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Lonewolf
Published on 11/23/05 at 12:23
So then, my microphone is preferred but we will try to remain objective.
The Tone Zone is what? According to legend already he was originally commissioned by a certain EVH (Eddie Van Hallen for short) which was fed to burn out his fingers trampas PAFs in paraffin, this microphone is ... ameilioré a PAF, and yes even a (Satriani has no monopoly of Paf retouched).
It has been boosted in the bass and meds, as well as the output level.
That's the legend, the facts now.
This microphone is known as a micro patator Lots of bass that comes out a little wrong elsewhere. In fact it is doing very well also clear ... if the violin and the rest of the electronics allow it (is not it? a guitar would be a set of things that vibrate together in harmony? you do not say)
What I have found on my Gibson Les Paul Classic:
- Present but very low just drooling
- The meds powerful and well-defined
- An output level that will more than respectable cruncher an easy tube amp while playing the volume and attack.
- Treble a bit weak people, but offset by the bridge position.
The big big thing about this mic is a safe and dynamic ENORMEEEEUUUUHHHH, JB is a laminate, the 500T suddenly seems cold and stiff, super distortion screaming something that braille .... Sings every note, harmonics stand alone.
It replaced a Gibson 500T (excélentissime also micro) and from a slight lack of output level and bass a little less accurate, it is very close to it. So everything has its place on a Gibson, do not bother to fear the soup low, but it will still be the proper position in height (but you pay all your guitars from time to time, right?) .
In short, if you are looking for a microphone who can be both subtle and powerful without going overboard, which can increase the level of a stringed bass that is missing, I suggest you try it
For if you are against a hooked end to the stratum and on TV, forget about its existence until
The Tone Zone is what? According to legend already he was originally commissioned by a certain EVH (Eddie Van Hallen for short) which was fed to burn out his fingers trampas PAFs in paraffin, this microphone is ... ameilioré a PAF, and yes even a (Satriani has no monopoly of Paf retouched).
It has been boosted in the bass and meds, as well as the output level.
That's the legend, the facts now.
This microphone is known as a micro patator Lots of bass that comes out a little wrong elsewhere. In fact it is doing very well also clear ... if the violin and the rest of the electronics allow it (is not it? a guitar would be a set of things that vibrate together in harmony? you do not say)
What I have found on my Gibson Les Paul Classic:
- Present but very low just drooling
- The meds powerful and well-defined
- An output level that will more than respectable cruncher an easy tube amp while playing the volume and attack.
- Treble a bit weak people, but offset by the bridge position.
The big big thing about this mic is a safe and dynamic ENORMEEEEUUUUHHHH, JB is a laminate, the 500T suddenly seems cold and stiff, super distortion screaming something that braille .... Sings every note, harmonics stand alone.
It replaced a Gibson 500T (excélentissime also micro) and from a slight lack of output level and bass a little less accurate, it is very close to it. So everything has its place on a Gibson, do not bother to fear the soup low, but it will still be the proper position in height (but you pay all your guitars from time to time, right?) .
In short, if you are looking for a microphone who can be both subtle and powerful without going overboard, which can increase the level of a stringed bass that is missing, I suggest you try it
For if you are against a hooked end to the stratum and on TV, forget about its existence until