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jules_th « happiness »
Published on 12/01/11 at 05:24view and the view Previous https://www.acoustic-guitars.com/guitares-jazz-archtop.php who say all you need to know.
UTILIZATION
Guitar is forgotten (in a good way).
Rglages impeccable, the absence of pan shot is never a problem (see, eg, Julian Lage play guitar without a cutaway trs largely relativizes his NCESS .. .) and then the original ES 125 did not, initially.
Pluttlger weight.
SOUNDS
Sound enjoyable (Lollar P 90) and mallable. Jazz on a very light 2 (Dupont) is nickel. I play sometimes for reasons of space and weight on a simple Vox Pathfinder 15w (transistor) and APRS qlqs rglages also find you get a cool well. Note that the ground wire 10-51 strings (Ernie Ball, for example, or Dean Markley) lend themselves well this guitar.
OVERALL OPINION
It's been a while I was looking for an archtop priced MODR (look for an ES125 OCCAZ, is enough to make a case), the new Gibson or rcentes bof, the Heritage no better, and the Saint Louis instantanment sduit me. For over a year I play with live, accompanying a "singer Fran", jazz, some swing, qlqs arpges pieces. Effects in +, such cho - lgre disto - vibrato - trmolo. Versatile St. Louis. Qlqs months since I've added a bridge afternoon, mainly for an acoustic sound rcuprer (the sensors are a type Godin trs well), I lose a bit of "wood" that adds the bridge of origin but by combining acoustic and P90 (in console, eh, I 2 Cables coming out of the guitar, while at the mlangeur would incohrent guitar), I get a little of what that gives the studio the combination of its electric and acoustic sound produced (very good) guitar.
In short, all prs of what I would call the IDAL ...
UTILIZATION
Guitar is forgotten (in a good way).
Rglages impeccable, the absence of pan shot is never a problem (see, eg, Julian Lage play guitar without a cutaway trs largely relativizes his NCESS .. .) and then the original ES 125 did not, initially.
Pluttlger weight.
SOUNDS
Sound enjoyable (Lollar P 90) and mallable. Jazz on a very light 2 (Dupont) is nickel. I play sometimes for reasons of space and weight on a simple Vox Pathfinder 15w (transistor) and APRS qlqs rglages also find you get a cool well. Note that the ground wire 10-51 strings (Ernie Ball, for example, or Dean Markley) lend themselves well this guitar.
OVERALL OPINION
It's been a while I was looking for an archtop priced MODR (look for an ES125 OCCAZ, is enough to make a case), the new Gibson or rcentes bof, the Heritage no better, and the Saint Louis instantanment sduit me. For over a year I play with live, accompanying a "singer Fran", jazz, some swing, qlqs arpges pieces. Effects in +, such cho - lgre disto - vibrato - trmolo. Versatile St. Louis. Qlqs months since I've added a bridge afternoon, mainly for an acoustic sound rcuprer (the sensors are a type Godin trs well), I lose a bit of "wood" that adds the bridge of origin but by combining acoustic and P90 (in console, eh, I 2 Cables coming out of the guitar, while at the mlangeur would incohrent guitar), I get a little of what that gives the studio the combination of its electric and acoustic sound produced (very good) guitar.
In short, all prs of what I would call the IDAL ...