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Published on 02/26/07 at 12:13
Effect "beautifying" of his: more bass, more dynamic, more clarity. Magical technology!
UTILIZATION
The setup is ultra-simple, as with many pedals. The only problem is that we can not disconnect once we have effect maximizer in the ears. Someone said it was as if ears were stopped before, but it is not really an exaggeration.
The manual is useless, for that matter on its face can feel the filling ... In short, much of wasted paper!
SOUND QUALITY
The effect is both discreet and formidable. When the industry group (eg, to attack a bass amp or guitar amp), the musicians say, yeah, so what? And finally the bass is deep, the notes more clearly defined, the dynamic is excellent. I was amazed by my last catch live, the bass is super defined, it's really the thing that was missing (in the live repisse microphones tend to eat the dynamics and the definition of low frequencies).
I bought it for my associate and my Musicman Amp Without Bass driver (it's excellent), but with a good Fender Stratocaster on my tube I was amazed: it is impossible to cut the effect, so it takes the air and punch! I think this is much more musical than a compressor that will bring its qualities often (attack, punch) and defects (leveling, pumping, artifice).
I'll buy the rack BBE Maxcom soon to couple to a preamp on the snare and bass drum. In sound is more than a reference.
OVERALL OPINION
I love this stuff, it's really the magic object: it allows all sources to breathe and have a huge dynamic and readable, but with a discretion which makes it a perfect tool. It means that the effect when no longer used.
UTILIZATION
The setup is ultra-simple, as with many pedals. The only problem is that we can not disconnect once we have effect maximizer in the ears. Someone said it was as if ears were stopped before, but it is not really an exaggeration.
The manual is useless, for that matter on its face can feel the filling ... In short, much of wasted paper!
SOUND QUALITY
The effect is both discreet and formidable. When the industry group (eg, to attack a bass amp or guitar amp), the musicians say, yeah, so what? And finally the bass is deep, the notes more clearly defined, the dynamic is excellent. I was amazed by my last catch live, the bass is super defined, it's really the thing that was missing (in the live repisse microphones tend to eat the dynamics and the definition of low frequencies).
I bought it for my associate and my Musicman Amp Without Bass driver (it's excellent), but with a good Fender Stratocaster on my tube I was amazed: it is impossible to cut the effect, so it takes the air and punch! I think this is much more musical than a compressor that will bring its qualities often (attack, punch) and defects (leveling, pumping, artifice).
I'll buy the rack BBE Maxcom soon to couple to a preamp on the snare and bass drum. In sound is more than a reference.
OVERALL OPINION
I love this stuff, it's really the magic object: it allows all sources to breathe and have a huge dynamic and readable, but with a discretion which makes it a perfect tool. It means that the effect when no longer used.