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  • myriam63660myriam63660
    DiMarzio DP107 MegaDrivePublished on 10/11/08 at 11:02
    (This content has been automatically translated from French)
    - Micro can be used in both directions with very different results: in the standard way the sound is classic and versatile but not very hot, a little flat. Oriented with the bar next bridge we get an extremely metal sound with surgical precision over a natural compression higher than other mics for the brand.
    - The microphone is like the d-sonic, but it stops there because the sound has nothing to do: The megadrive has less output level (350 mv), one dug into his mediums and under the direction of assembly, much compression.
    - It is not mass produced, replaced by the steve's special.
    - It sounds very original. I think it was used by Kerry King of Slayer "Seasons in the abyss," Reeves …
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    - Micro can be used in both directions with very different results: in the standard way the sound is classic and versatile but not very hot, a little flat. Oriented with the bar next bridge we get an extremely metal sound with surgical precision over a natural compression higher than other mics for the brand.
    - The microphone is like the d-sonic, but it stops there because the sound has nothing to do: The megadrive has less output level (350 mv), one dug into his mediums and under the direction of assembly, much compression.
    - It is not mass produced, replaced by the steve's special.
    - It sounds very original. I think it was used by Kerry King of Slayer "Seasons in the abyss," Reeves Gabrels uses in standard mounting. And if I'm not mistaken, a member of Audiofanzine "12 o'clock" used it on his compositions.
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