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Published on 12/27/11 at 00:27Sandberg makes the luthier in Germany
5c lower precision type alder body polish and handle a natural pice Saddle with key reports (mother of pearl inlays) Saddle natural oil finish and wax (type musicman)
Handle fairly large (more than my MM5c) with a modern C profile type provided with 21 frets and a fret 0
Sandberg Mcaniques with an easel and blocking rglages dimensional
Kit P and J pickups CREL SERIES 2 (manufactured PAU), the Micro P as the first made by CREL my request cblage passive volume / balance / tone with capacity 0.047mF
UTILIZATION
The handle is unvarnished trs enjoyable, its width is a little to dpart Drout, it takes a little getting used to, ergonomics is a precision, c is that the trend nosedive but the price to pay for a mass of wood centered on micro severe (compared to a JB that the mass of wood on the micro acute)
The weight is an instrument made with good wood (between 4 and 5 kg), 5 c as a sport, you have to rgulirement exercises (weight training, tirement) to endorse the bte 4 5 hours a day without suffering.
Is the only BMOL Access in acute is difficult for two dernires frets, it is a technical type dvelopper bass.
The sound is by appointment, correction adveloppe STRID 0, P the microphone with severe SI is monstrous, cold does not drool with this microphone, the attack is perfectly rendered with lg re compression peaks, the bridge pickup has the tone of the JB if taken, the shuffled the two microphones is perfect for the modern slap sounds.
SOUNDS
I wanted a versatile low trs able to satisfy me in my personal game (work sixteenth notes, jazz and funk VLOC) with a JB bridge and also able to accompany me to live reggae sessions ( is the P that the micro is terrible) and I'm satisfied.
CREL microphones are microphones and sound bars trs pltot orients hot jazz, they have mdiums trs rich with deep bass, the pickups are the conus for SERIES 2 reproduce sound vintage but with a precision worthy of an effective and EMG kit, they are not microphones to rock and mtal for Defines and two words, it would be fine and hot.
For the violin part is the classic sounds are those of alder with key Rabl.
I go this low in a system that markbass transistor power amplifier D which sounds ultra clean and return any sound from the bass.
Being in a PERIOD or I do a lot of technique, I like the micro bridge with Tone J cup, but I m'clates as a kid when I do the oldschool funk on the micro P, c ' is pure happiness.
OVERALL OPINION
I play this bass for 2 months and I regret nothing, I also possde JB SERIES L and MM5c, but Sandberg is currently my prfre.
The violin is irrprochable (equivalent musicman or fender custom shop) and the standard can be as fine singing is really low I waited a long time and becomes an extension of my hands, low trs prcises and powerful in its rhythm and singing that "grwole" with micro J easel.
My next bass (fretless) is a sandberg, the report quality price is the best I've seen.
Clbres of manufacturers like M **** F ** der or man would do well to go and take lessons in violin Sandberg.
5c lower precision type alder body polish and handle a natural pice Saddle with key reports (mother of pearl inlays) Saddle natural oil finish and wax (type musicman)
Handle fairly large (more than my MM5c) with a modern C profile type provided with 21 frets and a fret 0
Sandberg Mcaniques with an easel and blocking rglages dimensional
Kit P and J pickups CREL SERIES 2 (manufactured PAU), the Micro P as the first made by CREL my request cblage passive volume / balance / tone with capacity 0.047mF
UTILIZATION
The handle is unvarnished trs enjoyable, its width is a little to dpart Drout, it takes a little getting used to, ergonomics is a precision, c is that the trend nosedive but the price to pay for a mass of wood centered on micro severe (compared to a JB that the mass of wood on the micro acute)
The weight is an instrument made with good wood (between 4 and 5 kg), 5 c as a sport, you have to rgulirement exercises (weight training, tirement) to endorse the bte 4 5 hours a day without suffering.
Is the only BMOL Access in acute is difficult for two dernires frets, it is a technical type dvelopper bass.
The sound is by appointment, correction adveloppe STRID 0, P the microphone with severe SI is monstrous, cold does not drool with this microphone, the attack is perfectly rendered with lg re compression peaks, the bridge pickup has the tone of the JB if taken, the shuffled the two microphones is perfect for the modern slap sounds.
SOUNDS
I wanted a versatile low trs able to satisfy me in my personal game (work sixteenth notes, jazz and funk VLOC) with a JB bridge and also able to accompany me to live reggae sessions ( is the P that the micro is terrible) and I'm satisfied.
CREL microphones are microphones and sound bars trs pltot orients hot jazz, they have mdiums trs rich with deep bass, the pickups are the conus for SERIES 2 reproduce sound vintage but with a precision worthy of an effective and EMG kit, they are not microphones to rock and mtal for Defines and two words, it would be fine and hot.
For the violin part is the classic sounds are those of alder with key Rabl.
I go this low in a system that markbass transistor power amplifier D which sounds ultra clean and return any sound from the bass.
Being in a PERIOD or I do a lot of technique, I like the micro bridge with Tone J cup, but I m'clates as a kid when I do the oldschool funk on the micro P, c ' is pure happiness.
OVERALL OPINION
I play this bass for 2 months and I regret nothing, I also possde JB SERIES L and MM5c, but Sandberg is currently my prfre.
The violin is irrprochable (equivalent musicman or fender custom shop) and the standard can be as fine singing is really low I waited a long time and becomes an extension of my hands, low trs prcises and powerful in its rhythm and singing that "grwole" with micro J easel.
My next bass (fretless) is a sandberg, the report quality price is the best I've seen.
Clbres of manufacturers like M **** F ** der or man would do well to go and take lessons in violin Sandberg.