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5.0/5(3 reviews)
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captainIt has all of a Great !!!!
Published on 06/10/12 at 06:20 (This content has been automatically translated from French)Made in japan mine of June 1975 Black
screwed handle 22 frets; pearl markers, original pickups but I do not know the names
Gibson sleeve head.
bridge tailpiece Gibson type
2 volume 2 tone
USE
Very comfortable handles.
Easy Access to treble.
Les Paul was the same as the weight the same.
Sound input is, I have to change the bridge pickup that started it get old (1975 anyway) I hesitate between a modern micro and same style baaaa see.
SOUNDS
For the hard style metal / 80s is top.
Plug into a Marshall (a personal JMP1 effect + + + power amp 1960A)
NOTICE GLOBAL
I use it for too long ????
I had a Gibson Les Paul Standard, which are classic guitars on it...…
screwed handle 22 frets; pearl markers, original pickups but I do not know the names
Gibson sleeve head.
bridge tailpiece Gibson type
2 volume 2 tone
USE
Very comfortable handles.
Easy Access to treble.
Les Paul was the same as the weight the same.
Sound input is, I have to change the bridge pickup that started it get old (1975 anyway) I hesitate between a modern micro and same style baaaa see.
SOUNDS
For the hard style metal / 80s is top.
Plug into a Marshall (a personal JMP1 effect + + + power amp 1960A)
NOTICE GLOBAL
I use it for too long ????
I had a Gibson Les Paul Standard, which are classic guitars on it...…
Read more
Made in japan mine of June 1975 Black
screwed handle 22 frets; pearl markers, original pickups but I do not know the names
Gibson sleeve head.
bridge tailpiece Gibson type
2 volume 2 tone
USE
Very comfortable handles.
Easy Access to treble.
Les Paul was the same as the weight the same.
Sound input is, I have to change the bridge pickup that started it get old (1975 anyway) I hesitate between a modern micro and same style baaaa see.
SOUNDS
For the hard style metal / 80s is top.
Plug into a Marshall (a personal JMP1 effect + + + power amp 1960A)
NOTICE GLOBAL
I use it for too long ????
I had a Gibson Les Paul Standard, which are classic guitars on it but the why pay more ??? How much longer manufactures, of okas you can find and take their eyes closed if you like what his sure.Elles well over 35 years and still sound great.
Given his age and weight I did take longer live because I also took of age and am also a fan of strat right now I'm signing Dave Muray but I keep because I do when even some repeats !!!
This is a guitar that has a soul and I think it will end this life with me.
screwed handle 22 frets; pearl markers, original pickups but I do not know the names
Gibson sleeve head.
bridge tailpiece Gibson type
2 volume 2 tone
USE
Very comfortable handles.
Easy Access to treble.
Les Paul was the same as the weight the same.
Sound input is, I have to change the bridge pickup that started it get old (1975 anyway) I hesitate between a modern micro and same style baaaa see.
SOUNDS
For the hard style metal / 80s is top.
Plug into a Marshall (a personal JMP1 effect + + + power amp 1960A)
NOTICE GLOBAL
I use it for too long ????
I had a Gibson Les Paul Standard, which are classic guitars on it but the why pay more ??? How much longer manufactures, of okas you can find and take their eyes closed if you like what his sure.Elles well over 35 years and still sound great.
Given his age and weight I did take longer live because I also took of age and am also a fan of strat right now I'm signing Dave Muray but I keep because I do when even some repeats !!!
This is a guitar that has a soul and I think it will end this life with me.
See less
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The Silver SurferPublished on 02/15/08 at 17:15 (This content has been automatically translated from French)
Japanese guitar, round pearl inlays.
Volume and tonality in microphone, a microphone slecteur three positions.
Gibson type handle, a "cabbage" more strait.
UTILIZATION
I possde this guitar since 1983, it is still prcise and handle of a fine is an incredible ease phnomnale.
Only concern, almost 30 years APRS birth (I have not bought new), the pickups are a little "flushed" knowing that it's a sound trs 70 ds the dpart and not attack the "F1" current.
I left that repeat the coils of the PCHE microphones to locate the original.
But what a violin! And has not move.
Access in acute is perfect for a guitar shall adopt (as opposed to Fender, for example).
The right sound for...…
Volume and tonality in microphone, a microphone slecteur three positions.
Gibson type handle, a "cabbage" more strait.
UTILIZATION
I possde this guitar since 1983, it is still prcise and handle of a fine is an incredible ease phnomnale.
Only concern, almost 30 years APRS birth (I have not bought new), the pickups are a little "flushed" knowing that it's a sound trs 70 ds the dpart and not attack the "F1" current.
I left that repeat the coils of the PCHE microphones to locate the original.
But what a violin! And has not move.
Access in acute is perfect for a guitar shall adopt (as opposed to Fender, for example).
The right sound for...…
Read more
Japanese guitar, round pearl inlays.
Volume and tonality in microphone, a microphone slecteur three positions.
Gibson type handle, a "cabbage" more strait.
UTILIZATION
I possde this guitar since 1983, it is still prcise and handle of a fine is an incredible ease phnomnale.
Only concern, almost 30 years APRS birth (I have not bought new), the pickups are a little "flushed" knowing that it's a sound trs 70 ds the dpart and not attack the "F1" current.
I left that repeat the coils of the PCHE microphones to locate the original.
But what a violin! And has not move.
Access in acute is perfect for a guitar shall adopt (as opposed to Fender, for example).
The right sound for me is: the micro block in acute and acute volume and microphone halfway serious highs and its always the bottom.
SOUNDS
The sound "fat" 70's. You have to love, like Slash, but if you like, it is served.
The best is the JCM800, like so many other guitars.
I like the sound of double-greasy coils.
OVERALL OPINION
Thirty years in my hands but not the only one in my collection so ...
Its handle is exceptional.
Double-coil, Gibson I tried but could not, the era, and offer me that Ibanez is still with me although sometimes a Gibson, as what ...
A report qualitprix unusual.
If I ever despite Fender, Gibson and others, it's not for nothing.
Volume and tonality in microphone, a microphone slecteur three positions.
Gibson type handle, a "cabbage" more strait.
UTILIZATION
I possde this guitar since 1983, it is still prcise and handle of a fine is an incredible ease phnomnale.
Only concern, almost 30 years APRS birth (I have not bought new), the pickups are a little "flushed" knowing that it's a sound trs 70 ds the dpart and not attack the "F1" current.
I left that repeat the coils of the PCHE microphones to locate the original.
But what a violin! And has not move.
Access in acute is perfect for a guitar shall adopt (as opposed to Fender, for example).
The right sound for me is: the micro block in acute and acute volume and microphone halfway serious highs and its always the bottom.
SOUNDS
The sound "fat" 70's. You have to love, like Slash, but if you like, it is served.
The best is the JCM800, like so many other guitars.
I like the sound of double-greasy coils.
OVERALL OPINION
Thirty years in my hands but not the only one in my collection so ...
Its handle is exceptional.
Double-coil, Gibson I tried but could not, the era, and offer me that Ibanez is still with me although sometimes a Gibson, as what ...
A report qualitprix unusual.
If I ever despite Fender, Gibson and others, it's not for nothing.
See less
10
»
stalingradbastienPublished on 02/23/09 at 14:51 (This content has been automatically translated from French)
Made in Japan in 1975
bolt-on neck 22 frets and vintage microphones maxon origin (I think)
gibson headstock which has a value ibanez trial.
easel type tailpiece gibson
2 volume 2 tone
sleeves thinner than lespaul and very comfortable.
UTILIZATION
As said the handle is very comfortable but for the crazy tapping is not too ca.
access to the acute carrement is easier than copying the model.
it is rather heavy but the comfort of the game is not standing appointment with a les paul type except for beefy ....
the sound is on and we are not disappointed.
SOUNDS
J I'm changing the pickups of origins that is aging badly
while 59 seymour jb config is based all on a...…
bolt-on neck 22 frets and vintage microphones maxon origin (I think)
gibson headstock which has a value ibanez trial.
easel type tailpiece gibson
2 volume 2 tone
sleeves thinner than lespaul and very comfortable.
UTILIZATION
As said the handle is very comfortable but for the crazy tapping is not too ca.
access to the acute carrement is easier than copying the model.
it is rather heavy but the comfort of the game is not standing appointment with a les paul type except for beefy ....
the sound is on and we are not disappointed.
SOUNDS
J I'm changing the pickups of origins that is aging badly
while 59 seymour jb config is based all on a...…
Read more
Made in Japan in 1975
bolt-on neck 22 frets and vintage microphones maxon origin (I think)
gibson headstock which has a value ibanez trial.
easel type tailpiece gibson
2 volume 2 tone
sleeves thinner than lespaul and very comfortable.
UTILIZATION
As said the handle is very comfortable but for the crazy tapping is not too ca.
access to the acute carrement is easier than copying the model.
it is rather heavy but the comfort of the game is not standing appointment with a les paul type except for beefy ....
the sound is on and we are not disappointed.
SOUNDS
J I'm changing the pickups of origins that is aging badly
while 59 seymour jb config is based all on a background marshall (rock n roll)
well round neck / bridge incisive tone controls and volume are not for anything we get some very good changes in sound, but it remains very distinctive 70/80 Let's please.
OVERALL OPINION
It's been a momment I troll, it really has a soul that scratched
I have tried quite a les paul, custom standard etc. ...
is not a model has 30 000 dols but I understand that what the japanese collectors hard.
choose to do again without hesitation.
bolt-on neck 22 frets and vintage microphones maxon origin (I think)
gibson headstock which has a value ibanez trial.
easel type tailpiece gibson
2 volume 2 tone
sleeves thinner than lespaul and very comfortable.
UTILIZATION
As said the handle is very comfortable but for the crazy tapping is not too ca.
access to the acute carrement is easier than copying the model.
it is rather heavy but the comfort of the game is not standing appointment with a les paul type except for beefy ....
the sound is on and we are not disappointed.
SOUNDS
J I'm changing the pickups of origins that is aging badly
while 59 seymour jb config is based all on a background marshall (rock n roll)
well round neck / bridge incisive tone controls and volume are not for anything we get some very good changes in sound, but it remains very distinctive 70/80 Let's please.
OVERALL OPINION
It's been a momment I troll, it really has a soul that scratched
I have tried quite a les paul, custom standard etc. ...
is not a model has 30 000 dols but I understand that what the japanese collectors hard.
choose to do again without hesitation.
See less
10
»
Tech. sheet
- Manufacturer: Ibanez
- Model: 2660
- Category: LP-Shaped Guitars
- Added in our database on: 07/17/2006
We have no technical specifications for this product
but your help will be much welcomed
»
