Jai rcemment bought an Epiphone DOT (for Cheap + fantasy of playing a box) but the original post are two small microphones that merdouilles jai quickly replaced by Seymour SH1.
Here, the SH1-B (bridge, so bridge position):
LA in the first big round head through an overdrive enough to convince the rocker quil should not look any further to reach its IDAL.
Cest vintage, biting, fat, rich, gnreux, feed, jai a brief sensation dquilibre stable between charm and potato EST IDAL and for rock as blues . Here I am London transport in 1968 in the colors of Led Zep, Ten Years After, the Stones and I flat floor and a big round head, just to travel a few riffs dear Malcolm Young: it s believe it!
Such a grain invited us along on a piece of solo blues scale. The grain remains pais, couillu, the low round held without drooling, the mdiums have their place, but discrete Submitted and treble are perfectly balance to the note that spring up without being garish.
Conclusion:
IDAL microphone for vintage rock and seems to be lese in all styles. Thats a copy of the Gibson PAF 1959 and with a, you could do everything and you can still do everything.
A microphone that has a lot of class I prfre to Gibson as a little over 57 prcis and a little more bite.