A short notice from that of complment Hamatro is good trs
I test the EMG 60 & 81, so humbuckers raisin bread.
Please note that I prcise EXG works only on active pickups!
As I find the EXG trs nice clean sound, as I trs moyement Strongly believes in disto! Ca solo brings something in rhythmic precision loss causes is not really my taste! And even on micro raisin bread! I can not imagine the sound of a boiling 85 ...
For sounds clear (any type, agreement, arpge, jazz or funk plan) 10/10
Crunches for 8 / 10
For solos 7 / 10
For distos mtal 2 / 10
It is best to listen to MP3 I raliss to get its own ide
Thank you my Keupine Draghixa me the hbergent
Each plan includes a jou mp3 6 times:
1st time: 60 micro EMG, EXG inactive
2nd time: 60 micro EMG, active EXG
3rd time: EMG 60 + EMG 81, EXG inactive
4th time: EMG 60 + EMG 81 active EXG
5th time: 81 micro EMG, EXG inactive
6th time: micro EMG 81 active EXG
For the solo there is no distortion combination 60/81, so only 4 shots.
Each time the EXG is engaged EST background!
Can not Stop (http://jacksonfreak.free.fr/pm/pm_test_exg_son_clair_cant_stop.mp3)
Jazzy Plan in clean (http://jacksonfreak.free.fr/pm/pm_test_exg_son_clair_plan_jazz.mp3)
Plan Bluesy its crunch (http://jacksonfreak.free.fr/pm/pm_test_exg_son_crunch_blues.mp3)
The Stones riff crunch (http://jacksonfreak.free.fr/pm/pm_test_exg_son_crunch_stones.mp3)
Agreements disto (http://jacksonfreak.free.fr/pm/pm_test_exg_disto_accords.mp3)
Enter Sadman (http://jacksonfreak.free.fr/pm/pm_test_exg_disto_meta_enter_sandman.mp3)
Riff notes in disto mtal (http://jacksonfreak.free.fr/pm/pm_test_exg_disto_metal_riff_notes.mp3)
Solo distortion (http://jacksonfreak.free.fr/pm/pm_test_exg_disto_metal_solo.mp3)
In a sample without distortion mtal play to hear the breath adds that the EXG when it is engaged. It starts without the EXG and then I put it back, I lenlve hands and I!
Alternating on / off without playing the EXG to realize the blast generated (http://jacksonfreak.free.fr/pm/pm_test_exg_sound_of_silence.mp3)
A big thank you to my keupine Draghixa Local Accommodations MP3s
Matos to the registration Sennheiser E609 HP before a Celestion Vintage 30's Tweed VHT 2x12 cabinet Shure SM 57 in front of an HP Eminence P50E Fatbottom VHT 2x12 cabinet
The V30 is compltement mix right, left lEminece compltement
The microphones are connected through an XLR Cables prampli micro ART TPS, the two channels are identical rgls of Manir:
Output = 10 db (bottom actually)
Gain knob has 14 dB (middle) and boost pad 20 db gain is triggered (if it is understood that tile)
The voicing is "Electric Guitar" so that the signal passes through the 12AX7 LPS (which comes from Gillou)
The ART is connected via Cables XLR / Jack the sound card Midiman Delta 44. Cubase SX 2: no treatment if the nest to normalize tracks to have a standard dcoute correct.
The VHT 2/50/2 power amp: The 2-channel Class AB, volume 6 / 10 around the initiated which removes Level - 10db in between (if I become deaf)
Channel A = V30: Voicing engaged Presence 6 / 10, Depth 7 / 10
Channel B = Fatbottom: no voicing, Precence 1 / 10, Depth 8.5 / 10
The rglages remain unchanged throughout lenregistrement
The VHT GP3 prampli: Volume gnral about half, Dynamics 7 / 10 (on the high distos jai just down the flight)
Clean: Channel 1 Gain = 1 / 10, 10/10 Volume, Treble 6 / 10, 8.5 Med & Bass / 10 Brite & Fat engaged
Crunch: Gain 5 / 10, Volume 4 / 10, Treble 5 / 10, Med & Bass 8 / 10, Brite & Fat engaged
Disto: Gain 8.5 / 10, Volume 4 / 10, Treble, Bass & Med 5 / 10, Hi Gain & Deep switched
Disto Mtal: Gain 8.5 / 10, Volume 4 / 10, Treble, Bass & Med 5 / 10, Hi Gain, Deep, Brite, Fat, Gain Boost (10/10) EQ & V on graph .
Guitar BC Rich Mockingbird, in Saddle Fully except rosewood, neck-24 cells. Electronic EMG, in 60 severe acute in 81, a volume knob (7 / 10 for clean sounds) and a knob EXG, 3 positions slecteur original post.
For more information on accessories guitar EMG ( ).
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Hamtaro's review (This content has been automatically translated from French)
EMG EXG is an additional circuit that acts as an equalizer that increases the bass and treble and reduces in the same time mdiums (a hollow sound). It is added in place of a traditional volume knob or tonality depending on the configuration that you want. The cblage is ultra-simple, it's EMG.
Here are a few possible configurations:
- Volume 1 + 1 EXG
- Volume 1 + 1 + 1 Ring EXG
- 2 volumes + 1 EXG
- 2 volumes + 1 + 1 Ring EXG (like a config 'Les Paul with 4 knobs)
This small module provides a real supplment sound, with more or less On success.
In distortion you can feel the sound becoming fuller and more digging, but this comes at dtriment of precision, the proportion of stroke knob. This can nanmoins s'avrer practice on a guitar that has a lot of mdiums we would see less Submitted.
In his clear, the EXG shows its true value. The sound is REALLY the magnificent arpges are consistent, although the agreements pais, without becoming confused. The EXG even adds a little compression, which I find really fun (with the excellent split single coil of 89). Playing with the assay are obtained and varied sounds trs INTERESTED.
Only small BMOL when he is engaged (knob turning), EXG the breath creates a lightweight (inaudible when playing) and further decreases (low, we are reassured) the duration of battery life.
When you want the sounds on his guitar diffrent team in EMG without changing microphones, the EXG could rvler a cot that any solution should be thinking more often .