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Ronmo
Published on 06/13/10 at 07:57
Best value:
Excellent
Fuzz pedal
Pedal anologue handmade in Texas.
UTILIZATION
A switch and three buttons whose settings interact with each other, turn the knobs and try out different settings
SOUND QUALITY
Super impressive in the kind big fuzz ... recommended for those who do not like fuzz, and for others too, it's a very special type of fuzz, very far from the standard kind of fuzz face tone bender etc. ...)
Great tone, very dense, highly accurate, it can play chords and AC runs smoothly unlike a lot of fuzz (which are limited to power chords or leads).
The headroom is good and even at the bottom there is very little wind.
With the tone can range from a severe hyper fuzz that is green with envy smashing pumkins fuzz to a very acute (but without being too noisy).
With the gain is almost zero of the overdrive, fat anyway, and the bottom is the big sound.
OVERALL OPINION
We know why you use it, not just the top grain and original, but in addition it goes where most other fuzz stop, we can play very very nasty, and the remaining very clean (a perfect weapon in live or studio who wants to fuzz without affecting the intelligibility of the group).
Very good value for money, a design without fault, and a sound that distinguishes it from others (even if not the most versatile fuzz)
Pedal anologue handmade in Texas.
UTILIZATION
A switch and three buttons whose settings interact with each other, turn the knobs and try out different settings
SOUND QUALITY
Super impressive in the kind big fuzz ... recommended for those who do not like fuzz, and for others too, it's a very special type of fuzz, very far from the standard kind of fuzz face tone bender etc. ...)
Great tone, very dense, highly accurate, it can play chords and AC runs smoothly unlike a lot of fuzz (which are limited to power chords or leads).
The headroom is good and even at the bottom there is very little wind.
With the tone can range from a severe hyper fuzz that is green with envy smashing pumkins fuzz to a very acute (but without being too noisy).
With the gain is almost zero of the overdrive, fat anyway, and the bottom is the big sound.
OVERALL OPINION
We know why you use it, not just the top grain and original, but in addition it goes where most other fuzz stop, we can play very very nasty, and the remaining very clean (a perfect weapon in live or studio who wants to fuzz without affecting the intelligibility of the group).
Very good value for money, a design without fault, and a sound that distinguishes it from others (even if not the most versatile fuzz)