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grozeil
Published on 01/05/09 at 12:42
Go once will not hurt, my j'update Previous opinion, full of crap (like this, should never rely on advice on the Internet)
Boss numrique time limit format, known architects, blah blah ...
INTERESTED The trick is the connector: two inputs, two outputs + a jack for expression pedals or tap-tempo
UTILIZATION
Yes, the configuration is gnrale dfinitvement easy. Manuel clear as usual 'at Boss. I finally russi operate the pedals of expression that can connect. Namely, not all are compatible ps: for example, with my Bespeco and my Ernie Ball has worked. It works well with my DOD FX17 ... Charles will understand ...
SOUND QUALITY
Unfortunately, no history of DD6, I can not compare this dernire. The sound of plutt DIFFERENT modes is good. The standard is dlais trsfidles what is sent in between (and tonnament can be "better" than my Eventide Time Factor, which would tend to shine naturally rptitions easily). The reverse can DLIR well, the method is similar trs trs well, and rest a little better than my Dfine Maxon AD9 Pro (which is quickly his "pteux"). Modulate mode is fun, not to say Gentillet. It's not bad, but my ears sounds somewhat artificial and, moreover, can not rgler the depth and speed of the modulation, then it quickly becomes indigestible.
I compare my long DD20. So forcment is lost in the DD7 versatile with what we earn in place on the pedalboard. The best on the bypass estbien DD7, the dynamics of signalne loses almost nothing, even disables.
The crushing of potentiomtre delay time can make zoins zoins laugh that will make fans of post-... (Put here your style of music gnrique). And may well go on easily as feedback, so please have these same people
We can tap in accder temp leaving the pedals supported two seconds (convenient, but live to muzzle break the heads into the air like me)
Once we trouvune expression pedals compatible with DLIR may well (and unlike what I have said, we can CONTRL paramtres with the three p dale of expression, even simultanment). For my part, I gre the effect level and rptitions, which allows me to switch from one sound with a short time limit and few Submitted (more like rverb) a super long time limit and Submitted (for groundwater or for chorus).
Looper function is funny, and diffrent possible connections (depending on how you connect with the input and output, we can double the time limit time, which will appeal to post-rockers (though they , I believe that a fixette)
A small dception however: there is a spillover function (when the rptitions continue disables pedals), but my surprise (and, contrary to DD20), the feedback s' skin after a few seconds even if we have placed 100%.
OVERALL OPINION
Bah, well this is drlement pedals. Its size, the possibility to connect an expression pedals, easy to get the sound of flies very easy (well yeah, that's the advantage of having 4 knobs ) and its gnral make it replaces my TimeFactor and my DD20 in my usual rig (TF appeared from time to time when I have the sounds spacial trs / spciaux but has become increasingly rare). It can stepfather thundering about a Boss pedals, but I remain silent in the face rapportpossibilits / size. truly a concentration of technology we like to AF (I told you that this statement would thunder for the Boss ...).
DCID, Boss is always placed in the compact segment dlais my opinion, even if no apprcierait a price slightly infrieur (120 euros would be really nickel).
Boss numrique time limit format, known architects, blah blah ...
INTERESTED The trick is the connector: two inputs, two outputs + a jack for expression pedals or tap-tempo
UTILIZATION
Yes, the configuration is gnrale dfinitvement easy. Manuel clear as usual 'at Boss. I finally russi operate the pedals of expression that can connect. Namely, not all are compatible ps: for example, with my Bespeco and my Ernie Ball has worked. It works well with my DOD FX17 ... Charles will understand ...
SOUND QUALITY
Unfortunately, no history of DD6, I can not compare this dernire. The sound of plutt DIFFERENT modes is good. The standard is dlais trsfidles what is sent in between (and tonnament can be "better" than my Eventide Time Factor, which would tend to shine naturally rptitions easily). The reverse can DLIR well, the method is similar trs trs well, and rest a little better than my Dfine Maxon AD9 Pro (which is quickly his "pteux"). Modulate mode is fun, not to say Gentillet. It's not bad, but my ears sounds somewhat artificial and, moreover, can not rgler the depth and speed of the modulation, then it quickly becomes indigestible.
I compare my long DD20. So forcment is lost in the DD7 versatile with what we earn in place on the pedalboard. The best on the bypass estbien DD7, the dynamics of signalne loses almost nothing, even disables.
The crushing of potentiomtre delay time can make zoins zoins laugh that will make fans of post-... (Put here your style of music gnrique). And may well go on easily as feedback, so please have these same people
We can tap in accder temp leaving the pedals supported two seconds (convenient, but live to muzzle break the heads into the air like me)
Once we trouvune expression pedals compatible with DLIR may well (and unlike what I have said, we can CONTRL paramtres with the three p dale of expression, even simultanment). For my part, I gre the effect level and rptitions, which allows me to switch from one sound with a short time limit and few Submitted (more like rverb) a super long time limit and Submitted (for groundwater or for chorus).
Looper function is funny, and diffrent possible connections (depending on how you connect with the input and output, we can double the time limit time, which will appeal to post-rockers (though they , I believe that a fixette)
A small dception however: there is a spillover function (when the rptitions continue disables pedals), but my surprise (and, contrary to DD20), the feedback s' skin after a few seconds even if we have placed 100%.
OVERALL OPINION
Bah, well this is drlement pedals. Its size, the possibility to connect an expression pedals, easy to get the sound of flies very easy (well yeah, that's the advantage of having 4 knobs ) and its gnral make it replaces my TimeFactor and my DD20 in my usual rig (TF appeared from time to time when I have the sounds spacial trs / spciaux but has become increasingly rare). It can stepfather thundering about a Boss pedals, but I remain silent in the face rapportpossibilits / size. truly a concentration of technology we like to AF (I told you that this statement would thunder for the Boss ...).
DCID, Boss is always placed in the compact segment dlais my opinion, even if no apprcierait a price slightly infrieur (120 euros would be really nickel).