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Gaston midi
Published on 12/04/08 at 08:47
I have a pair of bisquine since 1994 after spending 10 years listening to and (sometimes) buy speakers that displeased me after some time. (CRMS, jbl, Tanoy, mission ...).
Finally I opted for the Cabasse I thought modest (in size).
In fact it is many Cabasse (such as those at the time, not like the stews of media today).
The sound is very neutral, not necessarily flattering to the first listening, but rich in detail, airy and bright. Placement is important, but ultimately less than the big speakers (in my opinion).
Some complain of low shy, but actually I think the way the big bass artificial (and sub) eventually accustom our ears to the supercharged bass.
The bass is just a place, it seems that the curve is very linénéaire. (If I want bass, I can still put on the amp).
These speakers are ruthless with poorly recorded discs, mixing draft or tiring, they are great for faithfully reveal the best record we thought to know before ...
I use a (very) viel Luxman amp (L230) that I like the airy delicacy of acute ... but I know the amps today are much more dynamic, making the speakers even more alive.
I also the Cabasses to mix my music (for lack of listening to studio) and eventually it works pretty good.
Please note, Bisquine operate 4 Ohms:
1 - when compared to other (into 8 ohms) on the same amp, it looks out what 2 times more dynamic, while the sound is just stronger.
2 - if you want to connect multiple speakers (listen simultaneously) on the same amp, this one may be endomagé.
Of course, after 14 years of use, sometimes dangerous as the feedback micro which returns to the tweteer the recording distorted electric guitars (my other speakers were destroyed) the amp has put back by the children while the disc smith ... despite all that my brief Cabasses are like new ..
What more? a higher HP for more serious? I know by experience that the big HP are rarely as precise and rigorous, even if they go down lower in the grave.
Finally I opted for the Cabasse I thought modest (in size).
In fact it is many Cabasse (such as those at the time, not like the stews of media today).
The sound is very neutral, not necessarily flattering to the first listening, but rich in detail, airy and bright. Placement is important, but ultimately less than the big speakers (in my opinion).
Some complain of low shy, but actually I think the way the big bass artificial (and sub) eventually accustom our ears to the supercharged bass.
The bass is just a place, it seems that the curve is very linénéaire. (If I want bass, I can still put on the amp).
These speakers are ruthless with poorly recorded discs, mixing draft or tiring, they are great for faithfully reveal the best record we thought to know before ...
I use a (very) viel Luxman amp (L230) that I like the airy delicacy of acute ... but I know the amps today are much more dynamic, making the speakers even more alive.
I also the Cabasses to mix my music (for lack of listening to studio) and eventually it works pretty good.
Please note, Bisquine operate 4 Ohms:
1 - when compared to other (into 8 ohms) on the same amp, it looks out what 2 times more dynamic, while the sound is just stronger.
2 - if you want to connect multiple speakers (listen simultaneously) on the same amp, this one may be endomagé.
Of course, after 14 years of use, sometimes dangerous as the feedback micro which returns to the tweteer the recording distorted electric guitars (my other speakers were destroyed) the amp has put back by the children while the disc smith ... despite all that my brief Cabasses are like new ..
What more? a higher HP for more serious? I know by experience that the big HP are rarely as precise and rigorous, even if they go down lower in the grave.