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Line 6 Spider Jam
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Pepitow Pepitow

« Super TOOL work! »

Published on 12/26/11 at 06:41
Modlisation 75w amp with HP 12 "and tweeter 2", Intgr tuner and internal memory.

Complte trs connector:
-Between guitar
Between-XLR (microphone)
Mp3-between
-Auxiliary Input (for a keyboard or bass, for example)
Between-RJ45 (pdalier line 6)
Between headphone-
SD-card slot the rear
-2 RCA audio output record for the rear (I assume these are two exits formulation as a forum to record live on a computer or mixing desk)

The rglages also are complete:
A mini-rgler knob for the volume of micro and
Selection of modlisation-amp (as usual in Line 6)
-Drive
-Bass, Mids, Treble
Channel-Flight (Flight of the channel used)
-Effects (2 knobs: Chorus / Flanger, Phaser, Tremolo - Delay, Tape Echo, Sweep Echo)
-Reverb
-Master (for the volume rgler General for the receiver> guitar, backing tracks, etc ...)

Finally, the record section, consists of (from left to right) of a button to select recording section (record guitar or microphone input is said to be the guitar, either between XLR), a button to select the Jam track, the backing track drums, or recordings, one for the rgler DIFFERENT volumes, one to select the personal tones and presets, the small LCD screen the three large buttons REC / OVERDUB, PLAY / STOP, UNDO, select a wheel / navigation, a mini pad with 4 Arrows circular navigation button save (for all records, jam or tone).

UTILIZATION

Setting a bit complex to beginners, many sub-menus, sometimes hidden, but by reading the manual is clear plutt (even if sometimes it does not right any Retailer), we finally understood so you have a good Journe use in order to properly take over 100%.

Is obtained as usual Line 6 sounds easy enough that one seeks the sonic palette offers thanks and effects Intgr.
It is easy to operate even when given the options proposed by the amp!

The drum tracks are trs good, varied, and their speed is variable. Backing tracks for jamming the above are not bad and quite numerous.

Operation is easy, see recommended, with a pdalier Line 6 (FBV Shortboard for my part, I use as my Spidervalve), damage needs to either assign a standard use (s selection of presets) or use Jam (can record a track or start at the base, which is much more convenient than playing s&#39;arrter to press the button on the amp with his finger and then replay ...).
But I do not see how they could have two functions coexist on a single pdalier ^ ^

So I put 8 worth a 7 if you do not have pdalier.

SOUNDS

The sounds right for me, because I have a dj spidervalve 212, so I easily found my sound that I love about this amp, although they sound diffrent, worse than on my spidervalve, which is normal since it is light and full spiderjam modlisation, however I do not find these sounds ugly, and rendering the headphone is really excellent.

Again Line 6, do not just s&#39;arrter the presets on offer (although some are good and are part of my daily use), and some sounds are in the area of ​​fair sometimes .
So as usual Line 6, we get all kinds of sound, the sound palette is really gniale and can affect all styles.

I play it with a BC Rich Mockingbird and LTD KH-202 with a Cry Baby 535Q (as the Line 6 amp and wah really is not in top distortion).

So I put 7 because it is worse than the spidervalve and all the sounds are not forcment extra.

OVERALL OPINION

I use it for one month and a half, and I am fully satisfied, it is a working tool that I recommend to all! If I had had so many beginners, I started working the solo improvisations and much sooner! Before him I had a marshall MG15CDR (see anything ...) and I always possde to play with my group of 212 Spidervalve my Line 6.

So I use this amp mainly for playing in my room, with the headphone of the world or if it&#39;s late, for jamming, doing improv, but my work compound, polish, work solos, etc. ... And I use it also with my group to amplify our pianist and piano numrique Yamaha and our singer by plugging the mic on it. The sound quality is excellent and the volume is really good even with a drummer maniac.
In addition you can assign DIFFERENT rglages for diffrent output and rgler indpendamment volume for the microphone and piano, rgler EQ microphone singing, and assign a reverb / or delay, etc ... It was a really great tool that has either to work alone or in groups!

The drum tracks and backing tracks are really good, not all of course, but you will find forcment to suit your style.

For now in use I found him not rel default, or may be in some rglages in the records (eg volumes, consider the record before rgler because if everything is Basically, when you replay it over hear you can not because everything will be at the same level, they can rgler APRS course record, but it will have to do it again APRS complexion and turn on the amp), and can also be the impossibility to modify a record APRS shot (if you have an IDE later to lead a little phrase has stuck, you will ba all re -record in full, or at least I have not found the solution for I do not look in depth ^ ^).

But otherwise it&#39;s really a great work tool would recommend it, especially as OCCAZ the ratio Q / P is great, nine is a bit expensive. Especially a pdalier Line 6 is highly recommended!
I would do without this choice hsiter, I even wanted to do before!