All user reviews for the Saint Blues White Lightning

Joint Manufacturing (Korea / USA)
6 bridge saddles Strat type
quite late inning guy late 60's
21 boxes 3 P90
1 volume by micro
1 general tone
1 general volume pull off the first volume
1 overdrive passive pull of the tone

UTILIZATION

The neck is super comfortable
The weight is there, but not excessive. It contributes to sustain
The notch is at 21 ° fret
An impressive variety of sounds ranging from folk to jazz-type TV L5S type are obtained, that is a little gas plant, but quickly assimilated

SOUNDS

For blues and rock it is unlikely
The overdrive gives a fat sound, position 1 +2 gives a nice clear sound ... etc ...
I play on a tube amp cheap (2 Epiphone body Hot Rod)
I am looking for what I do not like

OVERALL OPINION

I use it for 4 months
I had Gibson ES 340TD 1969 L5S Gibson, Les Paul Deluxe mini P90 1974 Epiphone Emperor 1946 DeArmond 1950 Les Paul Gold Top Custom Shop, Gibson ES 125 TDC 1965 Strat Custom Shop Mary Kay, Danelectro 1959 Coke Bottle, Gretsch Rambler 1958 Reverend Jetstream ....
The look is fabulous, perhaps the weight is small weak link, but the sustain ...
Without hesitation, even now that St Blues no longer manufactures in the USA and prices have doubled ... I plunged back. I had, in Holland, the last new available in Europe ...

Manufacturing Korea / U.S.
bridge type strat
handle C
24 frets
3 P90
a micro volume, a general tone, a toggle switch 5 positions
pulling the knobs: a general volume, passive overdrive

UTILIZATION

super comfortable handle
a little heavy nice shape, well balanced
access to acute as on a Les Paul
extremely versatile

SOUNDS

For blues and rock, it is fantastic and friends paid extra folk find it in 2 acute positions (better than many ... including their Telecaster)
Me, I play fat
I plug either my Epiphone Hot Rod 2 body or my Watkins Dominator 1963
I do not flashes on the medium (toggle 3, micro center only)

OVERALL OPINION

I do not use it for three months
Fifty, including strat 74 strat mary Kaye custom shop, custom shop gold top Les Paul, ES 125 TDC 1965 .....
I love it ...
The value for money is impeccable and she is beautiful in beautiful
I repeat the same ... if it was made again, even with the new price of Saint Blues (making 100% = 2.5 times the U.S. price)

Made in Korea, over, up and verifies the United States.
Custom Hardtail bridge-type nickel, no vibrato
Handle stocky, rosewood fingerboard.
3 P90 type pickups. A volume control for microphone, Tone gnrale in push-pull distortion switch to passive.

The slecteur enables going from one another micro individually or combine neck / middle middle / bridge

UTILIZATION

The handle is enjoyable, ergonomics gnrale is good, and not less than a strat trslgre without being really heavy.

It is easier to play without sitting strap from the body shape with a Start, but a little less ergonomic upright stake, no notches, even a Les Paul type.

The sound is warm and varied. The push-pull amne more.
The volume SETTING THE amne several comments:
The P90 is powerful. With lamps, this crunch faster than my Start pickups and texas special custom. The game is easy on the crunch by changing the volume. Significantly lower volume increased severe amne, which changes the overall imaging.
Hint, volume down + Tone allows (on mine) to lower the volume without changing .. the Tone.

Grate combination volume / demand pull tonalitpush learning a little before playing in public to learn about history.

The sound of fingers on the strings is more Submitted on some guitars. Although learned to play better ...

Access in acute is obviously not only that of a Start or other designs for a guitar, but allows DJ to play a lot of things.

SOUNDS

I love the neck pickup sounds warm, funky sounds of crystalline bridge. the guitar sounds with lots of sustain

This guitar MRIT a good little amp that dnature his sound and that takes a level of just over Lev.

I play for now in RPET with an old transistor 8020 in the Marshall ... poor, which leaves grate in clear unusable elsewhere. The push / pull causing the distortion on the guitar allows me to do without pedals, sufficient in our RPTES.

My preferences go to the game on a Fender Supercontrol XD that, even if the HP 10 "lack of size, is well out with the St. Blues, clear sounds to the sound saturates the Satus Quo . The modlisations are highlighted by the guitar (except for extreme kinds mtal).

I have a Bogner Alchemist 112 which, with gnial stratum, becomes a little more difficult grate with the White Lightning.
The volume of micro complicates the use of channel saturation becomes a little rough, and the output volume, even in 20w, becomes strong rptition, Master to a minimum.

OVERALL OPINION

this is a year and a half that I played with in public and rptition group. I use the layer for training alone, which also performs better with the soft modlisations (Garageband, ...).
I have not tried many other models. The sound fills me right away, even from all Saint Blues tried. The amplifier used in Blues Guitar has a lot ...

What I like about this guitar is its warm sound for playing music I love, the blues with clear sound, a little crunch, and much more. APRS, making sure the association with the amp, you can do many things.

I have had many positive comments about the sounds the audience heard (musicians or not) always returns the warmth, beauty marks, sustain (even if they do not call it all as a.)..

I gladly Rasht, the report quality / price as excellent. But I'm not Malsteen or Vai. I play to please me above all without an extraordinary level. But I can express myself, which I think is not bad dj.