All user reviews for the A/DA Ampulator

Everything is analog so no numrique

UTILIZATION

The use is quite Drout at first and can not backup

the bte consists of three parts

simulator floor of this impressive hyper amplification is also not a simulator but a mini floor of amplification with a mini transformer using all December 1 AX7

any parameter can be class A, AB, B.

Part hp is really super efficient simpler than the one chosen his cabinet concurrency (one, two, or four and the nature of hp hp 12 inch or 10 inch celestion or eminence.
The third part consists of two knobs that simulate the position of the microphone on the cabinet.

SOUND QUALITY

Live console I just had ToneLab, pod, johnson, digitech, JMP1, mesa, classic SansAmp PSA ...
If you are looking for the easiest to use bcanne this is not the easiest to dpart but once
that the habit is almost the bte moves and the sound is well above any sound at 57 I sm jou of vox AC50 1965 HIWATT of 212 of his blackface fender marshall jtm 45
and the sound is not empty for as long as the baffle height is not Always the momentum is really excellent and complies with the attack on the simulation of mdiator hp are the best I ' I never test a must in terms of sound quality.

OVERALL OPINION

I am surprised that no one in France have one.
This stuff is really all standard output direct from your effects loop that the output of a preamp rack.
I think ada burned his local APRS have just released the ampulator the fire forced them to the cl under the door.
Sometimes the marketing around the pod is completely forgotten in this brand dedicates studio
product silent and their product is now far found.

Hp Floor amp simulator and power lamps (one 12AX7) non-programmable, analog, rackmount (1U) mono. 1 between 6.35 and 1 output jack or XLR.
I emphasize that this device also simulates a floor of amplification!

Had he does MIDI and programmable, it would t the invention of audio shekel!! Only for a and a, I would not 10.

UTILIZATION

Configuration gnrale Is it easy?
Well, actually .... not really. And I admit I tried t give up and sell it. It takes a little look at the real amps CHARACTERISTICS (classes, pentode and triode, push-pull amplifiers, etc.). To understand how it works (thank you for your advice, Emmanuel ...). It works much like real amps, and I'm sure you can get exactly the same Russia that made your favorite amp for all the lamps are rglages to act on the custom settings that cr ent the characters of each amp.

The manual is clear and sufficient?
In English only. You will need to make a "small" effort comprhension because there are important things to know.

The edition of sound effects or is it easy?
Technically yes (just turn the knobs and pushing buttons). The problem is: What are the actions you have over these interfaces!

SOUND QUALITY

Amazing! a real slap like lamps! Versatile unique, you can get. I never heard a. .. Well I may be not heard much either ... In fact, it plutt the ide that I am an amp lamps (the only one I had, a Carvin 100W c'tait, and prs back 15 years!). But we feel a warmth, compression, plain as saturated that transcends prampli located upstream (ie JMP1 modified according to Dr Boost relamp in EH).

In practice there are two advantages DIFFERENT:
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A true floor of amplification with a power tube and 12AX7 to simulate an electronic diffrent powers, architectures or textures of power amps.

The simulation Tage HP itself, where one can choose the size of HP and the CHARACTERISTICS of the enclosure.

Finally, a Tage equalizer which, in fact, simulates ractions microphones containing the hp.

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OVERALL OPINION

In conclusion:

I bought it used, even here, two months ago. I have certainly not had the opportunity to test or possder many amps to make a comparison. The other guitarist possde a JCM900 100W All Tube 2x12. And I seem to have more body and warmth to it with my JMP1/ampulator taken over by the PA.
So yes, I would do this choice because this thing is killing vritable compared to the sounds I could get the pass. But I'm not a REFERENCE ... Anyway, my collgue below seems to have much more lments of references and the same happens conclusion as me. So ...

The only thing I regret is that the Company ADA did not have time to get a midi-version of the trust and programmable Ampulator. Ah yes ... The name was a good laugh ... my drummer! But hey ... It's just a drummer ... <img class="smiley" src="/images/audiofanzine/interface/smileys/icon_biggrin.gif" alt="biggrin" />

Emulator amp light to heat with sound, all analog, 1unit rack 1 between 6.35 and 1 output jack or XLR mono, without memory. Equalizer with bass and treble.

UTILIZATION

Very simple, you turn, you press the buttons and voila there is the sound we need.
I use it with synths is wonderful.

SOUND QUALITY

Really very good quality it is big it is hot, even burning.
You can really have grain and stamps Different.
The trick is to put DIFFERENT lamp to see what it does, trs intressant.

OVERALL OPINION

I use it for several years, I have to dgoter 80Euro if if if you read it and it is the revelations that happiness.
I plug it to mostly synth sounds exprimentaux or leads with a grain of most rock and it does it well.