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jmabate
Published on 06/20/05 at 03:51
Micro Kit includes:
1 E-602: links ( http://www.sennheiser.fr/index.php?class=%2Fsennheiser%2Fmicros%2F0010%2FMicrosinstrumentss%E9rie600%2Fe602.txt )
Cardioid, Frequency Response 20 to 16,000 Hz response range and optimized in the low
Ideal for the sources of serious problems usually, excellent transient response, lightweight voice coil, high performance, large membrane, independent of the directional response, good attenuation of other sound sources, Coil Humbucking, built-up thread
4 E-604: links ( http://www.sennheiser.fr/index.php?class=%2Fsennheiser%2Fmicros%2F0010%2FMicrosinstrumentss%E9rie600%2Fe604.txt )
small footprint, ease of placement, Low sensitivity to impact, sturdy body reinforced with fiberglass, very high sound pressure without distortion, hum compensating coil, excellent impulse response 40 to 18,000 Hz, special mounting clip was reliable Battery
2 E-614: links ( http://www.sennheiser.fr/index.php?class=%2Fsennheiser%2Fmicros%2F0010%2FMicrosinstrumentss%E9rie600%2Fe6091.txt )
Supercardioid condenser microphone. Ideal for overhead miking in drums, acoustic instruments. Used in stereo pairs. Insensitive to feedback noise. Attenuation of off-axis sources. Frequency-independent directivity. Flat frequency response and extended from 40 to 20,000 Hz Sound pressure eligible high 139 dB. Scratch-resistant anodized surface. Phantom power from 12 to 52 Volts High output level up to 2 V. Balanced XLR output.
OVERALL OPINION
In live sound and studio recording (drums), this kit is really Polyval, extremely robust, reliable and sound quality more than correct (depending on your ears and your taste), just add him to a SM-57 the snare and two SM-81 hit for the hat and ride ... and you have a battery of microphones kit hell ... only missing the drummer from hell!" rel="ugc noopener" target="_blank"> [/ url]
OVERALL OPINION
In live sound and studio recording (drums), this kit is really Polyval, extremely robust, reliable and sound quality more than correct (depending on your ears and your taste), just add him to a SM-57 the snare and two SM-81 hit for the hat and ride ... and you have a battery of microphones kit hell ... only missing the drummer from hell! " rel="ugc noopener" target="_blank"> [/ url] SM-57 the snare and two SM-81 hit for the hat and ride ... and you have a battery of microphones kit hell ... only missing the drummer from hell!" rel="ugc noopener" target="_blank"> [/ url]
OVERALL OPINION
In live sound and studio recording (drums), this kit is really Polyval, extremely robust, reliable and sound quality more than correct (depending on your ears and your taste), just add him to a SM-57 the snare and two SM-81 hit for the hat and ride ... and you have a battery of microphones kit hell ... only missing the drummer from hell!
1 E-602: links ( http://www.sennheiser.fr/index.php?class=%2Fsennheiser%2Fmicros%2F0010%2FMicrosinstrumentss%E9rie600%2Fe602.txt )
Cardioid, Frequency Response 20 to 16,000 Hz response range and optimized in the low
Ideal for the sources of serious problems usually, excellent transient response, lightweight voice coil, high performance, large membrane, independent of the directional response, good attenuation of other sound sources, Coil Humbucking, built-up thread
4 E-604: links ( http://www.sennheiser.fr/index.php?class=%2Fsennheiser%2Fmicros%2F0010%2FMicrosinstrumentss%E9rie600%2Fe604.txt )
small footprint, ease of placement, Low sensitivity to impact, sturdy body reinforced with fiberglass, very high sound pressure without distortion, hum compensating coil, excellent impulse response 40 to 18,000 Hz, special mounting clip was reliable Battery
2 E-614: links ( http://www.sennheiser.fr/index.php?class=%2Fsennheiser%2Fmicros%2F0010%2FMicrosinstrumentss%E9rie600%2Fe6091.txt )
Supercardioid condenser microphone. Ideal for overhead miking in drums, acoustic instruments. Used in stereo pairs. Insensitive to feedback noise. Attenuation of off-axis sources. Frequency-independent directivity. Flat frequency response and extended from 40 to 20,000 Hz Sound pressure eligible high 139 dB. Scratch-resistant anodized surface. Phantom power from 12 to 52 Volts High output level up to 2 V. Balanced XLR output.
OVERALL OPINION
In live sound and studio recording (drums), this kit is really Polyval, extremely robust, reliable and sound quality more than correct (depending on your ears and your taste), just add him to a SM-57 the snare and two SM-81 hit for the hat and ride ... and you have a battery of microphones kit hell ... only missing the drummer from hell!" rel="ugc noopener" target="_blank"> [/ url]
OVERALL OPINION
In live sound and studio recording (drums), this kit is really Polyval, extremely robust, reliable and sound quality more than correct (depending on your ears and your taste), just add him to a SM-57 the snare and two SM-81 hit for the hat and ride ... and you have a battery of microphones kit hell ... only missing the drummer from hell! " rel="ugc noopener" target="_blank"> [/ url] SM-57 the snare and two SM-81 hit for the hat and ride ... and you have a battery of microphones kit hell ... only missing the drummer from hell!" rel="ugc noopener" target="_blank"> [/ url]
OVERALL OPINION
In live sound and studio recording (drums), this kit is really Polyval, extremely robust, reliable and sound quality more than correct (depending on your ears and your taste), just add him to a SM-57 the snare and two SM-81 hit for the hat and ride ... and you have a battery of microphones kit hell ... only missing the drummer from hell!