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Randall RG 100 G3
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Randall RG 100 G3

Hybrid Combo Guitar Amp from Randall belonging to the RG100 series

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«  Big sound surgeon metalistique »

Published on 04/11/13 at 13:53
Bouzin double barrel mounted 100-watt Celestion seventy 80's in 12 "
- Circuit power MOSFET with lamp 12AT7
- Gain British lit red, green lit Randall gain
- Voicing
- Clean channel with boost button
- Contour Button
- 3-band EQ Double
- Fx Spring Reverb
- Effects loop with volume control
- Crank Supplied 4G3 (killing)

UTILIZATION

Classic combo, tamper with it, you get.
The pedal is excellent!

SOUNDS

I will update my impressions!

PRINTING HOT, I have this amp for a few days but have tested and owned quite a few combos, I can give an opinion quickly and honestly without overestimating the product under the pretext that I paid out of my pocket.

Metal amp at 100%

There are two types of gains, the first lit in red is gain "British", that lit the green "Randall."

The gain is surgical either for gain red or green, the sound is powerful, very distinctive and ultra clean.
Being accustomed to Marshall amps, c is destabilizing in the first few uses.

The bass is very present mids also, I have found my stuff against by less punchy when we pass on the full string. That said, it increases the overall volume of the amp starts to give severe concern over punch rope full. Harmonics are typed blockbuster U.S. death metal. Notes are always well detailed even playing very quickly.

I think it said and I repeat it because I'm a fan of Marshall and distos fat, the Randall don 'no more by following this coast "ultra clean".

The sound may appear dry by its cleanliness, I noticed that it was more appropriate to grant low or at least play with ropes "soft" to take full advantage of its potential, its actually would have been very muddy drooling on a marshall on Randall becomes exceptional.
In my opinion it is as perfect amp transistor for low tuning. With ropes taut, I find the sound too dry in comparison with other amps.

Gain 1 sends more than 2, more medium, power, in short, a more aggressive gain and "dirty".

2 gain but hard as a filter that removes the side "dirty" gain 1, it gets really ultra clean, I like least. To see pushing the volume because the gain is less strong two equal volumes.

The knobs are very sensitive and effective.

The contour knob is great, it allows a wide spectrum of sound, a sound palette as wide as a metal working area and more especially with sound quality (j'm precised "in much worked").

The mids are very effective!
Low galore.

The voicing is a filter that I have not fiddled too, I have especially noted that it deadened the sound so general, remains to be tested at high volume.

The reverb is nice, but not invasive damage so I like reverb cathedral.

Clear sounds are good, but I returned well Notes have not floored 3h on this channel, especially with a seymour SH8 trestle.

OVERALL OPINION

For metal c is a killer, obviously evil tongues speak of mesa boogie or soldano other than ordinary mortals can afford.
C is very different from a Marshall, c is very clean, destabilizing, but this amp is as unique to him, as his marshall.

Tests with a bc rich draco which is no longer sold today with SH8 trestle.
Granted with standard A # 10-50 (and no it is not spaggethi)

It pulls her grandmother!