All user reviews for the Dunlop Crybaby 535Q

Expression Pedal rotovibe: chorus / vibrato + knob on the cot to the intensity rgl
a battery or power supply

UTILIZATION

Trs simple rule is the intensity with the knob and s'ammuse

SOUND QUALITY

This is simply trrible PDAL.
If you want the sound hendrix ben you know what you have done!
its extremely hot
no interference or noise dsagrable
trs precise PDAL

10 because I can not put more !!!!!!!!!!

OVERALL OPINION

I regret one thing to have taken so long to buy it on it's expensive, but hey it can be the cheapest pedals leslie!!
The most practical and hottest in my taste!
the one that I like Dunlop pedal! bravo

- What are the effects or types of effects available?
wah wah + boost
- What technology is used? (Analog, digital, tube ...)
analog
- Are they edited? Via an editor Mac / PC?
not
- What is the connection? (Audio / MIDI)
audio
- Is this a rack or rack-mount model?
pedal

UTILIZATION

- The general configuration is it simple?
yes
- Publishing of sound effects or is it easy?
yes
- The manual is clear and sufficient? ...
yes

SOUND QUALITY

- Effects are they effective, responsive and realistic enough?
yes
- Which instruments do you use?
guitar
- Which ones you prefer, you hate?
There is only one (wah) and it is excellent, considering that the boost is an effect, it can be activated only when the wah effect is also, it can be configured in volume and in tone, very clean, the small red button on the picture.

OVERALL OPINION

- How long have you use it?
one week
- What is so special that you like most and least?
The big gray button that allows you to select the frequency range is perfect.
Least, it would be running a little short but for me it is perfect for a
use solo, just a little perhaps for the great scans stifled.
- Have you tried many other models before buying it?
yes, but the old cry baby 535Q is so much more complete.

- How would you rate the quality / price?
excellent
- With experience, you do again this choice? ...
Yes, I love the wah wah, it does not color the sound in bypass, there is no drop in volume when it engages (even without the boost), we can feed it with a 9v battery or a 9v transformer, it snaps easily without pushing like crazy, it adds only what is asked, a pedal exceptional, strong, reliable and comprehensive, beautiful.
His race is not more, should know.
[edit] It blows a lot in the treble with a distortion.

See previous posts.

UTILIZATION

The general configuration is very intuitive, the grip is immediate (I did not use the manual).

SOUND QUALITY

I found / thought before trying this pedal modeling systems that offered simulated wha realistic and very dynamic. not only wha 535Q offers a wide dynamic range but it also makes it possible to adjust the Q and the frequency range depending on the desired effect.
I compared to the dunlop jh-1, 847 and vox dunlop cry baby over several combo with a vox, a laney and various guitars (Godin, lag, cort, fender and clear in its ,...) crunch both rhythmic and melodic:
The 535Q comes largely batch whether ds crunch and clean sounds and can adapt as the register of the ds rock than that of the funk.
the boost is a need to exploit more effectively.

I have not found any negative points, it covers a very wide range of sounds that I am (very) far from having made the rounds.

OVERALL OPINION

I've had one week but have tried many times ds music stores before you buy (thank you to the vendors for being patient and allowing me to test different configurations ds).

This pedal is very important to underline / highlight the nuances of my game whether rhythmic or melodic phrases. there fifteen years, I had the jh-1 that never convinced me (very sensitive). With the 535Q is the day and night.

I got it new for 165 euros (playback.fr). At that price, no hesitation possible.

I do it again this choice with his eyes closed (one-year test of av my mind, now more than likely).

See more reviews

UTILIZATION

It's easy, it is true that it takes a little time to find its own "wah", it took me the night but that happiness was to explore this little gem. The manual is munuscule and English, but frankly it has served me totally nothing: just turn the knobs and find out what happens and it comes by itself.

SOUND QUALITY

While there, the sound quality, what about a hand that just great? I found my style of "wah" pedal with this one can only be satisfied believe me! I use it with a marshall amp MG100DFX, guitar Berhinger very low-end and spring nikel!

OVERALL OPINION

I use this pedal for 2 weeks, I am totally satisfied! Before I was using a wah zoom, but it has totally nothing to do = it's still better now to have a wah part. But the one! is simply the best! I understand why Joe Satriani uses. I paid € 220 in store, I had to wait five weeks for it to arrive! Looongues 5 weeks, but I do not regret at all for having paid that price. I find very acceptable value for money and the choice I would do without hesitation! In short, this pedal is simply the best!

See also
lots of buttons, great for teens puberty a little worse for ordinary people, especially those who are tired of things to adjust, for my part would have the correct m'enfin ample enough, it is what " it takes to be THE SOUND
masta big box of death that kills, it seems that an accelerator pedal at the base of panzer, po c ket c true, but heavy and boring in trimballer.Couplé a whammy, is DEATH
8 because it's heavy and it's tiring to tamper with the buttons tits (and big)
but the advantage is that you can reach a pretty p'tit Q without being accused of polygamy, or worse, adultery
I admit it .... small small petiiii

UTILIZATION

Config boring as I said
the buttons are devilishly effective, which may be more like a less
Manuel relatively clear, although as usual the configs are not recommended for my taste.

SOUND QUALITY

Well it's a very typical
far from the softness of the vox, and far from clean morley, but this wah has a real character, cheerful as they say, and I think it's best for the big solo in the Wylde, Satriani and other
Clearly this is not the top ptetr, say his catch is difficult to gauge, but it's doable and it can even be a more crunchy to balance any plans for it ... by the cons for the saturation c ' is a must, as I prefer the vox in the clear, both in disto nothing to do, it's powerful, deep and effective, it makes farting harmonics (artificial or natural), plus the boost of 20 db is not bad when we want an even more dirty and stronger, kind Wylde ...
The advantage of this pedal is that you can really get the sound you want, within the limits of possibilities of what a crybaby, but unlike a vox is customizable, which is a very good
The best is probably to have a crybaby and vox for maximum versatility, but if you hesitate between these two, I recommend the dunlop franchemnt, because the vox are not known to do THAT in clear, distortion c ' is ... (Beurkkkkkk), while the dunlop defends still well clear while ripping into outright distortion.
9 to clear ...

OVERALL OPINION

Used for 2 years
What I like is its sound (sorry), its adjustment possibilities, its power, boost, euuuhhh impact resistance (yes it's important for me ... and for good reason), and all the rest
I like less weight, but that's all that bothers me, after that depends on the tastes, styles, and moods
I tried the vox and Morley, and I immediately preferred the rage of dunlop
Value for money: acceptable, given the number of possible settings, the quality Dunlop, and the possibility of external power supply, which is handy becaufe this pedal EAT cells
especially since I paid 130 dollars for new US, the super plan anything (not even 100 euros at the time)
With the experience I would take two, because dime was two whammy and me too i want to have my master 'style ...

- What are the effects or types of effects available?
Wah Wah Wah Wah classic + Boost.

- What technology is used? (Analog, numrique, lamp ...)
Analog technology with a component in the system call is the Fasel sense imitates the sound of Wah Premire including those used by Hendrix and Clapton among others ... That said never able to test an original wah, trs is unclear whether this is true or not.

- Are they ditables? Via an editor Mac / PC?
Editable "manually" via the knobs of range, the boost and tone (the famous Q) and volume, but not via a computer.

- What is the connection? (Audio / MIDI)
An input and an output jack classical training, but not between noon good as a guitarist intrt the standard seems to me not ...

- Is this a rack or rack MODEL?
As a bit of all the effects, it is up o you want to taste, as the book puts it, "just put some prfreront APRS guitar and effects and apply all of the signal wah, other prfreront put right at the end of the rack to effect a little more particular. " For my part I have chosen to put it in between, just APRS APRS my tuner and my whammy, and for me as well trs a.

- Your score on this?
From the perspective CHARACTERISTICS it can not much blame was everything CHARACTERISTICS of the most classic wah (the crmaillre, the switch under the pedals) but also has a longer range of the knob but also the boost and the volume and four associated with it. Note the really solid case, which has two advantages: first, we said that was okay and take it to the solid Premire, and the second was not moving at all gr that the association with weight bearing anti-draping that melts the wah is the o has been place. The "grip" o we put her foot is of good quality may be not as gripping as that of the whammy, but more than enough to glue the sole of your shoe and do not give you a sense of slip As far as the movements are connected.
Some may criticize the fact that there have not resort to replace the pedals and zero-position cut-off / automatic switch-wah inactivitactivit as any on the Morley, but I think it tastes and colors, aa its default as its quality (the cut is done after a certain period of time and can be embtant for example).
10/10, because for that price esprer the more you really have to have feet on the ground.

UTILIZATION

- The configuration gnrale Is it easy?
Trs simple when you understand what was in the hands (that is, not start all the knobs to boost / volume / bottom four with the range on the beach the more acute as possible and play clean with a clean amp setting ptillant and using the bridge pickup of your guitar tone with volume and background ... basically not to get out you really look for the small box). In terms of ergonomics, I find it excellent as the I thought it would be ngatifs points: the knobs are trs well located and you really do expr s to change rglage unintentionally and activation knob is much better than I imagined, must be pressed neither too much nor too little to engage / disengage, I have not yet been surprises by playing with, do not hsiter go through with the stroke of the pedals, in fact when we ask though his foot flat on the pedals, even in enfon ant the pedals to the end it is hard to trs press the switch, you must REALLY support the toe through much of its weight. The boost button is easy to engage / disengage a little help from the edge of the foot of the cot.

- The edition of sounds and effects is it easy?
It was neither too much nor too little knob, I would say there is everything you need for those who can use it wisely: the range (large silver button on the cot right) to find the sound of wah that will sweep the beaches wish frequency drives (respectively low, low / mdium, mdium, mdium / high, high) and one dj dgrossit research a good shot ( that without touching the boost and it rglages adj trs a good wah sound, dj slightly better than that obtained on other models) if we APRS feels NCESS to add a personal touch on the sound, it starts the boost and it RULES volume (which influences the gain, it should be understood that the "gain" has not dsign not the amount of parasite in the sound, the boost gnre do not at all, but that's what can go 0 DB 16 DB) and APRS was the four that will gauge the fawn which will ring the frquences (very aggressive, especially in the treble when you put the bottom, or trs erased when placed at a minimum). APRS we must also know and use your guitar volume and tone knobs as well as all four of his amp and the gain to really get the sound you want (no miracles in short).

- The manual is clear and sufficient? ...
Fairly short, not REALLY about techniques, it is 8 pages in paperback format, finally knowing that THE FIRST 7 is the cover page. In the indoor Premire page was the thanks as always, with a little explanation about "why this is so special hardware", the second page contains a short explanation on the use of the wah (how to connect , What are the knobs, how to activate it) and o place (with the explanation on the Difference between the place in between or at the bottom of loop). The troisime page explains the effect of a range of knob a little fawn prcise the quatrime page explains in the same fawn what the volume knob on a time boost enabled and what the knob of four when the boost is activated with the bottom of page one indication of the power supply. The three pages dernires indicate SETTING THE clbres wah, finally, as always, no miracles, for example we are given the rglage to the sound of Hendrix, but it tells us that he be played on a Stratocaster and Marshall amp for this rglage make the sound of Hendrix.

- Your score on this?
A simple and efficient configuration, a good rgonomie that helps save time and avoid surprises, the use is rvle be a breeze without sacrificing anything. 10/10 again because there Arelle not blame him.

SOUND QUALITY

- Effects are they effective, suitable and adequate ralistes?
The effects are perfect, we wah sounds, round prcis a bit like the album You Had It Coming Jeff Beck, his hair the more acute the Hendrix wah then aggressive and powerful in the mediums to play the rhythm (in the John Petrucci of Dream Theater album Metropolis), it was also the Satriani sound (the song The Extremist and Always With Me, Always With You, among others), it was the sound of Kirk Hammet (all the songs on which he uses a wah), and more thundering obtained without the worries of the Vai Bad Horsie as Little Aligator when selecting out its frequencies and that the boost gauge well, but also all the sounds of wah gnral. By clean is really good too, not just "usable" but really good quality and enjoyable, we like to do funky pieces when we expect it. To make it short: we will in all styles for any type of wah sound as it uses all its hardware and knobs of the wah.

- Which instruments do you use?
I have a Mesa / Boogie DC-3 sound possde trs trs versatile (the rock of the 70 "~ 80" to the glam metal of 90 "to rock / metal current soloist), I him a Vox Bulldog Distortion al in the loop to sound more "brit" rock "and rock the 60" ~ 70 ", and I play guitar with a RX100 (old model) modified by a luthier with a PAF Pro in bridge and Air Norton in one round, get with it all sounds mighty fawn Vai, Satriani, Petrucci, Friedman ect ... and my second guitar is a Jazzmaster 62 "American Vintage Reissue home , with whom I get all the sounds and rock & roll oldies but also thanks to its incredibly pchu boost (Hendrix, Jeff Beck, Page ...).

- What are those you prfrez, you dtest?
I just REALLY sounds it produces: it is versatile, a style that will be my rock to vintage rock / metal solo 90 "and now, through all styles intermdiaire (rock sauce classical music, classic rock, glam metal, ect ...), is perfectly clean the same way I wanted, not too "bland", not too loud, you get sound as well pais that end, while still remaining dynamic and well prcis. The big plus: the sustain and feedback when I did not expect at all, pinch harmonics scream, like Satriani or when their guitars scream Go back the feedback loop are more or less easy CONTRL with my Roxane was walking alone with my Jazzmaster is a bit harder but fesable. The sustain is extra long.
What I like least? nothing in particular.

- Your score on this?
The 535Q offers a true sonic palette INTERESTED versatile, fully exploited, the sounds are of good quality trs trs. Unlike Morley with which I strongly hsit it does not sacrifice any musical style with the 535Q. It addresses both the person seeking a basic wah to season their songs lgrement that those who want a wah that requires and is able to follow in furious solos.
10/10 is perfect for this award l. However, like any part of your hardware, it dpend normment the rest: no need to make heavy metal esprer if you play with Vox or to rock & roll of 60 "if you play on a Mesa / Boogie F, everything must follow: the guitar, the amp, the pedals are using and also your style of play

OVERALL OPINION

- How long have you use it?
I bought it Friday, May 10, 2008.

- What is the particular feature you like best and least?
Versatility, efficiency and sustains the Feedback is the big plus.
The least? for now I do not see.

- Have you tried many other models before acqurir?
The Vox basic, Morley Bad Horsie (Premire of the name) and a Morley basic (wah 2 if I remember correctly the name, but I'm not sr), both kinds too, the Vox in large distos is not adapted from Morley in the large distortion is not only adapted the 535Q can go both clean, crunch, and all types of distortion, the greater the gre the largest.

- How do you report qualitprix?
Nine 145 in Jericho, the transformer + (I took a high-end 20 if y'en 6) so it's really a must in relation qualitprix.

- With the exprience, you do again this choice? ...
I would do without hsiter is the best wah pedals in the simple format of the entire market my taste. Only the rack wah is better, but we must add 1000 to get the rack wah so the choice is quickly made.

- Your score on this?
Wah for me this is perfection embodied, 10/10 because it is a no fault on the part of Dunlop.

Previous notice is rfrer trs complete Thaddi with which I agree.
I would add only that the prsentation is a little "black", Australian, lack of fun: a plate of aluminum or colored t have fun. Only reason I put 9.

UTILIZATION

The user manual in English is very well done. Any fawns a cry baby is a branch and hop on his calf drives!
Srieusement more, depending on your configuration, instead of the pedals subtly alter the effect.
Advice to beginners: do not plug it into the loop is lost in quality significantly.
It mcanique and squeaks a little forcment: request lubrication rgulier (I like the fat on the forum wah!)
The boost can be actuated aisment enough to walk.

SOUND QUALITY

Note that this connection ds PDAL has an effective bypass trs.
This is really fantastic dja pedals without the boost! As clean as saturated. And can modulate its dja 6 positions on the pitch the worst in more needles.
The must of this cry baby is the boost that can be quantified sr good, but the fun is that: your guitar scream and roar like not possible. The sound is fantastic, both with humbuckers as single coils.
ACCS was an infinite amount of sounds both rhythmic solo that, besides the solo with a lgre distorss with the pedals is a mid-course ultimate pleasure, with the added if we add the boost endless sustain!
I use the clean channel with a Peavey Bandit APRS a OCD.

OVERALL OPINION

Just the boost the price is justified in a report excellent quality.
I can not imagine now without the pedals, and indeed any electric guitarist worthy of the name must possder a wah wah. Is not the only pedals that his name ... MRIT pedals?

MUST!!

Wha-wha hyper flexible to meet almost all the sounds of his favorite guitar players or just to get the sound!!
The use of a good power supply is possible without adding breath ..

UTILIZATION

Let his little fingers to get the desired sound (also need a pair of ear not too damaged by years of hard work and heavy rock'n'rolliène!) And then it's up! (At least if there is no balance problem!)

SOUND QUALITY

See previous notices ...
My Setup + Start + boost + rotobibe wha-wha + marshall lamp ...

OVERALL OPINION

It does not leave me for years! Its true bypass meets the sound off and the price / quality ratio is very interesting when you see the adjustability of the beast!
Repeat this choice .... no problem .....

Dunlop has quite a few wah pedals out there, and this is probably one of their more popular ones due to all the options. This is generally the wah I compare other wahs to thanks to its flexibility. The wah features a range selector which controls how much of a range the wah has from heel to toe, a volume knob and a Q knob which controls the sharpness of the sound.

UTILIZATION

These pedals are built like tanks. They can withstand nearly anything you throw at them, short of spilling your beer all over them. The casing is extremely durable, and you can chuck it across the room without much of an issue. About the only thing that occurs is dust and grime getting inside the pot, but you can just spray some contact cleaner in there to fix them, most of the time. The wah is extremely easy to setup, and everything is laid out in an easy to understand matter. This has a few knobs on it, so there might be a quick learning curve, but it's nothing bad. Just turn the knobs until you get the sound you want. The manual explains everything in clear detail, anyway.

SOUND QUALITY

The sound is what most people want to know. First of all, this wah is not true bypass, so keep that in mind. They might have changed it since I wrote this article, but I can tell you for a fact that mine was not true bypass. Because of that, it did suck a little bit of tone. The things I really like about the wah are that it's extremely versatile and easy to dial in a sound you're looking for. The knobs have a good range, and there are some great options to choose from to truly get that aggressive wah sound I usually go for. However, it can get a bit thin at times, and it might not be as musical as other wahs out there.

OVERALL OPINION

I have a custom built wah, but if I had to get another wah, it would probably be this one. It's my favorite out of the entire Dunlop lineup because nearly every store has it, it's got tons of options, built like a tank and sounds good. There are some better and more boutique wahs out there, but I consider this the standard when it comes to comparing versatile wah pedals.

Bah it did click, and after whawha.
Analog ...
The mine operates in 18v. And she still works as well.
by Jack, I wanted to edit this to put the Speakon, and in fact it is not practical ... Ok I'll stop.

UTILIZATION

Being able to choose its frequency range is a big advantage that made me choose it. I have one of the first model, with the settings under the pedal. No little red switch on the outside. the boost is activated at the same time as the whawha.
The manual gave some examples of sound. When we know what we want, they're going very well.

SOUND QUALITY

Bah nothing to say to myself, if I had finally been less con was young, I have the chopper power supply at the same time, instead of telling me that it also works in 9v (which is true, but file some hum ...) So today I got older, I'm finally less stupid, then that's all right. And well it may be frothing tjs saying that your guitar player is also playing with idol (NOT THIS IS NOT A SHREDDER! Adam Jones ...)

OVERALL OPINION

Bah I returned to my rig, and in fact it feels good. I try not to put across, but it sounds so good ...