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Grattouille33 « Clarity and respect global sound! »
Published on 03/20/11 at 11:36It's been one month and a half that my luthier me this microphone mounted in the bridge position, toward the handle bar on my RG 3120.
Before this microphone, I first had the Dimarzio / Ibanez, then a Seymour Duncan SH-5 Custom Dimarzio and finally an AT-1. The first was bof, I do not remember too much actually ... The second was too aggressive and not sufficiently accurate or warm, and the last was pretty good, very warm, very soft, but it lacked a chouille precision ...
So now, this micro there. It is ceramic and not surbobiné (12.96 kOhm), and yet it has a high output level, which means he has a clear sound, but also a powerful magnet (remember to remove the ropes of at least 3mm).
In the position in which I have mounted, there's clarity, gloss, but not shrill treble.
In his clear, forget, except if we lower the volume, but then the character is not very interesting ...
In the crunch, it's way is not génialissime, but it is not really made for that: too nervous, bright, clean.
In disto: there is énormissime. Brightness, cleanliness, everything is perfect. The palms are huge mute, the sound is deep, cavernous nerve in nervous, that's great. Everything I Was looking for.
Solos going very well, the harmonics go all alone. Great for my style rock / fusion / progressive.
Value for money very well. Maybe if I had to choose, try a Crunch Lab, or other Dimarzio ...
Good evening!
Before this microphone, I first had the Dimarzio / Ibanez, then a Seymour Duncan SH-5 Custom Dimarzio and finally an AT-1. The first was bof, I do not remember too much actually ... The second was too aggressive and not sufficiently accurate or warm, and the last was pretty good, very warm, very soft, but it lacked a chouille precision ...
So now, this micro there. It is ceramic and not surbobiné (12.96 kOhm), and yet it has a high output level, which means he has a clear sound, but also a powerful magnet (remember to remove the ropes of at least 3mm).
In the position in which I have mounted, there's clarity, gloss, but not shrill treble.
In his clear, forget, except if we lower the volume, but then the character is not very interesting ...
In the crunch, it's way is not génialissime, but it is not really made for that: too nervous, bright, clean.
In disto: there is énormissime. Brightness, cleanliness, everything is perfect. The palms are huge mute, the sound is deep, cavernous nerve in nervous, that's great. Everything I Was looking for.
Solos going very well, the harmonics go all alone. Great for my style rock / fusion / progressive.
Value for money very well. Maybe if I had to choose, try a Crunch Lab, or other Dimarzio ...
Good evening!