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protocasterPublished on 09/05/07 at 02:33 (This content has been automatically translated from French)
The ES 150 double-cutaway was made in the USA between 1969 and 1975
pitch of the handle 24 3 / 4 "body width 3"
Trapeze bridge
2 volume knobs 2 tone knobs plus a master volume.
3 switch positions with microphones microphones connected in parallel and reverse phase center position.
logo couronneen top of the neck and marks on the handle in a parallelogram
walnut finish
UTILIZATION
The handle of mine was gliding by a luthier, flatness is perfect, I replaced the original pickguard with a pickguard closer to the media microphones to rest your fingers more easily. The string action is set near the handle, so it is easy to play. the central position of the selector gives a very...…
pitch of the handle 24 3 / 4 "body width 3"
Trapeze bridge
2 volume knobs 2 tone knobs plus a master volume.
3 switch positions with microphones microphones connected in parallel and reverse phase center position.
logo couronneen top of the neck and marks on the handle in a parallelogram
walnut finish
UTILIZATION
The handle of mine was gliding by a luthier, flatness is perfect, I replaced the original pickguard with a pickguard closer to the media microphones to rest your fingers more easily. The string action is set near the handle, so it is easy to play. the central position of the selector gives a very...…
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The ES 150 double-cutaway was made in the USA between 1969 and 1975
pitch of the handle 24 3 / 4 "body width 3"
Trapeze bridge
2 volume knobs 2 tone knobs plus a master volume.
3 switch positions with microphones microphones connected in parallel and reverse phase center position.
logo couronneen top of the neck and marks on the handle in a parallelogram
walnut finish
UTILIZATION
The handle of mine was gliding by a luthier, flatness is perfect, I replaced the original pickguard with a pickguard closer to the media microphones to rest your fingers more easily. The string action is set near the handle, so it is easy to play. the central position of the selector gives a very soft and especially dug.
SOUNDS
To play blues and rock, it has everything you need. For the country should get net with ropes. Currently it is fitted with nets dishes, which gives a very soft sound.
OVERALL OPINION
I use it for more than 15 years, and it allowed me to give new sounds to some tracks. Sounds like you hear from Bill Frisell on his album Nashville. For rockabilly, the bridge pickup works wonders. Among the artists who utlisent this model there is Charlie Feathers and France: Gildas Arzel
pitch of the handle 24 3 / 4 "body width 3"
Trapeze bridge
2 volume knobs 2 tone knobs plus a master volume.
3 switch positions with microphones microphones connected in parallel and reverse phase center position.
logo couronneen top of the neck and marks on the handle in a parallelogram
walnut finish
UTILIZATION
The handle of mine was gliding by a luthier, flatness is perfect, I replaced the original pickguard with a pickguard closer to the media microphones to rest your fingers more easily. The string action is set near the handle, so it is easy to play. the central position of the selector gives a very soft and especially dug.
SOUNDS
To play blues and rock, it has everything you need. For the country should get net with ropes. Currently it is fitted with nets dishes, which gives a very soft sound.
OVERALL OPINION
I use it for more than 15 years, and it allowed me to give new sounds to some tracks. Sounds like you hear from Bill Frisell on his album Nashville. For rockabilly, the bridge pickup works wonders. Among the artists who utlisent this model there is Charlie Feathers and France: Gildas Arzel
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Tech. sheet
- Manufacturer: Gibson
- Model: ES-150 DCW
- Category: Hollow Body/Semi Hollow Body Electric Guitars
- Added in our database on: 09/05/2007
We have no technical specifications for this product
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Other categories in Electric Guitars
Other names: es 150 dcw, es150dcw, es150 dcw, es 150dcw