View other reviews for this product:
barvador
Published on 03/06/08 at 15:32
It's kind of a compressor easy living, prrgl limit effective legendary, not clinical, it brings something to the sound.
The power supply is still wrong place on these MXR pedals, the location of the battery still impractical, but just by having this object in the palm of your hand means Guilmour, Nile Rodgers, and all the others. Difficult to note the excessive simplicity, but as the compressor is indeed a complex and not easy apprhender either one is ing sound and working on the hardware super sharp with tons of rglages (filters, thresholds, volumes, ratios, release and so on, it is a good gauge Manir to compress the sound and you put two knobs for us amateurs clear who want IMMEDIATE sound like "thing" guaranteed and is doing well. 8 only for power supplies.
UTILIZATION
To rgler this type of gear, you must first set the effect gnral (sensitivity) and only 0 rgler volume (output) to make it at the same level Inrush pedals or not. Roughly around 1 or 2 hours (the position, no time to rglage ...) Then you go up the effect until it found a position that we like the type of game (chorus supported or soft, rhythmic and funky pop rock).
SOUND QUALITY
The combined work on the thresholds of the power of compression and of the sustainer, all as dj calibrated to give a little thick, of music and of elasticity to the sound. This is typical 70's and typical, so will not appeal to everyone. If mtalleux in love with big sounds are caused by the calibration unconvincing the pedals on the genre, fans of Knopfler Guilmour, Nile Rodgers, Police, Cropper and other followers of the clean sounds will top it REALLY foot. I test the super dj comp MXR132 and as I said on a post, the two pedals are diffrent the Dynacomp best suited for clean sounds, blues lightweight, fingers in the game, it is not "transparent" Whereas this may be by purists as a default, but it gives relief, the percussion effect of a large CHARACTERISTICS elastic slamming provided without making the sound pteux or caricature.
That's what I always wanted to hear with my Start. And then one with a lightweight compression lgre chorus, and a booster type Dlay MICROAMP is extraordinary.
The rglage is sensitive, the effect is powerful enough, beware of extreme rglages if you do not want to have a sucking sound or too cras. The higher up the effect, over the pedals and tufted crasis strong attacks, and it enhances IMMEDIATE low volumes, making a nice quick flight of a buzz a bit noisy stratovolcano . Measures always remain in the provision of an effect, an effect well rgl and relevant is one that means especially when the dsenclanche because sudden lack something.
OVERALL OPINION
Julien thank you for accepting the exchange rate between the Dynacomp Supercomp and my, my music is more suited and more easily adjustable. I love this, enjoy good value / price today even if it is not in balance and if I lose the pedals, I Rasht the same day.
The power supply is still wrong place on these MXR pedals, the location of the battery still impractical, but just by having this object in the palm of your hand means Guilmour, Nile Rodgers, and all the others. Difficult to note the excessive simplicity, but as the compressor is indeed a complex and not easy apprhender either one is ing sound and working on the hardware super sharp with tons of rglages (filters, thresholds, volumes, ratios, release and so on, it is a good gauge Manir to compress the sound and you put two knobs for us amateurs clear who want IMMEDIATE sound like "thing" guaranteed and is doing well. 8 only for power supplies.
UTILIZATION
To rgler this type of gear, you must first set the effect gnral (sensitivity) and only 0 rgler volume (output) to make it at the same level Inrush pedals or not. Roughly around 1 or 2 hours (the position, no time to rglage ...) Then you go up the effect until it found a position that we like the type of game (chorus supported or soft, rhythmic and funky pop rock).
SOUND QUALITY
The combined work on the thresholds of the power of compression and of the sustainer, all as dj calibrated to give a little thick, of music and of elasticity to the sound. This is typical 70's and typical, so will not appeal to everyone. If mtalleux in love with big sounds are caused by the calibration unconvincing the pedals on the genre, fans of Knopfler Guilmour, Nile Rodgers, Police, Cropper and other followers of the clean sounds will top it REALLY foot. I test the super dj comp MXR132 and as I said on a post, the two pedals are diffrent the Dynacomp best suited for clean sounds, blues lightweight, fingers in the game, it is not "transparent" Whereas this may be by purists as a default, but it gives relief, the percussion effect of a large CHARACTERISTICS elastic slamming provided without making the sound pteux or caricature.
That's what I always wanted to hear with my Start. And then one with a lightweight compression lgre chorus, and a booster type Dlay MICROAMP is extraordinary.
The rglage is sensitive, the effect is powerful enough, beware of extreme rglages if you do not want to have a sucking sound or too cras. The higher up the effect, over the pedals and tufted crasis strong attacks, and it enhances IMMEDIATE low volumes, making a nice quick flight of a buzz a bit noisy stratovolcano . Measures always remain in the provision of an effect, an effect well rgl and relevant is one that means especially when the dsenclanche because sudden lack something.
OVERALL OPINION
Julien thank you for accepting the exchange rate between the Dynacomp Supercomp and my, my music is more suited and more easily adjustable. I love this, enjoy good value / price today even if it is not in balance and if I lose the pedals, I Rasht the same day.