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5.0/5(3 reviews)
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NilsVimundrPublished on 08/13/07 at 01:05 (This content has been automatically translated from French)
I bought these pickups, there are more than a month and I mounted my gibson sg standard.
They are super responsive and can prove quite surly. They are suitable for any kind of music quite "old school" ... Hubert Sumlin at AC / DC I say.
I tried a sg mounted with P-90 and I must say that P-94 have little do with aa P-90. They are very reactive, like the P-90, but their sound is less creamy and a little more couillu. These are great mics but do not buy them, thinking they will have P-90. They range from mini humbuckers and P-90.
I do it again this choice easily
They are super responsive and can prove quite surly. They are suitable for any kind of music quite "old school" ... Hubert Sumlin at AC / DC I say.
I tried a sg mounted with P-90 and I must say that P-94 have little do with aa P-90. They are very reactive, like the P-90, but their sound is less creamy and a little more couillu. These are great mics but do not buy them, thinking they will have P-90. They range from mini humbuckers and P-90.
I do it again this choice easily
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victhebigExcellent neck pickup, one of the best
Published on 07/22/11 at 12:55 (This content has been automatically translated from French)Mounted on my LP Studio Faded to balance my ToneZone in easel.
The full body / mahogany neck also give bass that shake the walls below ... In the joint clean and powerful sound is incredible, I had never before felt so much momentum. Gibson ES339 half my body is equipped with Classic 57 +, but here we are in another category.
My LP Studio was a faded scratches virtually "dead" with mochetées of Burstbuckers Pro, and with its circuit board that holds the rotten knobs.
With ToneZone and P94 youpieeeee!
A note: I put the volume knob a P94 CTS 500k log, and a "treble bleed cap" capacity 0.47pF (code 473 written on it, the same as in the famous ability Tubescreamer)....…
The full body / mahogany neck also give bass that shake the walls below ... In the joint clean and powerful sound is incredible, I had never before felt so much momentum. Gibson ES339 half my body is equipped with Classic 57 +, but here we are in another category.
My LP Studio was a faded scratches virtually "dead" with mochetées of Burstbuckers Pro, and with its circuit board that holds the rotten knobs.
With ToneZone and P94 youpieeeee!
A note: I put the volume knob a P94 CTS 500k log, and a "treble bleed cap" capacity 0.47pF (code 473 written on it, the same as in the famous ability Tubescreamer)....…
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Mounted on my LP Studio Faded to balance my ToneZone in easel.
The full body / mahogany neck also give bass that shake the walls below ... In the joint clean and powerful sound is incredible, I had never before felt so much momentum. Gibson ES339 half my body is equipped with Classic 57 +, but here we are in another category.
My LP Studio was a faded scratches virtually "dead" with mochetées of Burstbuckers Pro, and with its circuit board that holds the rotten knobs.
With ToneZone and P94 youpieeeee!
A note: I put the volume knob a P94 CTS 500k log, and a "treble bleed cap" capacity 0.47pF (code 473 written on it, the same as in the famous ability Tubescreamer).
The full body / mahogany neck also give bass that shake the walls below ... In the joint clean and powerful sound is incredible, I had never before felt so much momentum. Gibson ES339 half my body is equipped with Classic 57 +, but here we are in another category.
My LP Studio was a faded scratches virtually "dead" with mochetées of Burstbuckers Pro, and with its circuit board that holds the rotten knobs.
With ToneZone and P94 youpieeeee!
A note: I put the volume knob a P94 CTS 500k log, and a "treble bleed cap" capacity 0.47pF (code 473 written on it, the same as in the famous ability Tubescreamer).
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50
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j'arrete demainPublished on 10/09/08 at 08:50 (This content has been automatically translated from French)
Mont neck position on a epiphone dot335 (half box)
difficult to compare with the original microphone, so the diffrence is great, but some observations:
output level a little suprieur humbucker at home
trsdfini with its deep bass and treble prcises brilliant without being AGESSA. less smooth than most fiery p90, it bites well prampli when you mount the volume on the guitar. It's a microphone capable of many shades little we do a little playing around with the volume and tonality. For the fan of p90 (which I am) this is not the same sound but we find the same characters and the same fawn use. I have another guitar p90 (gibson es225) and I play both a happy gal. I think the p94 is...…
difficult to compare with the original microphone, so the diffrence is great, but some observations:
output level a little suprieur humbucker at home
trsdfini with its deep bass and treble prcises brilliant without being AGESSA. less smooth than most fiery p90, it bites well prampli when you mount the volume on the guitar. It's a microphone capable of many shades little we do a little playing around with the volume and tonality. For the fan of p90 (which I am) this is not the same sound but we find the same characters and the same fawn use. I have another guitar p90 (gibson es225) and I play both a happy gal. I think the p94 is...…
Read more
Mont neck position on a epiphone dot335 (half box)
difficult to compare with the original microphone, so the diffrence is great, but some observations:
output level a little suprieur humbucker at home
trsdfini with its deep bass and treble prcises brilliant without being AGESSA. less smooth than most fiery p90, it bites well prampli when you mount the volume on the guitar. It's a microphone capable of many shades little we do a little playing around with the volume and tonality. For the fan of p90 (which I am) this is not the same sound but we find the same characters and the same fawn use. I have another guitar p90 (gibson es225) and I play both a happy gal. I think the p94 is more eclectic, we can explore more sounds. He asks be tamed but once in symbiosis with it, it is a pure rgal. I would do without this choice hsiter it to improve a guitar, and I'm curious to try it on a solid-body Les Paul type ...
difficult to compare with the original microphone, so the diffrence is great, but some observations:
output level a little suprieur humbucker at home
trsdfini with its deep bass and treble prcises brilliant without being AGESSA. less smooth than most fiery p90, it bites well prampli when you mount the volume on the guitar. It's a microphone capable of many shades little we do a little playing around with the volume and tonality. For the fan of p90 (which I am) this is not the same sound but we find the same characters and the same fawn use. I have another guitar p90 (gibson es225) and I play both a happy gal. I think the p94 is more eclectic, we can explore more sounds. He asks be tamed but once in symbiosis with it, it is a pure rgal. I would do without this choice hsiter it to improve a guitar, and I'm curious to try it on a solid-body Les Paul type ...
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50
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Tech. sheet
- Manufacturer: Gibson
- Model: P-94R
- Category: P90 guitar pickups
- Added in our database on: 08/10/2006
We have no technical specifications for this product
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Other categories in Guitar Pickups
Other names: p94r, p 94 r, p94 r, p 94r black & silver, p94rblack&silver, p 94 r black & silver, p94 rblack&silver, p94r black & silver, p 94r black & silver