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Bernard Ancèze « Very good material »
Published on 02/10/11 at 01:56Type: 2 x 15, 2 / 3 octave.
In addition an X-over: Adjustable 20-300 Hz, 24 dB / oct. Linkwitz-Riley
EQ Control Range: + / - 6 dB or 12 dB selectable
Inputs: XLR Balanced 20 kOhm, 15 kOhm RCA Cinch
Outputs: Sub Out / High Fullrange out: balanced XLR + RCA Cinch
Distortion: 0.02% (at 1kHz, all slider at center)
Frequency Response: 20 Hz to 50 kHz,-3dB (all slider at center)
Signal to Noise Ratio: 93 dB
Dimensions (H x W x D): 44 x 483 x 280 mm
Weight: 3.5 Kg
Its uniqueness is to have a sub filter, a cross-over on each of 2 channels that can filter separately a sub or bi-amplification.
UTILIZATION
Pro in its design.
It is a normal 2x15 bands to + / - 6dB or 12dB, fair and flawless and quiet enough for
- Correct the acoustics of a home studio.
- Correct a sound "club"
The knobs are small and close race, but it fits in 1U, you can not have it all. They "stick" well to the chassis.
Most is her 2 cross-over of Linkwitz-Riley filters that allow one or two sub or bi-amping stereo in the same box. Practice!
20 to 300 Hz on each channel
Slope-24dB / octave
Volume + or - 6dB adjustable output.
SOUND QUALITY
Listening:
background noise (-93dB) is perhaps less far than a Klark (-114dB), but finally we are still in the muffler.
Seen commbien it is easy to correct what the analyzer offers, I suspect (not measured) that the phase rotations are almost as imperceptible as a Klark drumfilters and that are calibrated in 1 / 4 of frog hair ass *.
And that means when we equalized in the right steps. And there it means. Only the 15 bands, of course, but it's pretty.
* Unit of measure very family that I like.
OVERALL OPINION
I did not long ago, but I'm not at my first. I had these useless DBX 215 Klark-Teknik and DN27, DN31 and DN60 analyzer.
+ = Build quality, price
- = Evil distributed.
In addition an X-over: Adjustable 20-300 Hz, 24 dB / oct. Linkwitz-Riley
EQ Control Range: + / - 6 dB or 12 dB selectable
Inputs: XLR Balanced 20 kOhm, 15 kOhm RCA Cinch
Outputs: Sub Out / High Fullrange out: balanced XLR + RCA Cinch
Distortion: 0.02% (at 1kHz, all slider at center)
Frequency Response: 20 Hz to 50 kHz,-3dB (all slider at center)
Signal to Noise Ratio: 93 dB
Dimensions (H x W x D): 44 x 483 x 280 mm
Weight: 3.5 Kg
Its uniqueness is to have a sub filter, a cross-over on each of 2 channels that can filter separately a sub or bi-amplification.
UTILIZATION
Pro in its design.
It is a normal 2x15 bands to + / - 6dB or 12dB, fair and flawless and quiet enough for
- Correct the acoustics of a home studio.
- Correct a sound "club"
The knobs are small and close race, but it fits in 1U, you can not have it all. They "stick" well to the chassis.
Most is her 2 cross-over of Linkwitz-Riley filters that allow one or two sub or bi-amping stereo in the same box. Practice!
20 to 300 Hz on each channel
Slope-24dB / octave
Volume + or - 6dB adjustable output.
SOUND QUALITY
Listening:
background noise (-93dB) is perhaps less far than a Klark (-114dB), but finally we are still in the muffler.
Seen commbien it is easy to correct what the analyzer offers, I suspect (not measured) that the phase rotations are almost as imperceptible as a Klark drumfilters and that are calibrated in 1 / 4 of frog hair ass *.
And that means when we equalized in the right steps. And there it means. Only the 15 bands, of course, but it's pretty.
* Unit of measure very family that I like.
OVERALL OPINION
I did not long ago, but I'm not at my first. I had these useless DBX 215 Klark-Teknik and DN27, DN31 and DN60 analyzer.
+ = Build quality, price
- = Evil distributed.
