but effective .. it should be noted that I first tried it on a Marshall 4 / December 1960 TV (Celestion Greenback 25 Watts) and well do not ca .. the result means I recomencerais later to see, while the 1960 Vintage q'avec I spent 4 hours in a row has hung my supersonic, the hair has drawn just about every second, this which means that it does not necessarily work well with everything but if you have the right combination is magic ..!
So from the time I discovered this guitar .. uh .. what a supersonic shop until now I have already played a few more than 6 hours, some pensseront it's a bit short to give an opinion valid, I am conquered ..! conquered by the small feature of this guitar is that it's not a guitar quite like the others .. .. Fender Baritone Special certainly many know, I discovered this guitar is made to be given a tone lower, taking 11-56 .. it's hot, soft, full, warm, it's amazing !!!!!!!!!! ..... j ' I had a lot of good guitars in their hands and it leaves me on the c..!?! dare I say vintage of revised and corrected ..?!? incredibly accurate and capable of flawless attack while having a distinct personality .. at value for money is flawless as it is superbly over, black lacquer and chrome, as they say now .. it rocks! a Black Beauty by Fender ..! currently no imperfections to be noted .. and I almost feel like a second .. like this .. .. just in case I put all nine because naturally it will not please everyone but this guitar is a blast .. as all cases do not ratter a chance to try it ...
The ... 12/10/07
just to confirm ..
after two years of use, it has become my main guitar ..!
Configuration: Low Tune 11-58 GHS string given in D ...
Fender Baritone - Marshall ED-1 (pedal comp.) - JMP1 Marshall - Marshall JFX - JCM 2000 DSL 100 ..
Marshall 1960 Vintage choice (Metal..) / Marshall 1960 TV (Blues..) For HP ...
Uncapping guaranteed ..!!!!!!!!
only gripe .. varnish a bit fragile and susceptible to scratches ..
be careful to use cloth .. a little dust can broadly enough to cause scratches ..
or no technical problem was noted except that I had a little trouble finding that suit me the ropes ..
great guitar to play different personality and guaranteed ..
Delta
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Tech. sheet
- Manufacturer: Fender
- Model: Special Edition Jaguar Baritone HH
- Series: Jaguar
- Category: Electric solidbody baritone or 7/8 string guitars
- Added in our database on: 12/12/2005
We have no technical specifications for this product
but your help will be much welcomed
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Other categories in Solid Body Electric Guitars
Other names: special edition jaguar baritone special hh, jaguar baritone special hh