All t adj said.

UTILIZATION

Configuration simple enough vis - vis what may be the machine: amp + speaker + amp + effects + EQUAL compressor + noise gate etc ...
A small amlioration that would welcome t: diodes on all knobs to view the qual use right away.
The manual is clear and trs more than enough.

SOUNDS

Then the the big slap. Dynamics and all the standard volumes.
I use a gibson sg and explore both om the EMG (81-85 and 81-89) + baffle 4x12 correct and sends it right.
Little we spend time on rglages, and you can have a range of sounds icroyable.
The only gripe I can make him is that he got me too (yes I said too much) lower, but must also come from my config.

OVERALL OPINION

I've had one month and I immediately find a little more each time I play.
And in ergonomics, there is no better (I love the concept head + effects, quickly shot to three plug his gear).
I had some prjujs before because I played for 5 years on all the lamps (mesa caliber, correct, and Engl Powerball II 5150) and in fact, this amp does not blush toward technology "standard" (But I love playing on my amps vraimment lamp).
I now use it in RPET and especially scne to confirm I think my opinion on the machine.
Dtracteurs and all of this technology (especially those seeking the High Gain), are going to try a HD 147, you'll be bluffs.

Edit After a few months of use:

I forgot to say - the amp simulations are only simulations. Sounds good, but does not sound exactly like the real amps all rglages. What is especially intrressant with this amp, it is the line6 Creations that allow you to have a sound vraimment particular and not that of everyone.

APRS one live with 2 minor complaints:
- Diodes on each knob to see his rglages in real time is not of luxury especially when the scales are short.
- The time to select the tuner function is too long (it must remain on a second support qqes switch so that it is activated). Feedback, we must be able to agree to a spar between songs during the set.

Otherwise, vraimment nickel.