All user reviews for the Boomerang III Phrase Sampler

Then clarify input: this looper is addressed only guitarist / bassist, although it is possible to "tweak" to put something else. So my only regret (which I did not put 10/10) is missing entries ... but it is the philosophy of the craft: simple and effective

So it's a looper that has a stereo input (so we can put two monos) and a stereo output (mono or mixed if we left out!). It has inputs and outputs noon and is capable of synchronizing loops on the fourth time since midday source.

If you have access to 4 loops through 3 pedals + 2 pedals "bonus" configurable wish and easily (once you read the doc a little English anyway!)

There are no "permanent" memory, so it is the LIVE and must be recorded loops every time!

Unlike RC-300 that I've tried in stores, it is not coffee, but only loops ... but he does well and the pedals are superb precision and efficiency!

UTILIZATION

Must do some tests initially to understand the 4 modes of loops:

Serial: is triggered recording loops 1,2 or 4 first. Then, when you can change the tape loop on the corresponding pedal, dice the end of the loop it goes to the next! It's very cool to double with a riff that bridges between verse and chorus. With 4 loops so it gives: verse, chorus, bridge and back solo (for example)!

Serial Sync: same as before, but it starts recording the loop 3 is master! The other loops are synchronized over. Must be limited to one or two steps to the first loop, otherwise it is hard to manage because the other loops are multiples of this basic loop.

Sync (it turns Sync Mode + Free depart): we start with the loop 3. The difference with the previous mode is that you can play all 4 loops at the same time (or 1 or 2 or 3). Great for jam!

Free: then there is initiated with 1,2 or 4 loops and then everything is "free", the loops are not synchronized, you do what you can and it can quickly become very psychedelic (what is wanted and assumed by the manufacturer!).

Small important detail: unpacking there is no way to trigger the loop 4! In fact it must be assigned one of two pedals "bonus" (I recommend the yellow!). The better is then to assign the green pedal to erase (to change the content of the loops being song).

the pedals are really super accurate ... but I've said.

SOUND QUALITY

All users and testers consider it one of the pedals that gives the best sound. Processing 20-bit 48 KHz there is certainly no stranger!

Anyway for me the sound is just perfect, it is used with a guitar or bass!

OVERALL OPINION

I've had a week and it's already a huge leap in quality and opportunities in relation to the Jamman Stereo Line 6 JM4 + I had before. With two separate devices, synchronize loops was really impossible mission and pedals are much more accurate and responsive than other switches metal pedals.

I kept in my Jamman looper pedal for my voice on some tunes and jamming with backings at home, but absent registration or memory does not bother me at all with the boomerang.

The device seems expensive compared to an RC-300 which offers full effects "Squeaky", but to use it really seems much more cut out for the stage by focusing on the essential: the loops and their timing!

I would do this choice without hesitation and the only downside is that you buy in the U.S. because there is no den importer France! It is a pity that really stands apart in its category

Sampling at 48KHz, the III records for 8 minutes 46 seconds in mono. Sampling at 24KHz, the III records for 17 minutes 32 seconds in mono. Using the octave down function, the record time can be extended to 35 minutes. Stereo recording cuts all times in half.

Serial Play Style - loops play one after the other like the Rang™ Plus
Serial Master Play Style - In addition to playing loops one after the other, there is a cool type of sync in the Serial Play Style where two loops can play simultaneously. If loop 3 is recorded first, it will become the master loop, otherwise it's just another loop and there is no master. If loop three is master, it can play along with the other loops. So at one time you can play loops 1 & 3, 2 & 3, 4 & 3, but not 1 & 2, etc. Loops 1, 2 and 4 will be created so they are a multiple of the length of the master. For example, if master loop three is 4 seconds long, the other loops will be 4, 8, 12, 16... seconds long.
- Here's the purpose. For serial style loopers it's nice to have a rhythmic background behind the melodic loops. Mute the strings and record a short "chika-chika" or beat on the sides of your acoustic axe. This rhythmic master loop can then play along with any other loop.
Sync Play Style - all loops can play simultaneously and are synced so they stay together
Free Play Style - all loops can play simultaneously and are NOT synced; this is great for creating ambient soundscapes

3 or 4 loops - your choice
Stacking - "stacking" is adding a part to a loop
Undo/Redo - the last part stacked can be muted, then played again or rerecorded
Erase - loops can be erased one at a time or all at once; one loop can be erased while another plays
Copy Loop - a loop can be copied whether it is playing or not
Copy Live - this enables "re-sampling" and is very powerful; the pedal's output is routed to a new loop
Octave - loop plays at half speed and an octave lower
Reverse - loop plays backwards
Once - loop plays one time through then stops or if already playing, it stops at its end
Fade - loop fades in or out with one button press; fade time can be 3 to 43 seconds
Reverse Solo - this is a built-in effect and enables you to create reverse leads live
Two Sample Rates - 48KHz or 24KHz, both use 20 bit samples; through signal is always 48KHz / 24 bits
Thru Mute Function - turns off through signal
Expression Pedal Volume Control - plug in an expression pedal for foot control of playback volume
Loop Playback Volume Knob - this is always available to set loop playback volume
Decay Rate Knob - sets the rate at which earlier parts fade when new ones are added; continuously variable from 0-100%
Stereo or Mono - recording and playback will be stereo or mono depending on which of the Smart Jacks you use
Smart Jacks - the Rang™ III senses which jacks are being used and provides different signal routing options

UTILIZATION

This pedal is incredibly deep. DEEP. It does one thing - realtime phrase looping, and it does it better than anyone. With nearly 35 minutes of looping time, it can record most anything you can throw at it short of a whole gig. It can record up to 4 loops that can be played simultaneously, synced or unsynced. It can play in reverse on the fly, or an octave down (or octave up!). It can do stereo loops. This box is fantastic.

SOUND QUALITY

At 48k sampling, it pretty much spits out the exact sound it gets put into it. It does not color the tone at all. With a loop going, one can play leads over the top, or harmonies, or additional riffs. With more than one loop going, one can get really interesting ambient soundscapes.

Since this pedal will do up to 4 different loops, one could record into it an intro, a verse, a chorus, and a bridge rhythm part, and then play higher melodies on top while cycling through the pre-recorded loops in song order. Cool!

OVERALL OPINION

This is bar none the best realtime phrase looper out there. The only competition for it in my mind is the older Boomerang II, and this improves on most of that pedal's functionality. The only think I wish the 'Rang III had is the volume rocker that the II has, but in leaving it out, the box has a much smaller footprint, which is handy in preserving pedalboard space. It's quite expensive, but it is the perfect tool for the job. I unabashedly love this product.