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belzeb
Published on 10/22/08 at 09:27
30 watt amp simulation transo
4-channel recordable basic (clear, crunch, metal, insane)
Between guitar, between a cd player or mp3 (which is not my opinion) and a connection for a line6 pdalier to drive the cattle
Two combined effects: a cot chorus / flanger, phaser, tremolo and the other sweep echo, echo and reverb rape.
UTILIZATION
The configuration is not mchante, could not be more conventional, but we must even take the time to rgler. Once we found what we wanted, it supports diverse few seconds on the channel button and it recorded.
The only trouble is when we return to a preset position of knob means nothing ... So if you are caught with a desire to re-rgler, bah ... it's a bit galR
The manual can be download on the line6 site, but it's not really necessary.
SOUNDS
I use it with my Ibanez RG 7620 for RPTS has low volume and to make recordings (live on the mic between the sound card)
The CHANNELS:
Clean: not bad, it's transo. It sounds clean, but without much personality. I always use it with effects and a microphone that goes well, otherwise it's not terrible, but workable.
Crunch: Really bad. I never use it. It is dirty, not be defined, not dynamic for a sub. Better to use the insane and lower the gain and volume on the guitar Plutt this channel.
Metal: The still very bad. This is the worst sounds mtal the years 80-90 with a lot of gain, an equalizer hollow base. I never use it.
Insane: If by the cons, I use it a lot. It is a big distortion which, if not put too much gain (max is half the net, precise, and very dynamic ... It's transo cens be a simulation of pushed back one rectifying. (should not even when EXAGRES: p) cons if we put too much gain, has become rough, the bass drool everywhere. must learn to attack down the gain and frankly strings. But outside it was a cold and aggressive sound. It's not a sound but there's really light absolute possibility of having something very correct. Even if it not a Vetta, has frankly think the sounds of Meshuggah.
To get an idea I have recorded songs with at www.myspace.com / toroext
Finally the effects. They are not bad, especially since they can be used with a tap tempo, which is not behavior and negligible. I use quite a delay and the rverb. The Chorus is very synthtique, I'm not a fan, but not bad from time to time. The tremolo is nice too.
The problem is that the volume effect does not really have RULES, so it's all or nothing ...
OVERALL OPINION
It will do little prs two years I used to work and frankly it's good, it's much better than any other mini combo of my knowledge.
I love the insane and the channel is not clear. The crunch and the metal are filthy.
In comparo I know the vox AD15VT, which is its direct competitor. The clean sounds are better, more effects Malaya, but outside is shabby.
The price quality ratio is good, since we found more than OCCAZ. And I think I REFERRED that choice without hesitating, but just for recording and playing alone.
on the other hand, reviews those who would use on stage or AC rpt high volume, DO NOT MADE THAT CHOICE! Pushed as a feedback can not support a bass is an explosion of noise!
4-channel recordable basic (clear, crunch, metal, insane)
Between guitar, between a cd player or mp3 (which is not my opinion) and a connection for a line6 pdalier to drive the cattle
Two combined effects: a cot chorus / flanger, phaser, tremolo and the other sweep echo, echo and reverb rape.
UTILIZATION
The configuration is not mchante, could not be more conventional, but we must even take the time to rgler. Once we found what we wanted, it supports diverse few seconds on the channel button and it recorded.
The only trouble is when we return to a preset position of knob means nothing ... So if you are caught with a desire to re-rgler, bah ... it's a bit galR
The manual can be download on the line6 site, but it's not really necessary.
SOUNDS
I use it with my Ibanez RG 7620 for RPTS has low volume and to make recordings (live on the mic between the sound card)
The CHANNELS:
Clean: not bad, it's transo. It sounds clean, but without much personality. I always use it with effects and a microphone that goes well, otherwise it's not terrible, but workable.
Crunch: Really bad. I never use it. It is dirty, not be defined, not dynamic for a sub. Better to use the insane and lower the gain and volume on the guitar Plutt this channel.
Metal: The still very bad. This is the worst sounds mtal the years 80-90 with a lot of gain, an equalizer hollow base. I never use it.
Insane: If by the cons, I use it a lot. It is a big distortion which, if not put too much gain (max is half the net, precise, and very dynamic ... It's transo cens be a simulation of pushed back one rectifying. (should not even when EXAGRES: p) cons if we put too much gain, has become rough, the bass drool everywhere. must learn to attack down the gain and frankly strings. But outside it was a cold and aggressive sound. It's not a sound but there's really light absolute possibility of having something very correct. Even if it not a Vetta, has frankly think the sounds of Meshuggah.
To get an idea I have recorded songs with at www.myspace.com / toroext
Finally the effects. They are not bad, especially since they can be used with a tap tempo, which is not behavior and negligible. I use quite a delay and the rverb. The Chorus is very synthtique, I'm not a fan, but not bad from time to time. The tremolo is nice too.
The problem is that the volume effect does not really have RULES, so it's all or nothing ...
OVERALL OPINION
It will do little prs two years I used to work and frankly it's good, it's much better than any other mini combo of my knowledge.
I love the insane and the channel is not clear. The crunch and the metal are filthy.
In comparo I know the vox AD15VT, which is its direct competitor. The clean sounds are better, more effects Malaya, but outside is shabby.
The price quality ratio is good, since we found more than OCCAZ. And I think I REFERRED that choice without hesitating, but just for recording and playing alone.
on the other hand, reviews those who would use on stage or AC rpt high volume, DO NOT MADE THAT CHOICE! Pushed as a feedback can not support a bass is an explosion of noise!