Couple of small diaphragm condenser microphones.
In case of micro aliage plastic.

OVERALL OPINION

I use them for some months taken for various instruments, studio or live mode:
- Various flutes (traversire, beak, Irish, etc.).
- Overhead battery
- Accordion (couple), one for each hand of the accordion
- Violins
- Guitars Classical / Folk
- Stereo pair for a trio of woodwinds (flutes / oboe)
In all cases, there may be the worst and the best by positioning.
Despite the conditions for using live, they never set off a feedback (strangely, unlike some dynamic microphones).

I had the opportunity to work with the Apex 185 (well, I speak now, they can forget) before and K6/ME64 Sennheiser, Shure KSM series (I do not know what mod on) I also entraperu the Neumann KM184. Shure and Apex is very quickly saturated in situations that I grate regularly, so limina automatically, as to Sennheiser and Neumann limina t for their price (I need 4 microphones quickly).

A similar budget, I repeat the same without hsitations, now that I have apprivoiss, but with a small extension, I think I'm falling for the Sennheiser (with faster fist K6P that the PSU phantom is useful in some situations) I still love.
What I prefer this mic is its price. What I like least, enough plastic finishing ...

The ratio quality price is very good, but we must not hesitating to go through a good prampli for this microphone a little cold ..