All user reviews for the Kamel Chenaouy KC-Blues

Voil a guitar MICRO I use it for three months (some you will say, but it all depends on the frquence use) with a pleasure growing every stroke of mdiator.
Once branch, distills the guitar sounds cloths to hrisser hair through these microphones that never end no thunder. A grain of his suave and prcis as I have not heard in a long time. The bass has an unusual heat and sharp pierce the speakers to twist your ears ds you attack the strings with a little more force. What do the will sussurer or yelling guitar with fishing that does not exist on a number of standard microphones.
It also comes microphones catch-all equipent guitar brands like Ibanez, Cort, some Fender and Gibson, and so on: in recent appointed guitars I have cheeks, but with these KC Blues, their sound seems very bland every time.

To sum up if you want pickups that sound for blues, folk, rockabilly, it is those the thing for you: no need to invest in chrement transducers that may disappoint you, but for a report quality price without concurrency, invest in the KC-BLUES, you will not regret it I assure you.
God save the blues!

This is a guitar pickup that I use for three months (it's just you say, but it depends on the frequency of use) with a pleasure growing with each stroke of pick.
Once connected, the guitar sounds of the water distilled to ruffle the hair through the microphones that are endlessly surprising. A grain of its smooth and precise as I have not heard for a long time. The bass has an unusual heat and treble break the speakers for you twist the ears as soon as you attack the strings with a little more force. Enough to whispers or screaming guitar at will with a fishery that does not exist on many standard microphones.
It also comes microphones mat fitted to the guitar brands like Ibanez, Cort, some Fender and Gibson, and so on: these guitars I've played named, but with the KC Blues, their sound seems well fade suddenly.

In short, if you want pickups that sound for blues, folk, rockabilly, it's those you need: no need to invest in hard-transducers that may disappoint you, but for value for money without concurrency, invest in the KC-BLUES, you will not regret it I assure you.
God save the blues!

Okay, so I love my DIY stuff, test, understand the sounds and texture of all micro-guitar-amp ... While continuing to work minutes before games because everything: the fingers!

Although it says on my Ibanez strat (config HSS), violin well made, I had the pleasure of trying Seymour, Di Marzio, Crel, then I get after 3 years on micro KC, following a search microphones emerging standards (see my review el FYR KC-2).
Therefore bridge on my Start, I quickly turned the mike Iba not worth much (like the common way) and I installed a SH4: the rock fishing but too loud for my taste. Then I tried the T-REX Crel instead. Very good mic, nice texture, but I realized that I used it only for rhythm, and not for solos, because I found it a bit "dry", not singing very (but very much in rhythm) .
So as I am enchanted Fyr KC-2, I tested a KC-BLUES: good bad luck, I can keep it!
Finally I found a nice texture for the blues-rock solos (like the mole penis among others): powerful, accurate as all the microphones KC (SH4 is a mushy), very dynamic mediator, and a kind of velvety singing disto I like really. For the great rock rhythm also a distortion "clean" or more fuzzy.

No really I love: my 2 guitars are all passed on microphones KC (KC-SG in my SuperGraal in Alnico 8 U.S. (divin. ..): review to come). As I said in my review of the KC-Fyr2, microphones KC I really like their texture dense and very rich singing style to blues to hard rock. Whether with a slight distortion or lead more violent, notes and harmonics come out perfectly. Very good response to guitar volume pot volume, always a beautiful sound very rich.

I found the basic stuff to make me happy every time mediation. No change in microphones in sight! Repeat this choice? is a question? Save time by testing and procurement E: go see KC live microphones.