All user reviews for the Peavey Classic 50/50

I have been using a nice Digitech G300 poweramp for 20yrs. I used the power stage of a B52 AT100 for a bit and realized the great tone of tubes at low volume too. Been changing my rig and wanted the tube dynamics back at practice levels although the Digitech G300 is great loud. I seen one of these 50/50's at a store and went back the next day w/ my preamps to try it out and was blown away at the straight forward tone and brute power! It has been around for 24yrs so I had to get 4 EL 84's (of 8) and a new fan but it's fully restored. Front panel Pres/Resonance are great! I play Metal and classical w/ Distortion and going for an ENGL tone. This has been great for that b/c you can customize it somewhat with the (soft to hard) rating of EL 84 tubes. The B52's 6l6's were too glassy and the sound got lost but the EL 84's (GT's rated at 7) are perfect for what I need. Preserves the tone of preamps very well too! People cut down EL 84's for Metal but the two amps I have had w/ these were very heavy! A/B'ed it w/ some high end amps in the store and it held it's own= (Diamond @ $1700 -EVH III 50w). Pricy to retube though! If in need don't hesitate to grab one of these.

...dropoff Window

USE

...dropoff Window

SONORITS

I use it with a personal Digitech RP-7 in Pramp to make Mtal no style, and occasionally rock. Before buying it, I played three months with the RP-7 branch on a fender, I must say that my sound has changed DRAMATICALLY. This amp is really excellent, both in terms of the power it is capable of dlivrer (never played in del 4/10, even in concert without being resumed, and yet I have a drummer knocking; o)) than the efficiency of rglages of subtle presence and resonance.

NOTICE GLOBAL

Trsrgulire use for 2 years and a half, no worries it.
The diffrentes possiblits switch to mono / st, of Impedance, output etc .. and connectors are really very compltes.

On mine, the fan made a little noise, it's true, but you soon forget ds when you start playing (unless playing 0.5 / 10, p ...).

Pay 5000FF there are more than 2 years: report qualitprix: UNBEATABLE.

/ *** Edit *** /
I played a long time stro and qq months (p ten) in mono, with big problems to happen. The guy VHM in whom I harbor seemed to say c'tait not the first time he saw a return 50/50 used in bridge, a cause of problems on the high voltage. Apparently the mono mode, it's not the config Idale for the viability of the amp. I test it tonight (in stro until the end of time; o)), and I will post in the coming weeks if it turns out that it continues to blow and that has nothing to do with mono.

any lamp with lamps Electroharmonix it is very clear I think, especially in 16 ohm ..... really too powerful because it can connect 4 4 * 12 cab and it's really crazy ....... I have it ....... relamper brand in JJ for power and sovteck more 12AX7 and 12AT7 and the sound is no longer the same between his big muscles and greasy metal with many meduim ...... . the top for me

UTILIZATION

the configue n is not simple force of a meter crankset or preamp worthy, I have the is no manual occasion, I put 6 months to find my sound aprse but this time it is a pleasure

SOUNDS

I play rock metal trash see any style, and I have tjrs find a way to create a crystal clear or bold because this amp is resortir the character of the guitar used, for my part I play gibson sg special equip DiMarzio and ga rich equip DiMarzio, yes I know these mics on a t stranding me jtrouve deemed not short with a boss gt6 ca ca hard and also the fineness

OVERALL OPINION

I have used the six years I was the accheter of a secondhand relamper I made a good deal a300euros head with such power, ps esiter not to use that one channel is also stereo as lol, with time I do it again the same choice but to leave it in a room where dry because I think the fragile beast and she does not like the transportation with time

Basic rock and roll, 70's stuff, old school punk, some blues. As long as it has a good rhythmic backbone. I have several guitars, amps, been playing for about 25 years, guitar and bass. Run a sideline guitar repair business out of my shop at home. Have owned and tinkered with a multitude of different amps, guitars, basses, etc. I look at Musician's Friend catalogues as if they were Guitar Porno magazines! Haw, haw! No, seriously I am 45 years old and it's a big part of my life.

I bought it off Ebay for around 400 smackeroonies!

I have owned a lot of Peavey stuff over the years and I have been most impressed with their PA gear, I always thought that it was a good bang for the buck. Unfortunately, I have had some bad experiences with their guitar amps and most of the ones I have heard and owned just didn't really seem to measure up soundwise or qualitywise. I always went back to Marshall, Hiwatt, Orange, Mesa, etc. I bought this one with the attitude that I would give them another chance because the class A design, smalltop-retro-tweed-quasi- mini-Marshall type head cabinet design looked promising, especially with the chickenhead knobs. I remember when I first pulled it out of the shipping box and set it on top of a 4x12 cabinet and plugged my Les Paul into it. After allowing it to warm up a couple of minutes and started fooling with it I just fell in love with the thing. Very versatile amp with not only great clean tones but also a great hard rock sounding growl to it as well. Has clean and lead inputs with a toggle switch to choose between the two. The 4-EL84 3- 12AX7 class A design sounds like no other Peavey guitar amp I have ever heard, it is really warm and natural sounding. This is like a boutique amplifier for a fraction of the price. Absolutely the best bargain on a used amp I have ever made. Most of the Peavey amps I have played thru in the past always seemed to have a really artificial, raspy and buzzy sounding distortion, not this one. In my opinion it is/was the best guitar amp that Peavey has ever made, and that includes the 5150, the Ultra Plus, the Windsor, etc. I recently was told that they have discontinues making just the head and now this amp is available in only combo form. Pity. I would buy two more at that price right now if I could find them.

The cooling fan is a little loud but, I will put up with it for the benefit of keeping the unit cooled down and operationally sound for that many more years. I honestly can't really say anything else negative about it. Peavey kept it simple and got it right this time!

Looks good to me, I have of course seen amps that are built like tanks by comparison but, I don't think I would have a problem taking it to gigs or out on the road at all. I'd probably put it in a roadcase to to be on the safe side.

Best bang for the buck of ANY tube guitar head I have ever purchased and that's no lie. You could easily spend 4 or 5 times what I gave for this head and not have an amp that sounds near this good. Trust me!

This review was originally published on http://www.musicgearreview.com

Jay's Music Augusta, Georgia $500


I now have 2 Peavey Classic 50s, the head and the 212
combo. I have compared this amp to many others and it is simply better! You
can't beat it for the money. The controls are very straight forward. Dialing
in a desired tone only takes seconds.


There's very little I don't like. I wish it had a
seperate EQ for both channels. That would give more flexability.


All tube 3-12AX7 4-EL84, spring reverb,
two channels, one EQ, master volume,
presence, series effects loop, 3/4" cabinet
very sturday


I bought the head later and a 5150 4x12 cabinet to go
with it! Enough said.
Best amp out there for the money.



This review was originally published on http://www.musicgearreview.com

I got this amp about 10 years ago in Saskatoon Saskatchewan Canada for $1200 Canadian.


This amp has tremendous flexibility. It can do honking and wailing rock and roll with the best of them, and it has the headroom and power to blast out clean country licks into a large room. The footswitch selectable channel control gives instant control over drive and clarity.

As with any all tube circuit, the player can modulate the sensitivity of the overdrive with touch control or with the guitar volume. This adds to the control of the overdrive.

Tone controls are useable and simple with a realistic and wide range of sounds available. The unit even looks cool. By removing the "Peavey" logo (2 screws) it cannot be distinguished from a vintage tweed twin reverb from 10 feet.

On top of all this, the long spring reverb tank is wonderful and not "springy" like the
shorter spring units usually found on smaller amps.


The 75 pound weight make it a chore to lug about I recommend adding swivel casters if you are going to be using it on the road. The Ernie Ball units fit well.


Solid and trouble free. I have yet to have a single problem in 10 years of use.


An excellent value. The price has since come down on these, and there is an effects loop built in. I would buy another in a heartbeat if mine ever was stolen.

An excellent all round "do everything" amp. It has all the power I need and the flexibility I could not do without. I plan eventually to get a smaller version of the same series (25 watts or so) for when I don't want to haul the big box, but still need good sound.


This review was originally published on http://www.musicgearreview.com

Stereo amplifier rack lighting, ventilbr /> 50 Watts RMS per channel into 4, 8 or 16 Ohms
100 Watts RMS mono into 2, 4, or 8 Ohms
two 12AX7 and two 12AT7 Preamp and eight EL84 power tubes
Stereo / mono switch
Each channel: level, presence and resonance controls
ventilbr /> direct output on XLR and jack 6.35 (with SETTING THE level)
2 inputs on XLR or jack 6.35
2 speaker outputs on jack impedance of 6.35 with slcteur

UTILIZATION

The use is very simple, one branch is lit and board
amp super versatile and easy to carry (I had a head before, ben thank you back)

SOUNDS

This is an amp that sounds great with super bright treble, good bass and big presence control and resonance to a proper dig or not the sound and bring out the treble or bass.

Used and mono (100w) or Stereo (2 * 50W), this amp has a standard potato both reiterated that there is ample live and it is deaf before sending it thoroughly.
no noise from electrical noise heard in the speakers, not even the noise of the fan.

OVERALL OPINION

Bought a year ago to replace my head Laney gh50l I found too versatile and too heavy to carry, I do not regret my purchase and the only thing I would change is to find a mesa-boogie Dual Rectifier at the same price (not tomorrow the day before).

Stereo amp lamps
50 Watts RMS per channel into 4, 8 or 16 Ohms
100 Watts RMS mono into 2, 4, or 8 Ohms
two 12AX7 and two 12AT7 Preamp and eight EL84 power tubes (Sovtek all in)
level, presence and resonance for each channel
Possibility to plug in speakers deus / / on each channel

UTILIZATION

Plug and play, it's simple

SOUNDS

I balance a ENGL 530 in, and I do rgule with almost no regulation of Prsences and rsonnance.
I use it to make the metal, slow (type Paradise Lost), no complaints.

Its main strength is that it is neutral enough to meet all pramps.

OVERALL OPINION

Trs good for its price, he knows everything.
The only pb is the fan noise a chouilla.

If you need a power amp, cheap, and respecting the grain of your pramp, and this by adding dynamics and heat lamps, zieuter here

Stereo power amplifier 2x50 W all lamps (2x12AX7 + + 2x12AT7 8xEL84). SETTING THE channel volume, bass and prsence, 2 inputs, 2 outputs with a choice of mono or Stereo impdences, line out with level and rglage xlr
In short connections complte trs.

UTILIZATION

The use is very simple, it was just a SETTING THE supplmentaire low compared to the majority of amps epuissance.
take care, take care of the equipment as it possde even when 12 lamps.

SOUNDS

The sound is soft and adds roundness distortion. This is less than slamming the EL34 but aa more texture and body, I prfre. The prsence (screaming after 8) and rsonance act effectively on the sound reproduction. But be careful, low quickly become invasive over 5. Its clear sound is also good with the right amount of roundness.
Power as it is to go, it's enjoyable.

OVERALL OPINION

Bought a year ago, I prfre Boogie 50/50 for the most versatile even if the Boogie better suited my style metal. From a price of around 400-450 OCCAZ a TRS is a good investment.
One minor complaint, however: the ct of the frail 12-prsence lights and noisy fan that sucks a lot of dusts in the device. Bte is reasonable if not ct weight and maintenance, the EL84 is rvlant cheaper than the EL34 in a drying lamp.

Tube amps
2 x 50W (stereo) or 1x 100W (mono)
2 output jacks 1 / 4 for channel 1 (impedance 4, 8 and 16 ohms in stereo and 2, 4 and 8 ohms in mono)
2 output jacks 1 / 4 for channel 2 (impedance 4, 8 and 16 ohms in stereo)
2 line outputs jacks 1 / 4 channel 1 and 2 levels with independent
2 channel XLR direct outputs 1 and 2
2 input jacks PARALLEL 1 / 4 for channel 1
2 input jacks PARALLEL 1 / 4 for channel 2
Food selection in 240 or 120 volts

UTILIZATION

Using super simple
you turn the machine, it mounts the volume and turn and go!
live or in studio it does its job and is very effective for live recordings!

SOUNDS

Not much to say except that it sounds great!

OVERALL OPINION

Super power amps with tube connections comprehensive!
in mono or stereo shipments puree it!

Stereo power amp all lamps:

2X + phillips 2x12AX7 Sovtek 12AT7 input and driver
2x 4 EL84 Sovtek power (broken down into 220v)

are 2x 50w 4/8/16 Ohms in mono or 100W 2/4/8 Ohms
possible to use a single lane for two 50W stand-by spare.

super connection as input line outputs, XLR console, see view previous ones.
rglage by the volume, rsonnance (bass) and prsence (gloss) - Weight: 13 kg.

A technical question in passing: I noticed that two lights prampli (the two 12AT7 phillips I think) does prchauffent not as much as two 12AX7 Sovtek:
the filaments are not ashamed but the power After a few minutes, they are warm so I guess the operation of the Tagus is pramplification Designed so that the supply voltage
filaments is less for the two lamps, and we do not see prchauffer ... Is this normal?

In use, APRS into high voltage, no sign of weakness pramplification the contrary,
I even decrease the output level of my prampli mesa-boogie (gain adjustable rear facing) to 1 / 2 1 / 3 because I had too much momentum for my master volume 50 / 50 2 / 10!

UTILIZATION

Config simple and efficient, effective rglages, not too sensitive.

SOUNDS

This amp has a prsence and superior dynamic range, and as I play a Start with EMG pickups climbs, I Reduces the brightness and treble on my mesa and let the prsence of 50 / 50 to 0. Power is more than enough in RPET and live without me sono transplanting. I play with a marshall 1922 cabinet and I find the sound I was looking for a 2x12 config.

OVERALL OPINION

Test for 2 hours last night:
This amp has a very oriental characters rock (we find the sound of the classic peavey SERIES), less than a Fender blues, it's clear, and that I think of the CHARACTERISTICS lamps EL84, particulirement in distorted sounds. it reproduces the characters of Fidler prampli mesa-boogie V-twin rack and strengthening same.

What I like least: this fan makes a lot of noise (can be a little dsax ???), I look and how silent fix branch in the amp, and frankly, it's nothing dssouder both son and change the fan for silent with same MODEL CHARACTERISTICS (CF THE POST ON THE TOPIC OF THE FORUM) .. . if you know a good buy replacement fan, and the right supplier, mail me. (Note: AC 220v fan in food so do not use a PC fan!)

What I like most: complte trs connectors, all of good quality and strong (weight too power and dynamics, rglages. The cost of EL 84 <6L6 or EL34. Testing and refining group I give you following me.

Excellent quality-price ratio: 450 euros including shipping occas I see no equivalent in any light
in this price range.

Amp 2 x 50 Watts All Tube.
Pr-8 lamps + 4 lamps amplification amplification.
4 input jacks in
4 output jacks (mono or Stereo) + 2 XLR direct console.
For each channel, level control, and presence of low / high.
Stanby on each channel.
Systm trs complete! (The same CHARACTERISTICS "Classic 50/50", the "Classic Series 50/50 with only the appearance that differ in appearance ...)

UTILIZATION

The use is all that is most simple and empty. No need for manual ...
Ets sound incredibly warm and round. It sounds the most cash at the crystalline crunch or distortion ... Above all, it does not move. You can play several hours earlier, the report does not modulate. It does not weaken in power ... MAGIC!

SOUNDS

I use a Gibson SG and Les Paul, with some effects pedals, and two pregnant Marshall 1912. From a basic style rock (Beatles, Led Zeppelin, etc ...) to dernires sound (Radiohead, Massive Attack ca ...), fits all. All dpend as the rest of Systm ... My config is perfect for lovers of real guitar sounds ... They will recognize ...

OVERALL OPINION

I use it for 6 years. The rest of my kit has moved volumes chang ... This amp head is still ... It really is not ridiculous face competition, even from Vox, Fender and other Orange ... It is unbeatable in report / qualitprix. Durable and unbreakable!
Do not hesitate! It's a habit that head bte "Peavey Classic Series 50/50"!

See previous opinions
I just said:
connectivity offered is one of the most comprehensive
* Switch 4, 8, 16 ohms for each channel independent
* Mono bridge mode 2, 4, 8 ohms
* 2 HP per channel (four speakers can connect at all ...!

adjusting volume, resonance (bass), presence (acute) for each channel

lamps piussance EL84 (x8) drivées a 12AX7 (x2) and out of step uen 12AT7 (x2)

UTILIZATION

Very simple, pay attention to, however INPED

SOUNDS

Ampl This EL84 is equipped with lamps
their particularity is very little color the sound
So this amp meets the grain of your preamp
So with a pod or JMP1, it will lack character
by against a Mesa or other mind-blowing it (tested and approved with my friends)
In fact, it colors the sound but very little heat and provides dynamic

So, he can marry happily with any material

OVERALL OPINION

The réaputation this preamp is more to do
its availabilty in opportunity and affordable price make it a reference

2 U rack amp lamps, 2 x 12AT7, 2 x 12AX7, 8 x 84 EL.
Electronic panzer is not the gadget is made to last.
Complte trs connector, Stereo or mono table, it adapts to all!

UTILIZATION

Be careful when making connections to impdances.
The rest is basic and effective!

SOUNDS

Equip it with Sovtek rpond well on all frequencies.
He has a good dynamic.
The rising power is linear.
Guitar-di Marzio, roctron Voodou 2x12 V30 and an enclosure, to play rock and hard rock, and although it sounds!

OVERALL OPINION

Bought used 6 months ago, it is part of the hardware we are glad.
I just tried a Marshall EL34 50 (too heavy) and a engl rack (too expensive)
For it is an exellent 400 qualitprix report, even if it is not old, I think it can turn a few more years! Especially after a RVision in VHM!
If I do it again this choice? Msieur YES!