I have not invested in this ink pedal but I command.

For my part, I like the really very good sound. That's why I play on the Hughes and Kettner amp any lamp, and pickups Seymour Duncan or EMG.

For the former, the Seymour Duncan, I opt for the passive models SH-55.
In contrast to the EMG I prfr take conventional, mount 81-85 and the other 81-60.

You have surely noticed the difference for most of the output level of passive and active pickups.

Or on active pickups and with an open guitar knob to the maximum, we often find ourselves with the distortion in the clean channel attack when the strings a bit strong, but also with the signal peak of its transmitter receiver constantly lit! So the first reflex is to lower the portard! Big mistake. The linear knobs at the signal are rendered somewhat non-existent ... This means that we completely changed the grain and the sound quality dlivr by microphones !! (It is in this case very con of having bought the assets EMG H4 and H4 A t have enough !!)

So this pedal will serve me, between my two connectors HF receiver of my system and between my amp, lowering the level of my guitar signal to attack the receiver slowly, and it without changing my sound. Thus, in concert, I could change between passive pickup guitar and microphone active with a click of the foot and not my levels remodifiant each change.

However, I admit that the report is a little utility tariff bones ... especially for this kind of pedal that can be even ... (I admit, I cracked, lack of time and desire sent me to buy this pedal-made ...)

Voil at least for my utility is perfect!