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Cascade Microphones FAT HEAD II
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  • azelmaazelma

    Cascade Microphones FAT HEAD IIPublished on 01/05/09 at 15:11
    (This content has been automatically translated from French)
    The Fat Head II is a ribbon microphone (directivity at 8), ideal for guitar amps (you can edit sound, cash it without flinching!)
    The sound is full and prcis a rgal! Trs, trs, trs near a Royer R121, but much cheaper ....

    I also use it on brass (trombone, trumpet), the gum enjoyable due agressivit the instrument while keeping
    the natural sound. Attention prvoir an anti-pop, the band does not like the effects of "wind" read at the lodge!

    The pair is delivered in a suitcase with suspension and fixing bar for Blumlein-type recording Stereo.

    Trs also works well over head on a battery.

    OVERALL OPINION

    I bought a pair of microphones Cascade such a few months ago and I'm rea…
    Read more
    The Fat Head II is a ribbon microphone (directivity at 8), ideal for guitar amps (you can edit sound, cash it without flinching!)
    The sound is full and prcis a rgal! Trs, trs, trs near a Royer R121, but much cheaper ....

    I also use it on brass (trombone, trumpet), the gum enjoyable due agressivit the instrument while keeping
    the natural sound. Attention prvoir an anti-pop, the band does not like the effects of "wind" read at the lodge!

    The pair is delivered in a suitcase with suspension and fixing bar for Blumlein-type recording Stereo.

    Trs also works well over head on a battery.

    OVERALL OPINION

    I bought a pair of microphones Cascade such a few months ago and I'm really pleased.
    The ratio quality / price is to go.

    Cascade Microphones is a registered non amricaine distribution in France currently.

    I would do without this choice hsiter.
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  • BluesnickyBluesnicky

    Great for fans of a ribbon microphone

    Cascade Microphones FAT HEAD IIPublished on 07/31/10 at 20:23
    (This content has been automatically translated from French)
    characteristics already mentioned previously

    OVERALL OPINION

    I use it for about 1 month.
    Reviewed overhead for drums, guitar ampl, amplifier harmonica, vocals.
    Like all ribbon microphones, the sound is warm, not too flashy highs and its roots a bit which suits me perfectly.

    In overhead, you have to play a bit on the EQ to Resoort cymbals a little but nothing too bad. On a guitar amp, or harp is excellent.
    On singing, you need a good preamp because of the relatively low level of the microphone but the record is interesting!
    I plan to test the 4038 schools that are a cut above. I would go back to an update when I could compare. .

    Value for money really good, they are not ve…
    Read more
    characteristics already mentioned previously

    OVERALL OPINION

    I use it for about 1 month.
    Reviewed overhead for drums, guitar ampl, amplifier harmonica, vocals.
    Like all ribbon microphones, the sound is warm, not too flashy highs and its roots a bit which suits me perfectly.

    In overhead, you have to play a bit on the EQ to Resoort cymbals a little but nothing too bad. On a guitar amp, or harp is excellent.
    On singing, you need a good preamp because of the relatively low level of the microphone but the record is interesting!
    I plan to test the 4038 schools that are a cut above. I would go back to an update when I could compare. .

    Value for money really good, they are not very expensive and very good quality.
    I do it again without hesitation that choice!
    See less