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bouns83 « Fuzzesque »
Published on 04/18/13 at 15:38Fuzz "boutique" made by a bassist for bassists (friends scratch it also works well with your shovels), analog input jack 1, an output, a traditional power supply plug. Volume knob, tone for fuzzer in the bass or treble knob for the amount of fuzz fuzz injected knob for grain texture of the fuzz (grain more or less tight).
UTILIZATION
In the spirit of the configuration is simple, the action is effective and knobs separately we understand very well their effect on the sound. However it takes a little research to find a sound that comes out of the mix, for some reason I find it less plug and play my ex big muff, but once you get the sound, watch out!
SOUND QUALITY
This fuzz does not in lace, those seeking his creamy will go their way, here the guitar necks is cut, the mic stands, it shears the cymbals! The sound is very clear, very defined, the bass sound is respected (nothing to do with the mushy bass muff). The fuzz is very "grainy" which gives him a naughty side, even if we can tighten the grain, we can not creamy off some fuzz. It also adapts well with my passive roscoe beck, my stingray.
OVERALL OPINION
I use it for a few months and I did not quite tame, I'm still struggling to find the ideal volume to make it out of the mix (feel too much alone and disappear in game situation ). I have been compared in parallel with the bass big muff, and then we feel that we do not play in the same court. The effect is very friendly, the sound is very precise instrument, it does not lose dynamic where the muff or eats a little low (or choking) the Mazzette reproduces the growl and other low fat. The Mazzette does not ring at all synthetic, it is a fuzz character, scabby hair and rude, but altogether endearing as respectful of what he is given. Price justified by the competition and what it offers. Moreover, it is a beautiful object that is vaccinated against tetanus (beautiful rust finish, direct output from the bottom of a port!)
UTILIZATION
In the spirit of the configuration is simple, the action is effective and knobs separately we understand very well their effect on the sound. However it takes a little research to find a sound that comes out of the mix, for some reason I find it less plug and play my ex big muff, but once you get the sound, watch out!
SOUND QUALITY
This fuzz does not in lace, those seeking his creamy will go their way, here the guitar necks is cut, the mic stands, it shears the cymbals! The sound is very clear, very defined, the bass sound is respected (nothing to do with the mushy bass muff). The fuzz is very "grainy" which gives him a naughty side, even if we can tighten the grain, we can not creamy off some fuzz. It also adapts well with my passive roscoe beck, my stingray.
OVERALL OPINION
I use it for a few months and I did not quite tame, I'm still struggling to find the ideal volume to make it out of the mix (feel too much alone and disappear in game situation ). I have been compared in parallel with the bass big muff, and then we feel that we do not play in the same court. The effect is very friendly, the sound is very precise instrument, it does not lose dynamic where the muff or eats a little low (or choking) the Mazzette reproduces the growl and other low fat. The Mazzette does not ring at all synthetic, it is a fuzz character, scabby hair and rude, but altogether endearing as respectful of what he is given. Price justified by the competition and what it offers. Moreover, it is a beautiful object that is vaccinated against tetanus (beautiful rust finish, direct output from the bottom of a port!)