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$99.00 market value
4.0/5
(1 reviews)
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  • Fred the RifferFred the Riffer
    Tech 21 American WomanPublished on 07/30/05 at 23:20
    (This content has been automatically translated from French)
    Distortion pedals, a preset from the famous Sansamp.
    It is a technique that reproduces modlisation the sound of a Gibson Lespaul branch in a tube combo
    Rather it connects to the clear sound of an amp.

    UTILIZATION

    The sound is very easy to find
    We use the Tone and Drive knobs. Gate button is used to limit the feedback and background noise to a level of saturation, effective trs

    SOUND QUALITY

    My friends, what sound!
    If you like soft saturation, crmeuses is hell.
    I have a marshall head customized by VHM, the saturations are enormous, it sounds better than a Marshall JCM2000 ... supercharged sound. I need a softer sound saturated to change the grain on some piece…
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    Distortion pedals, a preset from the famous Sansamp.
    It is a technique that reproduces modlisation the sound of a Gibson Lespaul branch in a tube combo
    Rather it connects to the clear sound of an amp.

    UTILIZATION

    The sound is very easy to find
    We use the Tone and Drive knobs. Gate button is used to limit the feedback and background noise to a level of saturation, effective trs

    SOUND QUALITY

    My friends, what sound!
    If you like soft saturation, crmeuses is hell.
    I have a marshall head customized by VHM, the saturations are enormous, it sounds better than a Marshall JCM2000 ... supercharged sound. I need a softer sound saturated to change the grain on some pieces, and this is the rponse pedals. I also use an old Tubeman, so I always diffrent 3 grain of saturation at the base.
    The sounds are pretty trs, with lots of sustain. I play with a Lonestar Stratocaster and a Gibson Lespaul, so its sounds, but I tried with quitar "low end" and you feel like a Les paul is really nice.

    OVERALL OPINION

    I use it for a month, I confirm the choice.
    It's expensive, but the sound is the
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