I've had a few years ...
what I love most is that c c is very useful for throwing several sounds on a multitrack (less loss of time in the studio ..), sync all good, except it is limited ... if I have 8 stereo audio in I would have made 16 trips, so by adding the 2 outputs / rd Originally it was actually 8 mono output (stereo or 4) and therefore must balance the sound in 2 stages.
on a digital multitrack, if c is rap eg sounds are easy to reset but when we eg sequences to Timbaland, c is just making head ...
I generally weigh the drums first, then the other samples.
but I forgive him where c is the sound that comes out of these outputs didn't color, grain, heat that owns the output of stereo headphones!! légeremnt + cold ..
So either you record track by track through the headphones (which I very strongly advise you) or you add a multipreampli has lamps (type tl audio 5001, it is dear the story of staining), or through a mix of vintage table Quality has 8 tracks, or you catch al equalization complicated ... .. short and there will be no real grain Ensoniq, it will better or worse, certainly different ...
I cheer for I find that he believes should have been included for optional origin and not, thankfully I was sold with the asr10 of ocaz.
if you do not have one, c is not important ... it is not essential.